October 22, 2002
Later in the day, [Production Designer Guy] Dyas discussed the matter of the mutant-hunting mechs, [The Sentinels]. "I did lots of sketches on Sentinels. There were three designs we came up with and one was what we ultimately decided upon, but Fox said no." It's hard to imagine what they could dream up in a digital effects age that would cause budget-conscious Fox to tank the Sentinels, but Dyas remained upbeat. "It was cool, they were going to attack the White House." The scene now involves more traditional military forces. He also hinted at the possibility of an X-Men movie art book, so perhaps with a little luck, what didn't make it to the screen we'll be able to pick up at a bookshop.
The book seems a given, considering that Dyas and Co. produced over 3,000 pieces of art, many of which are from Dyas himself. The walls of one room were covered with a selection of art to show us and the results are a mix of heart-stopping and heart-breaking. One of the first debates of pre-production was what mutants would come on board Beast, Colossus, or Nightcrawler. Nightcrawler won out, perhaps because of budget considerations, but Dyas' concept work on Beast and Colossus remains, pinned to a wall somewhere in Burnaby. Using a photographed male model and then adding photoshop details, the results are amazing, but obviously expensive (either in time or money). The steel physique of Colossus wasn't the guy-covered-in-metal look we're familiar with in the comics, but rather a more anatomical effect, where the muscles underneath are steel. With the skin stripped away during transformation, the effect is powerful and grotesque.