You call it poor man's, i call it an updated version of Bane. I like Hardys version more than the comic and ive liked Knightfall since i was in elementary school.
It's not an update though. An update implies progress. True, that's subjective but what's there with movie Bane other than, "protectah, looks tough, cries"? Talia stole his whole upbringing and flashback scenes in the twist. That's her development, not his.
The comic version shows us a kid put in a prison for a crime he didn't commit and we see that child in that type of hell. We see his mother getting thrown to sharks, we see him having to stomp the guts out of rats for food. Hell, the symbolism of the little Osito bear representing his innocence which is then cast out along with the warden/dictator/officer with the sharks just like his mother has deeper meaning than anything with movie Bane. I'm sure this isn't your intent, but you make it sound like since you were a kid reading those things and they're older, they're somehow "elementary" compared to "the superior Tom Hardy version". I read those when they first were issued and Bane was much more well rounded than he is now.
Hell, his motivations for coming to Gotham and slowly breaking down Batman's physical, emotional and mental strength is much more interesting than, "I'm getting revenge and fighting for the ideals for a gang and dead leader that called me a monster, excommunicated and banished me". Is that an opinion, sure, but I question the tastes of someone who thinks other wise. What is complex about movie Bane? What makes him more superior? Or is it because Nolan interpreted it and Hardy performed it? That's not fair when we get so caught up in the "mythology" and "story" parts of what makes Batman and his universe great. Comic Bane, just in his first couple of appearances is more rounded out than the movie.
Only thing movie Bane has on comic Bane is looks, but even then, a Mr. Clean looking dude with a gas mask and ugg coat being better than a luchador looking mercenary is debatable. And I'd like to think we all care more about character development and story than we do appearance here.
It's just a different interpretation of these Batman characters if they were existing in a more realistic world than the comics or cartoons.
Bull.
That pit was supposed to be such a "hell" but the comics and prison movies like the Shawshank Redemption do a better job of conveying that real, grim darkness. That sense of hopelessness.
Seeing a kid smashing rats to survive and having to pull up with all his strength in order to survive as to not drown is much more real than a guy wrapped with a towel around his head defend a child . . . after living in a prison his entire life (if he even did). He didn't even try to make that climb. He didn't even ESCAPE himself!
But as a Batman fan who never cared for Robin that much but respects his involvement in the mythology, i was perfectly fine with that scene. Because it literally was a wink-wink scene. He's not literally Robin. He's just a wink at the end of the series. I enjoy that scene.
Then what is Blake exactly? A watered down version of a potential legacy Batman? That seems like unneeded fluff. I wouldn't want to see a Batman portrayed as not "really being Batman" or the Joker "not really being Joker" because then I'd question why they were included in the film at all. That's the problem with Blake. If it was "just a wink", then what's the point. Either interpret Robin or don't. Thank goodness they didn't do that with Batman or the Joker.