Ultimatehero
Life is infinite
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I'll give a answer that some may not 'get':
A movie without heart.
That's talking more the hollywood studio system than indie films. But, some studio systems you can just tell they did it for the paycheck. Or the writer just wrote what they thought the audiences or studios would like rather than the story they wanted to tell. You have to be true to yourself, feel a real pull towards that story, and hopefully have the rest feel the same way. When everyone is passionate about it and it's coming from a real place - then you've at least got something that will resonate and strike a chord.
It's as Michael Shannon once said when asked how he can tell a good script and these were the ones I considered while working at a big time studio as well -- when it feels like the writer is standing naked in front of me and saying "here I am, judge me as you will." Not only are his characters undergoing a journey, but you can tell that the writer is as well and that's the most fascinating because when it's coming from a very human place chances are the audience will have similarly felt those things in their lives as well. Those were the good screenplays. And that's what I always do with my work as well - the more honest you are whether it be actor or writer or director - the more engaging it will be. Don't be afraid to be naked. The less honest you are with the work and just trying to make a quick buck, the more people will likely catch on.
Studio term: 'Considered' means "send up past the interns and to the executives" (as opposed to 'pass' which meant that it wasn't good). You get about 1 consider script per every 20-30 passes script, if you're lucky as a reader. So to me, those were the ones I passed along. The ones that felt... genuine.
A movie without heart.
That's talking more the hollywood studio system than indie films. But, some studio systems you can just tell they did it for the paycheck. Or the writer just wrote what they thought the audiences or studios would like rather than the story they wanted to tell. You have to be true to yourself, feel a real pull towards that story, and hopefully have the rest feel the same way. When everyone is passionate about it and it's coming from a real place - then you've at least got something that will resonate and strike a chord.
It's as Michael Shannon once said when asked how he can tell a good script and these were the ones I considered while working at a big time studio as well -- when it feels like the writer is standing naked in front of me and saying "here I am, judge me as you will." Not only are his characters undergoing a journey, but you can tell that the writer is as well and that's the most fascinating because when it's coming from a very human place chances are the audience will have similarly felt those things in their lives as well. Those were the good screenplays. And that's what I always do with my work as well - the more honest you are whether it be actor or writer or director - the more engaging it will be. Don't be afraid to be naked. The less honest you are with the work and just trying to make a quick buck, the more people will likely catch on.
Studio term: 'Considered' means "send up past the interns and to the executives" (as opposed to 'pass' which meant that it wasn't good). You get about 1 consider script per every 20-30 passes script, if you're lucky as a reader. So to me, those were the ones I passed along. The ones that felt... genuine.
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