Let me get this out of the way up front so people who don't want to read a novel don't have to.
Hal Jordan, John Stewart, Kyle Rayner, Guy Gardner, and a number of other Green Lanterns could carry a movie.
Looking for the "only choice" is kind of silly in context. It depends on the kind of Green Lantern movie they want to make, and who is making the movie.
Total 100% agreement. I actually detailed this differences in what types of movies would be best suited for them not too long ago.
I didn't say a word about you proving bad word of mouth not hurting the film.
But if you're trying to pretend that the bad word of mouth mostly stemmed from Green Lantern being white? No. Just no.
I don't even consider that "bad word of mouth". I consider that confusion.
I also didn't say a word about mostly or any such comparison. So you're not disagreeing with my statement.
I didn't seek to boil John down. In context, I used this as an example of how characters shouldn't be boiled down, period.
I didn't need to describe the basics of the Stewart character, you already did that.
But not only are characters necessarily boiled down for promotion, but comparing Hal too a similar perhaps deeper character doesn't qualify as boiling him down.
And that proves what, when it comes to film, exactly?
If I remember correctly, GLTAS came after GREEN LANTERN, and could easily have been "tainted critically" by the movie.
I don't think all this proves anything about which CHARACTER would be better received.
It's just a trend, not evidence, because there is no evidence.
1. The same applies for a lot of the elements of John Stewart you described as his "varied experience.
2. I don't subscribe to that way of thinking when it comes to source material. Though much of it is not canon, it is still Green Lantern mythology source material. And much of it is more interesting and richer in story and character potential than what Johns has written, which is, quite frankly, quite generic compared to much of Hal's earlier material. Johns is not the end-all be-all, nor is the New 52.
3. Canon and source material are fluid and often cyclical. Look at Joe Chill.
Afaik, Stewart's failings haven't been retconned as anything but his personal fault, and yes, I suppose in some eventuality a non-generic Hal, and Hal film, could happen.
But many of your key points about why John Stewart is a richer, more well received lead character don't hold a lot of weight, since Hal is also lot of the things you claim Stewart has an advantage because of.
There are plenty of times where Guy Gardner took center stage, and the Green Lantern title survived, and even thrived. Many people LOVED Gardner.
That was the version of guy that wasn't Hal-lite, some head injury or some such. And I don't think I can agree with you that Hal has those things that he used to, though I definitely understand why you would feel he does.
Let's call a spade a spade (crap, that's not a racist term, is it?). John Stewart's origin is largely a cliche "racism exists" introduction of a black character to an existing superhero mythology.
Of course Hal was going to be a prejudiced *****ebag. But how exactly is proving a prejudiced *****ebag wrong a "deep" character trait for the person being wronged? It's a story, and a pretty common one in literature, to be honest, even in comics, which were basically liberal-minded moral institutions at the time.
Being allowed to be ignorant is the hallmark of a balanced story that allows it's characters to grow. The origin does definitely have a huge cliche, but Stewart bucking the hero of the comic, that was groundbreaking at the time.
Opinion, opinion..
My opinion, and the opinion of many? He wasn't that different a hero, and he wasn't that deep, either. He was a stripped-down, watered-down version of a much more interesting John Stewart from the comics, and in many respects, yet another stoic, morally absolute superhero with many of the same conflicts as other heroes, including cliches/superhero tropes.
I don't find anything about John Stewart's portrayal on JLTAS particularly deep, other than perhaps the trial storyline, where he had a few deep moments.
I don't see how dating Hawkgirl means much of anything. Is it because he's a human and she's an alien?
What does changing his look have to do with anything, let alone this debate?
Dating Hawkgirl was a huge through of the show and provided it's major twist. It's not a storyline that any other character could have engaged in. Same with changing the visuals thematically as the shows theme changed. Being versatile allowed him to elevate the show in a way that couldn't happen with another lantern who is not as versatile.
Again, you can reduce anything through summarizing.
That's no way to accurately compare or value characters.
Of course it is. That's what happens at the beginning of every comic book, every pitch meeting, every introduction, summarize to communicate value. If you do it well, it's accurate.
And the same could be said for John Stewart.
Or was he chained to MOSAIC because he was wildly popular? Nope. MOSAIC actually jump started a character whose popularity was waning.
When his popularity waned again he was crippled and more or less forgotten for a while.
What metric could possibly be used to gauge the popularity of a supporting character? His popularity was not waning before MOSAIC. Nor was it waning at the end when it suddenly disappeared and turned up crippled sometime later. That's just not true.
Nope. Sorry. There's no rule about what Green Lanterns can and can't do, especially when starting from relative scratch (a film origin/adaption).
The fact that writers have thus far chosen to limit the characters has no bearing on what an artist adapting the broader Green Lantern mythology could do. We can argue could and should/shouldn't, but can and can't? Not really.
Creativity has no limits.
...yeah, technically they can just faceroll the keyboard and there's nothing stopping them from doing that... but audience expectations and market demands propose very serious limits on how much money can be spent or recuperated on a given adaptation.
mmm...no.
We have multiple movies with Lex Luthor because Lex Luthor is an incredibly important character to the core Superman mythos, and has been for a long time.
Despite his earlier origins...Ultra-Humanite? Not so much.
He became an important character by happenstance? Someone picked out of a hat? Or he had quality stories someone followed up and expanded on? Even when changing continuities?
Any positive things that came from ANY GL push may have been skewered by the negative reception. It's not just Hal.
And Hal Jordan is iconic, period. He was one of the reasons the Silver Age of comics took off, and he's been an iconic character for some time.
Iconic is a messy word, but in the future, any GL film will need to separate itself from GL2011. Nothing does that faster than Chiwetel Ejiofor on the poster.
You can do anything you want with any character, and you can write any story you want. If you couldn't, Hal wouldn't have killed a bunch of GLs and guardians and the concept of Parallax wouldn't exist.
That's not a crazy example in terms of theming. That fall perfectly within the theme of Hal's character as much as him flying a jet or talking back to authority. A crazy example would be: Hal becomes a doting mother of three. And yes, you can write that, and no one could stop you, and no one can say you "shouldn't," but from the perspective of getting and keeping an audience, it's a bad idea unless you're talking about a Hal-in-name-only situation.
You can do the same for any character. You're so biased when it comes to this silly idea that John Stewart cannot be "summarized" that it's not funny.
"Black superhero with a power ring"
See, I just did it. It's quite possible.
If I was so biased, why are you quoting me summarizing someone I believe can't be summarized? I'm not biased, I'm just accurate. "Black superhero with a power ring" says only one thing about Stewart while Solo/Maverick/Kirk-type says all but one thing about Hal Jordan. Notice how one summary says nothing about personality and theme, but the other encapsulates nearly everything about personality and theme. You suggest that since every character can be summed up, summaries are irrelevant, as though all summaries are equally accurate and all characters are as easily summed up as all others. This seems to be self evidently false, I don't know how to illustrate it to you any better.
You're clinging to this silly idea that somehow they can only use New 52 ideas. That's ridiculous. And it wouldn't serve your argument for using John Stewart over Hal any more if it WAS true.
And you don't know that. For all we know, Geoff Johns won't even be WITH WB/DC in 2019. It's likely, but we don't know for sure.
We don't know for sure if anyone will be alive in 2019, saying the most likely events aren't guaranteed begs a very different type of discussion.
But you bring up a good point, as long as we're stuck with boring Hal, we're also stuck with boring/supporting John Stewart.
Well, you should hope that's not what they do, because otherwise, "Black Green Lantern" has little chance.
It is what they're going to do, and Black Green Lantern does have very little chance. I established that a long time ago.
I don't recall making any argument about the movie business.
Most of my posts was in relation to you trying to prove John is a more interesting character than Hal, and your attempts to do so.
That is the context for this discussion, but even outside of that, it doesn't appear we're talking about the same thing anyway. You're talking about an ideal Hal, while I'm talking about the current iteration (Geoff Johns' Hal is also pre New 52), which we both agree is generic.
Your point that John Stewart is a strong character capable of carrying a franchise is accurate.
Your point that somehow John Stewart is a stronger character than Hal or a better choice to headline a film, and the actual reasons you give for it? Not so strong. Mostly opinion. And frankly, missing the point. See my first sentence or so to this post.
I can't miss a point I already made. Even you agree that different Lanterns are better suited for different types of stories. I think the type of story John Stewart is best suited for would be more appealing, on account of uniquness if nothing else, than the kind of story Hal Jordan, even the interesting version, is best suited for.
Now if you believe that the characters are interchangeable, since they're fictional and their histories have no necessary bearing on their futures, then you probably disagree. I live in a world, however, where current iterations of characters draw on previous ones, and the most critically and comercially viable keep character themes consistent.
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Totally. As long as Geoff Johns has weight it's always going to be Hal.
You're just so wrong DrCosmic. Sorry
Let the record show that I *tried* to agree with Rorschach. All I got was namecalling and cursing.
Lol. Very mature. I won't cry if Hal's announced. I didn't cry last time. I knew he would fail & patiently waited for it to happen. If they're not using Flash like a crutch to prop Hal's lame ass up(Hal would probably have just dragged Barry down w/him anyway), I don't see big things for another Hal solo flick. He doesn't stand well on his own. We've got plenty of time for WB/DC to come to their senses tho.
Pretty much. It's hard for a villain to really become megapopular when the hero he's up against doesn't have much going for him. It's like if Darth Vader always fought Jar Jar Binks. Han or Kirk would be ****ing AWESOME w/a power ring!!I think it's one of those "to each his own" type of things that fanboys don't seem to get. The appeal to me is the corps aspect.
Pretty much. It'd be awesome if WB cut him out of the picture because they want to actually MAKE money this time instead of losing lots &lots of it
Lol. I can't disagree with you.
There is one way they could make Hal super successful. It kinda has the same problem as a Hulk movie in being a mega-expensive adolescent power fantasy that is expected to have deeper themes at the same time because of the genre and the long gone deeper themes of the 70s comics, when really the core current fanbase who fell in love with the recent revivals of the character just wants to see cool powerful ish happen.
The way forward, if they're dedicated to a Hal movie is to go with the raw power fantasy version, to do a sort of Transformers take, or, if you are allergic to the word, a Pacific Rim style whiz bang, where it is clear and present and explicit that we are here to see cool stuff and that this is the value and contribution of the film. It is not a deep treatise on the nature of fear, because when you look at the comics honestly, from a psychological perspective, the Green Lantern gets fear all wrong as it's a "force" to be "overcome." That's not fear, that's ignorance. These films have modest cliche and almost meaningless personal arcs that work largely as sideshows to the main event: awesome characters doing awesome things that look awesome.
Instead of trying to force the current and beloved Green Lantern mythos to be something deep or grounded, they need to embrace that this is jet pilots using bright colored anvils to smash people in the heads with a background narration about using the power of heart. They would need to fully embrace that this is, essentially, the ultimate version of kids playing pretend trying to one up each other. If they run with that, fans will be so enthralled that Green Lantern is finally what he should be and so faithful to the comics, and the general audience can be caught up in the visual spectacle and all the innovative new things that can happen in a Green Lantern battle that no one will realize, or care that Hal Jordan is largely a static character. He doesn't need to grow or realize anything beyond 'now some of my friends are aliens.' No one came to see Hal Jordan grow out of his womanizing or conquer the terror that grips him while being a test pilot. That's not what Hal is for, that's what Kyle is for. Hal is for kicking butt and taking names and always coming out on top while refusing to have a plan or bow to any authority figure. That's what Hal is for. That's what Indiana Jones is
for. That's what James T. Kirk is
for. And if the GL movie of the future embraces that fully, if they just accept that the main character of Geoff Johns' GL is not the selling point or source of success for the modern GL franchise, but it's the larger than life conflicts and visuals, without the tedious weight of nuance and vagueness, they can do gangbusters. Same with the Hulk movie, as much as I love Ruffahulk, his cuddlyness is not enough to sate the millions (and millions!) of weight lifters, wrestling fans and general strength fetishists who boast Hulk (not Banner) as their favorite superhero, even though longtime fans of the character want exactly that kind of nuanced Banner and Hulk dynamic that Ruffalo can totally provide.
I don't think it would make Sinestro mega-popular though, in the same way Megatron or any of the villains from Indiana Jones never became mega-popular. They are, in the end, fodder for the hero's awesomeness. Sinestro has a sort of arc as a traitor, but really it's all about Hal Jordan jumping into the central battery and putting a whomping on him to give him his comeuppance. So went the best Green Lantern movie ever made. Khan was enabled to become popular because Kirk, aging, had become more than just an adolescent power fantasy, thanks to ST:TMP.
I think a Flash/GL movie would have been interesting, I was excited for it, because it would have been different. A buddy superhero film. It also promised to not try and make Hal deep, he could have just been *that* guy from the buddy cop films with Barry being the straight man with the actual arc. Alas, tis not to be.