I saw some people complain about the lack of action or new creatures, but that confused me—28 Days Later isn’t Resident Evil. It’s less about lore and more about exploring human emotions in an apocalyptic world. And even if that’s become familiar now, this might still be my favorite take on it.
I was very touched by the story of this boy willing to do anything to save his mother. His resilience and innocence really struck me. And there was something absolutely disarming in realizing with him that she won’t die from the virus or the harsh conditions they’re in, but from a banal disease.
I like the way the film shows that, no matter where you are, two forces remain constant beyond all conditions: death and love. Memento Mori, Memento Amori. This is the driving force of the whole film, and it's beautifully symbolized by Kerson’s monument—and it makes sense they used it for the poster.
Beyond the story, I’m simply completely blown away by Boyle’s direction. The fast cuts, the resolution changes,... It's arty and could fall in some gratuitous styling, but it just f***ing works for me.
And the sound—both the sound design and the soundtrack—is incredible. There’s a real craft in how Boyle syncs image and sound, building a storytelling style that feels raw yet precise, and totally his own. Wish more director will use the « power of sound and vision » like that.
And what can I say about the cast? Alfie Williams is excellent—this kid can already carry a film on his own. I’ve never really been a fan of ATJ, but I’ve got no complaints here, and Comer seemed really solid as well. I had forgotten Fiennes was in it too, and it was a pleasure to rediscover him. I really liked his character, eccentric at first, but ultimately a keeper of memory (Though I couldn’t help noticing, with my twisted sense of humor, that he’s once again playing a guy using cremation ovens—tthough his time in a more positive way...).
About the final scene, it was surprising but I didn’t really felt a shift in tone, honestly. The saga also treats of the UK and I feel like there’s something very British about the sudden appearance of such quirky characters. And even though I missed the connection to Savile (no idea how I overlooked that), I simply took this group as a kind of analogy for countercultures and teenage rebellion from our own world, transposed into this violent reality. It’s all about mirrors in these movies, and I’m really curious to see where it goes next…
So yeah, absolutely loved that movie !
Is there some things that felt odd ? Yes, I also thought they could have killed Samson when he was stunned, yes I wonder about the logisitcs of infected families… but at no point it bothered me of taken me out of the movie and its story. Which is crazy because I'm a big nitpicker... but I have no notes.