For an "end of the month wallet-buster", this week wasn't so bad; under $30 and about the same amount as last week, even with the WIZARD. Granted, several books were over $3, which means I actually got fewer books. Just about everything was good, with four hits, one "alright" and one de-evolving clone mess. Let's get started.
As usual, a warning that I not only post spoilers, but whatever fancies my brain.
DREAD'S BOUGHT/THOUGHT FOR 10/25/06:
52 WEEK #25: An adorable Halloween cover, I might add. However, none of the three heroes that those kids dressed as (Booster, Steel, or Question) appear within. The pencils are by a laundry list of hot artists, which probably means that deadlines are starting to bite into lead-time so they're having more than one artist per issue. Hey, this title's already smashed the record of the last attempt at a weekly comic (it was a Superman weekly that didn't last half as long as 52 so far). But a bit did happen and tied up some plot threads to tie them together; a wise move as 52 nears it's halfway point. Bruno Manhiem is the boss of Intergang and he's setting his sights on using Gotham as his full "base" instead of Metropolis (now that Infinity, Inc, Supernova, and whatever other metagenes are rushing about there), and is killing his way through some underbosses (i.e. lame villians who should have died long ago, like Kite-Man, WIZARD's favorite "Mort of the Month") to show how nasty he is. Not an uncommon trait from DC this year, but it works. Meanwhile, a generic big demon named Neron (if he's not, then my DC lore is bad, which it is) is tearing through Metropolis on Halloween. Mary Marvel and Marvel Jr. are trying to fight him, but get nowhere until the Black Marvel Family swoop in and kick arse. Ralph Dibney, in probably my favorite bit, wanders around some otherworldly realm with Fate's helmet and is shown the price of failure by meeting the lost, decayed souls of others who misused magic, including his old JLA enemy Felix Faust; the description of his decent is well done and considering I usually hate magic because it's often shorthand for a dues ex machina, it worked here. Apparently DC wants to step away from the "people who randomly find a magic item and become demigods" origins of yesteryear because they're both illogical and less gritty than showing stuff like this, and DC's all about the gritty; why else to randomly kill Kite-Man? Alan Scott (who, missing an eye is reminding me of Nick Fury, and knowing he's in CHECKMATE only confirms it, sorry) and Mr. Terrific meet and basically add to the backstory on CHECKMATE, now about half a year old. And on Oolong Island, it appears that Intergang is the one gathering the scientists in their bid for takeover, and Mannhiem seems set to take on Kahndaq. And is that large egg thing yet another version of Egg-Fu, WW's stupidest enemy, or someone new? But almost better than the rest is the origin of Nightwing, if only because of Perez's great art and because it reminds us of how cool a character he is and was, until he got mangled and ruined of late. Grayson's problem is that he did grow up, but as the Big Three's position in the DCU is inflexible, he could only grow so far before hitting a place from which to stagnate, and become rotten. Hence the dilemma of neverending stories. And I wonder why the Moniters are "shocked" that "destiny has been averted". Hasn't that happened almost monthly in comics? When you have psychics, mages, dimension hoppers, time travellers, etc, destiny is going to have to bend like a Stretch Armstrong doll. A better issue of 52 than last week for me although not it's best. It's still one of the best things out of IC though. A constant serial.
JUSTICE #8: Easily DC's shining jewel this week, the Ross/Krueger/Braithwaite collaboration reaches it's final leg after a long road to get here. The wait between issues can sometimes be unsustainable even though DC stated at the onset that this was going to be a bimonthly. That's simply because it has been a strong story, a tale not afraid of using "corny" and outdated characters, designs, and elements. It's taking the Silver Age/Superfriends incarnations of the League and LOD and doing a very epic, substantial story with them, taking it all seriously and frankly without making it too grim, whether it's Aquaman's costume or Plastic-Man bickering with Elongated Man. Rallying at the Fortress of Solitude, the JLA get a break when Flash captures Capt. Cold in the Middle East, bringing him in for Batman-style interrogation (still covered with the Lasso of Truth that keeps the nannites from controlling him, we learn Batman's threats are hardly bluffs and are real...every time). Both Superman's X-Ray Vision and Batman's interrogations reveal the motivations behind the LOD; we sort of know it by now, but with a 2 month gap between issues, it's nice to be reminded in an obvious way. The villians are being motivations by apocalyptic visions, and Brainiac apparently is using nannites to control people; his research on Aquaman shows he also is trying to figure out how to control telepathy (Grodd?) and Superman thinks he's the real mastermind besides just Luthor. Meanwhile, the LOD launches their attack on the sidekicks and families of the JLA, mind-controlling the sidekicks (Aqualad, Robin, Supergirl, Batgirl, etc) into doing their bidding and holding the rest captive. Aquaman makes a thunderous entrance and proves it's not his costume, or powers, or having a hook for a hand, or whatever that holds him back, it's how he's presented. He walks in with a thunderous enterance, scolds the team for being "idle" and declares bloody vengence on Brainiac. Elsewhere, Phantom Stranger saves Hal Jordon from his exile and we get a pin-up that'll probably be lining the screens of Corps fans for years to come. It appears the only Leaguer still in mortal danger now is Wonder Woman, who reveals that Cheetah's "magic posion claw" wounds will eventually brake her down into dust and kill her. Superman and the others make a good statement about the LOD's motives (if they REALLY wanted to save the world, they wouldn't be looking to make themselves into saviors nor plucking out followers), but one still wonders if perhaps the "vision" may come to pass? Anyway, I'm really loving this series even if it takes so long to tell. It's everything you could want in a superhero story that is both mature yet not believing that "gritty" or denying that some corny concepts or bright colors exist. Maturity is not denying the absurd or amusing, but accepting that it is part of life. JUSTICE does that and this series is set to become another Ross instant classic along with KINGDOM COME and MARVELS. Yeah, the art looks a little static when the punches are flung, but with talking issues it looks spiffy. Anyone who isn't reading this, "too cool to call itself ALL-STAR" series should consider the inevitable hardcover collection later next year.
SECRET SIX #5: The great thing about mini's is that just when you start to get bored with them, they end. Such is the tale of Secret Six. The last issue was a bit of an amusing but totally random brawl with the Doom Patrol to enhance the issue count past 5, and I've not been feeling this installment as much as VILLIANS UNITED (which had superior art to boot). This issue sets up the climax and is full of double crosses, nudity, and more information about Mad Hatter than you ever expected (Simone has honestly made him sort of cool, a decent feat). But sometimes I wonder if the book is about the dialogue and less about the plot, which is a little generic. So Scandal fights Deadshot, then leaves, then it's a ruse SO she could leave, meets Vandal Savage to submit to him, only to attack him...y'know, backstabbings are nice but they eventually have to make sense. Anyway, like I said, I'm not loving it, but it's still an enjoyable read for what it is, and next issue it's done. I probably won't bite for a third stab, though.
CIVIL WAR: CHOOSING SIDES: A one-shot concieved "due to the lateness of the CW main title", this issue is a good read overall, but let's call a spade a spade; the book is merely a 40+ page edition of PREVIEWS to hype either new or current Marvel titles; either the just-started ANT-MAN, or their "YeahbuhWHAT" collaboration with the CBS soap opera GUIDING LIGHT (because, y'know, comic fans and soap fans somehow crossover, right?), or upcoming titles like IMMORTAL IRON FIST, OMEGA FLIGHT, or the next incarnation of THUNDERBOLTS. Now, none of that is specifically bad. New titles need support if they're going to sell, so a primer like this works like DC's COUNTDOWN or BRAVE NEW WORLD specials. The difference? Both of those were bold enough to be $1, sold like hotcakes, and got attention. This one is $3.99, because Marvel can't help itself but be greedy. Both "Marvel" and "Greedy" have the letters E and R, are 6 letters in length, and the same amount of consentante and vowels if you don't count Y. Coincidence? Yeah, but it fits for the rant. My point is that hyping upcoming titles is a good thing, and all of the stories here were good and readable (even the one that introduced, literally, "Guiding Light" as a superheroine. I mean, what a waste of soap imagination, Jim McCann). And I am sure it'll sell well and get exposure. But imagine how much better it'd have sold at, say, $1.99. Think about it next time, Marvel. For once in your publishing history, you'll have to realize that one has to invest something to get something; a cheaper CHOOSING SIDES may have translated to more exposure for the new titles hyped within. Now we'll never know. Instead Marvel got greedy in the short term and forgot about the long game, as usual. Sigh.
That all said, the stories come from a who's who list of talent and are all pretty good. The Venom story isn't bad even if I can't stand Scorp-Ven. The Brubaker/Aja sneak of Iron Fist is good and does it's job to hype you for the series. U.S. Agent's story provided a surprising fight with Purple Man and a reason for why the devoted American patriot crosses the border to form Omega Flight (and it wasn't because he went rogue like Cap did!). Ant-Man (who's Eric, but solicts and Ant-Man #1 sort of hinted at that anyway) continues to be a bit of a jackass hero (for amusing effect). But Howard the Duck by Templeton & Langridge just about stole this one from me. It took the SHRA and played it for comedy gold, and Howard's lingo was biting. I'd almost buy a Howard the Duck comic now. Almost. As for "Guiding Light", it was a generic sort of superheroine story, but what do you expect from a soap collaboration!? I've read much worse. Anyway, like I said, CHOOSING SIDES itself is a good read, just I feel Marvel would have been better off making it cheaper like DC's $1 primers to enhance it's access to fans. Admit it's an ad and use it for that effect, like DC did. You don't pay $4 to watch an ad.
NEW AVENGERS #24: If any title has been helped in terms of quality (not sales) by CW, it's NEW AVENGERS. It's forced Bendis to play to his strength, which is personal one-shot stories about a solo hero, and not an arc with a team of them, where on NA he's been abysmal. They also fall in-between issues of the big event. Of course, this means when CW is over and Bendis is back to trying to tell 4-6 issue long team arcs, he'll probably be underwhelming again (because to improve would mean admitting a flaw, which I have never read Bendis doing; even Morrison admitted mistakes in the new WIZARD regarding BATMAN), but I can enjoy it while it lasts. This one focuses on Sentry as he flies to the moon to escape the stress of CW and the thought of fighting his allies, only to tick off the Inhumans, who're living there, because they think he's an agent of the "humanity" they're now at war with. Sentry irons it out calmly and almost hooks up with Crystal (who he seemingly dated back in the past but no one remembers), when Iron Man storms in and accidently provokes the Inhumans to get Sentry on ball. Bendis, with his skill at chatter, naturally is good for emotional internal dialogue, and Ferry puts in some beautiful art; man, I've missed him at Marvel since H4H ended. Sentry, while one of the most powerful beings on Earth, dislikes normal conflict for fear of freeing The Void, which is always a part of him. Plus, his distaste to fight former allies is also confounded. Iron Man seems to show some compassion but still remains a "ends justify the means" sort of guy, much like, well, Magneto (or Dr. Doom, another armored rich guy who believes the world'd be a paradise if only everyone listed to exactly what he said, all the time, forever). But, Iron Man has lost sight of the present in being a "futurist". Just look at what he does this issue. He seeks to get his friend, and cares nothing about bursting into Attilan or blasting Gorgan when he gets ticked about it. Way to be a diplomat, guy. For chrissakes, this is a world where our soldiers are accused of "war crimes" for doing less. Anyway, good issue without making Iron Man TOO evil, although one wonders if it's because he literally couldn't FORCE Sentry to go with him, so he HAD to appeal to him with words and emotions. With, say, Spider-Man, Stark could afford to be a bit of a bully if he wanted. Being that Sentry hasn't done much in CW aside for pummeling Wolverine in his last issue, you could say this issue takes place really anywhere before that issue and after CW #2. Anyway, another solid issue of CW NA. I just wonder what'll happen when it ends?
ULTIMATE SPIDER-MAN #101: People have been hard on USM's Clone Saga, especially the last issue which either claimed that Bendis had been planning this for 100 issues, or a few arcs ago and now introduces a bit of a retcon ("oh, Richard Parker has been behind the scenes this whole time, just like Dr. Gero's latest andriod"). This arc started out with a bit of a twist and some suspence. But this is part 5 of an 8 part story and one would expect it to start making sense, and it doesn't. It also is, frankly, de-evolving into conveluted rubbish, just like the LAST Clone Saga in 616. Note that one, too, started off well but then fell into oblivion by the end of the first year and especially into the second. Ultimate Clone Saga has taken considerably less time. So, Clone Gwen is a Carnage monster and at the end MJ basically is mutated into a Sasquatch? Yeah, I'm starting to tune out (the fight with the 6-Armed Spidey has been immediately forgotten, proving what a waste it was). Nick Fury is out to arrest Peter Parker because his clones are running amok (which doesn't explain why he's after Peter if the CLONES are running amok, but...). The Fantastic Four show up and side with Peter, as well as fighting off Carnage until Tinker's Spider-Slayers can zap it (why they look like knights on bowling balls is up to Bagley). As for Peter? A bit player in his own book, doing more whining, crying, and moping, just like your 12 year old sister when she misses THAT'S SO RAVEN. He's like Claire from HEROES, nothing but reacting and crying, and being in distress, nothing forceful. As for why no one will know he's Spider-Man after all this happens outside his house is another mystery. I honestly don't see the point of this story anymore, other than to be shocking and to shatter a status quo that the Ultimate world was created to re-establish. The 616 Spidey had "lost" that "teen soap opera" stuff and USM redid it for a modern era; now I can't see how the book can go back without something equally ******ed ("This was all another dream from Nightmare, come save me Ultimate Dr. Strange Jr. with the soul-patch and earrings, which instantly make you hip, or at least look hip to balding, overweight writers in their 30's"). The story just seems like an exercise in "tying together loose connections into conveluted gobblegook with GASP! OMIGAWD shocks" and not an actual relivent narrative. If you wanted to see what a shark looks like when you jump it, look no further than "Were-MJ" at the end. And it STILL doesn't make a lick of sense as we go into part 6 of an 8-parter. And Spidey still wears his costume more on the cover than inside, even when his own father all but begs him to get more professional. At least Aunt May is safe (and one could concievably have her "forget" some of this stuff after her heart attack/stroke/convient geezer ailment). Marvel is making a big deal about Bagley leaving, but at this point I think Bendis has offically run out of ideas, and it's the writing dept, not the art, that needs a shot of new blood. Just think; it took 616 Spider-Man over 350 issues before it needed a clone reboot. USM didn't even last 100. A spectacular finish could still redeem this, but I'm no longer feeling it. Maybe USM's become a helpless damsel in distress in his own book for the upteenth time, combined with Carnage and Werewolf jibberish that're finally the last straw. I may be done after this arc if things don't improve. Especially after reading INVINCIBLE, USM is going down the tubes a bit. "Manomanoman" indeed.
ALL NEW OFFICIAL HANDBOOK OF THE MARVEL UNIVERSE #10: Didn't read it yet but I expect to like it as usual. The Slingers get their Bio, and yes, the real Hornet is still dead. Sorry, gang. But Steel Spider's here too!
Wizard #182: Read about a 3rd of it and it has some revelations about the 50 State Inititive from CW #5, which hasn't shipped yet. Also some good interviews and the usual chest-beating previews of stuff. Whedon had a good line about "events" at both houses, and explained his Emma arc a little better.