Spider-Kurt!
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Preach! I don't think I could have said this better myself.The 70s for several reasons:
The 70s were a great age for comics in that, comics were just beginning to emerged and transcend the camp of the previous two decades, but they still retained what had always made comics a great and unique medium; entire, massive storylines of the grand and fantastic could be told within just 22 pages, and those stories maintained a wonderfully naive sense of right and wrong, just and unjust.
And Batman comics were no exception to that rule. Batman could be harsh, Batman could be adult - at times threatening to shove knives down criminals throats, sideways! - but at the same time, he wasn't crime. He was still the Caped Crusader. He could walk down the streets in broad daylight, and inspire children, and help the innocent just by his presence and demeanor.
Meanwhile, the stories themselves were very of the iconic sort of Batman stories that everyone is accustomed to; they were mysteries, they were lavish European and Asian excursions, they encapsulated the core essence of the quintessential Batman. And did it in just 22 pages. Batman was a detective, Batman was an adventurer, Batman was disturbed and troubled man plagued by the demons of the past. But he wasn't a demon himself. He was always a hero. He was always what people should aspire to be; talented, selfless, driven, kind, intelligent and good.
I honestly haven't seen that character since the Frank Miller/Alan Moore grimfest of the mid-80s and beyond. Not to insult their seminal work - they are deserving of all of their praise and more - they set up a tone in comics - in Batman comics in particular - that could not, and I don't think will ever capture Batman as completely as those comics of the 70s and early 80s did.
The 70s for several reasons:
The 70s were a great age for comics in that, comics were just beginning to emerged and transcend the camp of the previous two decades, but they still retained what had always made comics a great and unique medium; entire, massive storylines of the grand and fantastic could be told within just 22 pages, and those stories maintained a wonderfully naive sense of right and wrong, just and unjust.
And Batman comics were no exception to that rule. Batman could be harsh, Batman could be adult - at times threatening to shove knives down criminals throats, sideways! - but at the same time, he wasn't crime. He was still the Caped Crusader. He could walk down the streets in broad daylight, and inspire children, and help the innocent just by his presence and demeanor.
Meanwhile, the stories themselves were very of the iconic sort of Batman stories that everyone is accustomed to; they were mysteries, they were lavish European and Asian excursions, they encapsulated the core essence of the quintessential Batman. And did it in just 22 pages. Batman was a detective, Batman was an adventurer, Batman was disturbed and troubled man plagued by the demons of the past. But he wasn't a demon himself. He was always a hero. He was always what people should aspire to be; talented, selfless, driven, kind, intelligent and good.
I honestly haven't seen that character since the Frank Miller/Alan Moore grimfest of the mid-80s and beyond. Not to insult their seminal work - they are deserving of all of their praise and more - they set up a tone in comics - in Batman comics in particular - that could not, and I don't think will ever capture Batman as completely as those comics of the 70s and early 80s did.
I honestly haven't seen that character since the Frank Miller/Alan Moore grimfest of the mid-80s and beyond.
So, I'm going to say that Grant Morrison's run on Batman is the best.
This was an unexpected answer and response but a respectful one as well. I haven't read those stories from the 50's but I think it's cool that Morrison had the courage to put out the effort to tackle an era of Batman most,if not all writers had since ignored and tried to bridge the gap between then and now.I'm reading a lot of the 1950's Batman era right now and some of that stuff was kind of bad ass for the time. It's corny as all hell and they say "*****" a lot in the book it introduced a lot of stuff that is around in the book today. You have the Knight and Squire introduction. Then that led to the Batmen of Many Nations storyline. Then shortly after that we had that Batman of Zur En Arr, or whatever. Plus the introduction of the Bat-Mite. Most of those aspects are being used in, or had been used, in the recent run of Grant Morrison.
Honestly though...I have to say I'm quite a fan of the era of RIGHT NOW. I've been reading Batman steadily since 1993 and this is the best the book has been since I've read it ever. So, I'm going to say that Grant Morrison's run on Batman is the best.
And a special mention of the 1950's because while it was corny it was kind of cool. I suggest if people can get their hands on collections, etc, to do it and see for yourselves.
Why was this eleven year period your favorite?70's because of the rules...
But, 1988-1998 is the best ten years of Batman comics...
This is a great response as well. When coming up with his question,I was torn between the 70's and the 80's. Both had their strengths and both had their weaknesses. Most likely,if I were to narrow it down as to my favorite consistant period of Batman it would be somewhere between 1975 or so til about 1983 I think. While I'm leaning towards the 70's,I can't help but to agree that the 80's era,for the most part did only improve and add on to what the 70's accomplished.The 70's were highly influential yes, they feature some of the greatest Batman stories ever told. They were before my time but I did revisit those books and loved a lot of what I read. Though I'm more of an Englehart/Rogers guy than I ever was O'Neill/Adams (still No Hope In Crime Alley and the story with the mute mutant seal boy are some of my all time favorites). However I can't call them the greatest because the 80's only greatly improved on the foundations set by the 70's.
So I vote for the 80's. I admit nostalgia is a bit of the reason why I vote that way. Since I've been reading since 1988 a lot of the stories of the end of that decade are MY Batman. However it was also a brilliant decade in general for the books.
Some of the most underrated gems were released during the beginning of that period (Ie: The Strange Saga of Rupert Thorne epic that picked up from Englehart/Rogers' plot threads). I had the privilege of reading a lot of them cause of my cousin's back issues back in the day. Many of them were never shown any TPB love though so many bat fans have never even heard of them.
Yet alot of these stories were tremendously well executed and took things up a notch without sacrificing the tone from the 70's books. For one thing this was the period where Gotham became more vibrant and alive. Jim Gordon became a THREE dimensional character during the early 80's. The Bat family had a very prominent role during this period etc.
lol It's cool. I get the idea of what you mean.I was serious about asking you what about those years makes them your favorite.haha...
The 70s for several reasons:
The 70s were a great age for comics in that, comics were just beginning to emerged and transcend the camp of the previous two decades, but they still retained what had always made comics a great and unique medium; entire, massive storylines of the grand and fantastic could be told within just 22 pages, and those stories maintained a wonderfully naive sense of right and wrong, just and unjust.
And Batman comics were no exception to that rule. Batman could be harsh, Batman could be adult - at times threatening to shove knives down criminals throats, sideways! - but at the same time, he wasn't crime. He was still the Caped Crusader. He could walk down the streets in broad daylight, and inspire children, and help the innocent just by his presence and demeanor.
Meanwhile, the stories themselves were very of the iconic sort of Batman stories that everyone is accustomed to; they were mysteries, they were lavish European and Asian excursions, they encapsulated the core essence of the quintessential Batman. And did it in just 22 pages. Batman was a detective, Batman was an adventurer, Batman was disturbed and troubled man plagued by the demons of the past. But he wasn't a demon himself. He was always a hero. He was always what people should aspire to be; talented, selfless, driven, kind, intelligent and good.
I honestly haven't seen that character since the Frank Miller/Alan Moore grimfest of the mid-80s and beyond. Not to insult their seminal work - they are deserving of all of their praise and more - they set up a tone in comics - in Batman comics in particular - that could not, and I don't think will ever capture Batman as completely as those comics of the 70s and early 80s did.
lol It's cool. I get the idea of what you mean.I was serious about asking you what about those years makes them your favorite.
That's not a decade. And the "because it came first" argument doesn't hold a lot of water. Superman couldn't fly in his first years and Batman carried a gun. The characters were ironed out (improved upon) later.But I think 1939-1942 is the best because there would be no Batman comics if it weren't for that decade. That's also the most atmospheric decade of Batman comics, IMO.
The people that followed them took it even further though and this is why Bat jerk became so prominent. This also turned me off from the books for a while as a lot of those arcs like Orca, War Games, As The Crow Flies, Hush and Broken City (which did grow on me now years later) initially repulsed me. But that's a prominent product of the early 00's and not the mid-80's.