Coming from somebody that lives in the Chicago area it's hard to really imagine it as Gotham if those are the same streets that I drive on.
For me it isn't ... they still mix up enough other shots, along with sets to make it a creation onto it's own. Plus, Year One artist described his opening shots of the elevated train and filth to be lifted and based on Chicago itself and it's elevated train. They even give a nod to it by Gordon being a transfer from the Chicago Police Department.
Alex Ross, one of the best comic book artists of all-time, from Chicago as well, CLEARLY in his brillaint "War on Crime" graphic has his Gotham based on Chicago very obviously as well. His Gotham is potrayed as a modern metropolis.
I prefer my Batman more grounded in actual real world horrors, and enviornment.
Real life ghettos, and slums, or China Towns in REAL cities, when driving by at night, or being in them ... I can very much appreciate the intimidating nature of the surroundings, and can cathartically envision a real Batman prowling the roof tops at night.
They are MUCH more horrifying to me than excessive, and overdesigned city scapes with German values, as opposed to American architexture.
My favorite depictions of Gotham, visually have all been real world, gritty takes. Year One, TDK Returns, War on Crime, Year 100 (my favorite)
Like I said, and to respectfully disagree with Paul Dini ... when Batman himself is an EXTENSION of the art design of Gotham, and if Gotham is too "freak-ish" like in itself ... a Batman being inside of it is well ... kind of normal.
In a real urban enviornment, the image of a Batman is more POWERFUL as it stands out, and you can recognize the symbol that he stands for in a much more empowering way.
GothamAlleys said:
But the first movie's architecture has nothing to do with German, that came in Returns.
"I'm gonna fight you on this ..." ~ Bruce Wayne (Batman Returns)
No, B89's design CLEARLY is set with a nod to Bohemian and German architexture. The museum is called the "Fugelheim" for christ sakes, lol ...
What do you think that's a reference to my good man?
In Returns, he takes it further an makes it German Expressionist.
Either way, I feel like I'm in some other wordly German City in BOTH films. And it's funny considering Burton is an American director, yet his film doesn't feel like America itself ... AT ALL. And while Nolan is a dual citizen of both the US and Britain ... most of his production staff is english, and their ENTIRE creation is DECIDINGLY more American.
And I call bull honkey on making the films "timeless" with it's Gotham ... as if that has EVER been important to a STORY, anyway. In fact the BEST stories are the ones OF their time. That reflect the state of society at that precise moment in history.
And even in making the films timeless, he ultimately failed at that too considering we see 80's vehicles, 80's style dress at certain times (B89 - Bruce's FUGLY Bill Cosby sweater, Mock Turtle Neck and Jeans), and of course ... the PRINCE music, and not truly giving the Joker his own theme, but rather basing his appearances off Prince music. MAJOR face palm.