Bought/Thought July 6th, 2010 *spoilers*

Academy is #35 and Haweye & Mockingbird is #73.....Academy should get more than a year. 2 to 2 and 1/2 tops. H&M will only prob get a year.

And NA was #1???? Man-oh-man, people love to be spoon fed Bendis' s**t don't they? It was the worst book of all of the relaunch.
 
Haha, Franken-Castle outsold PunisherMAX, albeit by very little, but damn, that makes my day just to see.

Almost everything else I read (outside a few exceptions) either isn't on the list at all or is selling like ****. I bet I'm going to have a few slots empty on my pull list by the end of the year
 
I"m not at all surprised Hawkeye and Mockingbird only hit #73. I've always found Clint kind of dull; and, even though the first issue was ok, if I was on a budget, I wouldn't have even given the book a shot.

Jonah Hex #57

Coming off the hit (cough, cough) movie, I'm surprised DC and Gray/Palmiotti didn't come up with a better story than this. It's still a decent read; but, it's nothing that will necessarily wow a new reader. Fifty-seven issues into this series, the book needs some kind of storyline that carries through to the next few issues. Heck, you can still have stand-alone stories, but it needs some plot line that hints of some intrigue further down the line. Right now, this is a book that anyone can pick up, drop, and come back to without feeling like they missed a thing. :dry::yay:

Avengers: The Children's Crusade #1

Fantastic first issue! This reminds me why I loved the original series so much, and it's nice to see a writer FINALLY acknowledging a search for the Scarlet Witch. (I remember Hawkeye went in search of her once...but, not much really became of that.) :woot:

Hit Monkey #1

Picking up where the one-shot left off (which is a much different Hit Monkey than we saw in Deadpool recently), Daniel Way's story really has me liking a monkey/ape character more than I ever have before. In this mini, Hit Monkey is directed by the dead spirit to kill the people who set the original murder in motion. By issue's end, Bullseye gets involved...and, I find myself more interested in this Bullseye appearance than in the more hyped Shadowland. :yay:

The Stand: Hardcases #2

This issue focuses on Trashcan Man and his arrival in Vegas. Also, we get more information about Nadine, and how she's still a virgin who's saving herself for The Dark Man. Aguirre-Sacasa does a fantastic job of retelling this classic Stephen King story. :yay:

Marvelman: Family's Finest #1

Six issues of this stuff??!!?? OH, man! I want a new story, not the reprints of stuff from the 50's. (And, it's in black and white.) None of these reprints where that great. More to the point, they were just extremely corny and a rip-off of Superman. Sure, it's nice to see the original comics the character was based from; but, it would have been better done as a back-up to a new, original story. :csad:

Thor: The Mighty Avenger #1

In the style of Her-oes, Marvel Adventures, and X-Men: First Class, we get a reimagining of Thor's origin and first meeting with Jane Foster. Langridge does a good job with the writing, and Samnee's art goes along beautifully. I'm really liking these interpretations we are getting of classic characters taken out of the current 616 and solicited for younger (and female) readers. :yay:

Thor and the Warriors Four #4

This mini was a nice surprise. It might even be one of the best Power Pack stories I've read, and the humor and action worked very well together. I found myself laughing quite a few times. Best of all, the plot was enjoyable. :yay:

X-Women One-Shot

Most people will stay away from this title for two reasons: The price ($4.99) and the writer (Chris Claremont). The story was nothing spectacular; but, the price is somewhat reasonable for the size of the issue. The best part is Milo Manara's art. It works well with the story, and actually makes Claremont's writing better. Story is a :dry:, but I feel the art brings it up to a :yay:.
 
Just FYI: the reason no one's mentioned searching for the Scarlet Witch much is specifically because they were saving that plot for Heinberg to do with the Young Avengers. It's no one's fault but his and Joe Q's that we haven't heard anything about Wanda until now.
 
Academy is #35 and Haweye & Mockingbird is #73.....Academy should get more than a year. 2 to 2 and 1/2 tops. H&M will only prob get a year.

And NA was #1???? Man-oh-man, people love to be spoon fed Bendis' s**t don't they? It was the worst book of all of the relaunch.

Bendis' AVENGERS #1 was the top seller of May, too. It bares reminding that love him or hate him, his NEW AVENGERS for years was the best selling ongoing title in the direct market, at least until Morrison's BATMAN AND ROBIN and the upswing of GREEN LANTERN mania challenged it. Bendis has been Marvel's top writer for several years now.

Still, it is good news that SECRET AVENGERS has been selling so well. Having Brubaker as Marvel's #2 writer isn't such a bad thing.

Hopefully AVENGERS ACADEMY will last a long time. Although I'll miss YOUNG ALLIES.

Haha, Franken-Castle outsold PunisherMAX, albeit by very little, but damn, that makes my day just to see.

Almost everything else I read (outside a few exceptions) either isn't on the list at all or is selling like ****. I bet I'm going to have a few slots empty on my pull list by the end of the year

It's always a bummer.
 
It's always a bummer.

It is, but I've kind of grown numb to it at this point. When I started picking up Gotham City Sirens and Power Girl, for instance, I more or less assumed neither would make it to the two year mark. It still does suck, since I generally enjoyed both titles, but it's something you basically have to prepare for in today's market.
 
X-Women One-Shot

Most people will stay away from this title for two reasons: The price ($4.99) and the writer (Chris Claremont). The story was nothing spectacular; but, the price is somewhat reasonable for the size of the issue. The best part is Milo Manara's art. It works well with the story, and actually makes Claremont's writing better. Story is a :dry:, but I feel the art brings it up to a :yay:.

Frankly, the art is what made me NOT buy it. Too many women strapped around each other and Orgasm faces. I only skimmed it but felt dirty just doing that. Besides that, I just felt the art wasn't any good to begin with.

I'm sure I'd have put it down if I noticed the price tag as well, but I didn't get that far.
 
It is, but I've kind of grown numb to it at this point. When I started picking up Gotham City Sirens and Power Girl, for instance, I more or less assumed neither would make it to the two year mark. It still does suck, since I generally enjoyed both titles, but it's something you basically have to prepare for in today's market.
That's the way to do it. I'm actually kind of glad when something I'm interested in is announced as a mini-series at this point. At least that way, you know you're getting the full story the writer intended and sales won't have an impact. Like, I probably would've enjoyed SWORD much more if I'd known right from the start that it would just be the one, quirky, wonderful arc--five issues and then everyone involved could go back to whatever they're normally up to in other comics. Instead, I loved the first couple issues, learned it was being canceled, and then tried to just make the best of the remaining few, all the while wishing it could've lasted longer. :csad:
 
YOUNG ALLIES is solicited as an ongoing. With a debut that barely sold in the Top 100, that basically means that McKeever has one arc of 4-6 issues, at best. This title has been solicited, so far, up until issue four in September.

Unless by then it is retroactively called a mini-series.

I always knew it would be a tough sell, but, sheesh. Maybe if Marvel didn't insist on debuting 16,000 titles in a month, some books wouldn't get lost in the shuffle. Bill Jemas had a lot of bad ideas, but one good one was to limit the amount of new launches and to make sure to hype each one. Maybe there'd only be, say, one new book in June, but that was June's IT book and everyone should pay attention to it. Now Marvel's desire to flood the market is so vast that this sort of campaign is rarely done. Marvel would rather print 90 books a month and have half of them canceled by the next quarter to be replaced by more equally doomed titles than having, say, 50 titles a month and they all sold well and lasted a while, and were supported.

90 books a month from Marvel is no exaggeration. One month I counted at least 95 releases, and that included one-shots and mini's. It was at least 20 more than DC in the middle of BLACKEST NIGHT was tallying (and that included Vertigo or Wildstorm titles). It's insane.

The downside of that equation is a fan might learn not to bother with anything that comes out, knowing it'll be gone sooner rather than later. Maybe said fan decides that it is worth paying an extra .5-$5 and wait for the trade, which takes up less room. And if enough of the fans made that decision, retailers would all collapse and the direct market would go with them, and we'd have to endure Joe Q going on Comic Book Resources saying, "Oh, how did it all go so wrong? Never in the history of mankind has a period of shameless greed and ignorance of reality EVER led to a crash! Why us?"
 
And if enough of the fans made that decision, retailers would all collapse and the direct market would go with them, and we'd have to endure Joe Q going on Comic Book Resources saying, "Oh, how did it all go so wrong? Never in the history of mankind has a period of shameless greed and ignorance of reality EVER led to a crash! Why us?"

You're wrong here. Joe would have some clever reasoning as to why it happened, none of which would be his or his people's fault in the slightest.
 
You're wrong here. Joe would have some clever reasoning as to why it happened, none of which would be his or his people's fault in the slightest.

Probably some variation of his, "we have no time to dwell on mistakes" line he gave a few Cup O' Joe panels ago.

I mean I've seen him in person, he's a friendly dude to talk to, and knows how to play to a live crowd. But, sheesh, some of the decisions that go down at Marvel are mind boggling.

YOUNG ALLIES will be fun while it lasts. And then none will speak of it again.
 
I've not read it. I was curious but with the amount of books I buy a month the last thing I need is another ongoing... of course, with the inevitable cancelation due to low sales I might consider giving it a shot for a limited time. I do like Gravity and Firestar.
 
It's fun. But then again I've liked McKeever's other work, such as his NOMAD mini and his GRAVITY mini. His FIRESTAR one shot wasn't bad, either. This is like a mish mash of all that material. I won't say it is perfect, but I do think it moves at a nice pace, the character interaction is good, so far there's always at least one fight an issue, and it gets McKeever back on his creation Gravity again.
 
I should really read Gravity at some point. I always hear good things and I've liked the character since I first read him in the Beyond! mini.
 
Haha, Franken-Castle outsold PunisherMAX, albeit by very little, but damn, that makes my day just to see.

Almost everything else I read (outside a few exceptions) either isn't on the list at all or is selling like ****. I bet I'm going to have a few slots empty on my pull list by the end of the year

What all are you buying currently?
 
What all are you buying currently?

As far as ongoings go, my pull list looks something like this:

Captain America
Fantastic Four
Guardians of the Galaxy (If it comes back after Thanos Imperative that is)
Gotham City Sirens
Power Girl
Birds of Prey
R.E.B.E.L.S
Madame Xanadu
Unwritten
I, Zombie
Casanova
(I guess it's safe to call this an ongoing)

Uh...I know I'm missing something here, but that's a good chunk
 
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I don't know how much flak I'd give marvel for not hyping Young Allies...Nomad and arana have had a good deal of exposer in Captain America. They force fed it to me where I now do like the characters, that is pretty good exposure for her and defacto Young Allies.

I just wish marvel would take some good natured/old school team books and give them a couple years and just take a hit with some of these books.

Sometimes this is the best way to develop fan buzz and loyal readers. It's worked for some marvel books in the past.
 
I finally read The Death of Dracula. It's quite good. I like that Gischler's given the vampires of the Marvel universe some semblance of order and organization. He's taken the fact that vampires come from all over, including Atlantis (where I think they may have started, but I don't remember for sure), and extrapolated unique clans of vampires from them. There's the ninja-like Claw sect; the Amish-esque Anchorite sect, who do their best to just avoid humans and other vampires alike; the Charniputra sect, who like to stay in a weird human/bat hybrid form all the time; the crazy Moksha sect, who starve themselves of blood and gain some kind of clairvoyance; etc. The vampires of the Marvel universe feel like they have unique identities now, which I appreciate. A mention of Dracula's very recent failed attempt to do just what his son is planning as of the end of this series--not to mention why Drac looks about 100 years older here than he did in his last appearance--would've been nice, but I suppose we can assume that said failed attempt at world conquest may be part of Xarus' motivation for taking his father's place and Excalibur probably f***ed Drac up and made him lose his ability to appear younger.

As for Drac's other son, Janus... all I can say is that Angel must've been an inspiration for him, to put it lightly. They dress alike, they have the same hair, they have very similar temperaments--really, the only differences are that Angel was on humanity's side and he was apparently a much better fighter than Janus, who seems kind of sucky. But I'm sure the vampirism plays up those similarities; really, a lot of his character traits are staples of heroic archetypes going back ages and ages. Either way, I did like him. Xarus seems like a decent villain, too. I don't know how interested I am to see their conflict play out with the X-Men and other superheroes involved, but this one-shot, standing on its own, is a good read and a great start to future possibilities for vampire-centric stories in the Marvel universe.

Also, Giuseppe Camuncoli's art rocks my socks off, but that was to be expected.
 
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Frankly, the art is what made me NOT buy it. Too many women strapped around each other and Orgasm faces. I only skimmed it but felt dirty just doing that. Besides that, I just felt the art wasn't any good to begin with.

I'm sure I'd have put it down if I noticed the price tag as well, but I didn't get that far.


The art was the reason why I didn't even consider it. I mean every scene looked exactly like they were getting off on something, plus it looked as if they were feeling each other up thorugh the whole issue. Oy.

Oh, and I'm getting more and more worried that Nova and GotG won't be returning. :(
 
I'm bracing myself for it. I can't imagine Marvel would abandon the cosmic line completely, though. Hopefully, if Nova and GotG are canceled, they'll give us at least one new cosmic series to take their place.

As for Manara, I love his art but I'm not at all sure why he draws anything that's not a porn comic at this point. It's clearly his forte and his primary interest...
 
ICV2 released their hard numbers of the Top 300 sellers of June 2010:

http://www.icv2.com/articles/news/17860.html

The "drop off" between SECRET AVENGERS #1 and #2 was quite harsh. The first issue sold about 106k and got a reprint; the second issue sold just under 78k. That means between the first and second issue, apparently 28,000 readers fell off (or retailers had over-ordered the debut by that many). While that's still very good these days, worthy of a Top 10 seller, Bendis' AVENGERS at issue two is still selling at almost 99k. Still, over 20% drops between issues one and two could be disturbing. For perspective, a drop off of 28,000 readers is about as high as the amount of people who bought HAWKEYE AND MOCKINGBIRD #1. 28,000 readers is more than every account that is registered at SHH, which includes dead accounts (the tally I believe is somewhere around 21,000 - 22,000 accounts).

THANOS IMPERATIVE #1 debuted with 34,600 copies within the Top 60. That's a lot less than WAR OF KINGS did, perhaps proving that the Inhumans and X-Men were a larger part of the draw than the space teams. That said, that is still about a 10k boost from where NOVA and GUARDIANS OF THE GALAXY were selling, which is a positive sign. Considering both titles lasted beyond two years (NOVA ran for three), I doubt Marvel would simply abandon the space line. It's proven to have a small but very loyal audience, at least until their price policies changed and got greedier by the end of 2008 and the start of 2009 (yes, just as the Great Recession hit full steam, Marvel's policies became greedier than they'd ever been - that more than anything shows their apathy for retailers and fans, who they see as inconveniences with wallets than people). I will say it is a bad sign that MS. MARVEL lasted 50 issues and no announcement of a relaunch of her title has been made. It is possible that Marvel may be willing to cut bait on some lower selling franchises, which wouldn't bode well for NOVA or GOTG. Since Abnett & Lanning write both books anyway, it is possible that those two titles could be merged into one book that is $3.99. Marvel's strategy for boosting any franchise is usually:

1). Relaunch it and sell it for $3.99, because if fans were willing to flee when it was cheaper, they surely will flock to it now that it is more expensive. Also known as the "What Is Reality? Strategy".

2). Relaunch it and give it a spin-off, all at $3.99 (also known as the DC Strategy). Because a franchise that can't hold onto one book will surely be stronger holding onto two or more, at a higher price.

3). Repeat strategies one and two with all the imagination of a brain dead parrot. Caw! See: X-Men, Spider-Man, Wolverine, Teen Titans, JSA, et al...

Sometimes I wonder why "editor for a day" style contests for fans have been abandoned since the 90's not because they often involve more work, but because there is a genuine fear that any fan off the street could do it better than the current boss at either big two company, and it could lead to heads rolling.

On the other hand, I have heard theories that because Marvel often pays their talent very well, which is often how they've been better able to retain or reclaim talent than DC, may increase their operating costs and this drives up the prices of everything. While this is possible, I still doubt they would become bankrupt overnight if they sold comics at even $3.75 instead of $3.99. I digress.

YOUNG ALLIES #1, as I predicted, debuted at just under 21k. Even with the reprints added to that, that is a very weak debut for an ongoing series. If even SECRET AVENGERS or even some of Bendis' titles saw a drop of at least 20-25% between first and second issues (they simply started out selling more), than the drop for YA #2 could be quite ugly. I am predicting this will be retcon-solicited as a mini series by September (when issue four is solicited).

Another possible dead book walking is ATLAS - issue two sold about 16k, right around where INVINCIBLE sells for Image. Marvel has given Jeff Parker's ATLAS franchise a good, valiant try over the last two years, but it just isn't selling. I could argue that the heap of $4 comics forces retailers to cut into their budgets to sell the bigger books at the expense of small books or new books, but again, if editorial staff were actually in touch with reality, the world wouldn't be as it is. The $3.99 price tag combined with the economy have eliminated the middle class of comics, mostly. You have comics that sell great, and drive the sales of the industry. And you have a mass of titles that sell like garbage - under 25k for a Big Two book is usually considered rubbish. Maybe some of these smaller books would have a little more of a chance under a less oppressive pricing scheme for the line overall. But when you're looking to flood the market with as many comics as possible as Marvel does, this stuff doesn't matter. When you're simply trying to bury DC by at least 2 comics for every 1 of their's, this doesn't matter. On the plus side, the NAMORA one shot sold at 14k - which is low, but not far from where ATLAS sells, meaning it is a small but loyal audience. The problem is that small audiences don't save books no matter how loyal they are. Except for SPIDER-GIRL, which seems to survive somewhere by any means possible.

A lot of the WOMEN OF MARVEL material are not selling well at all. Sales for FANTASTIC FOUR are at some 5-6 year lows.

Bendis' NEW AVENGERS #1, though, sold at almost 130k. So people waiting for retailers to not respond to Bendis books need to keep waiting. Marvel has trained retailers that Bendis on Avenger titles are important. What seems to create large sellers are long-term perceptions of importance and buzz combined with attachment to a franchise that has been supported as important for years.

Oh, and I also bought THANOS IMPERATIVE SOURCEBOOK, and I'd say that unless you're new to the space line or just want to support it, it's a waste of $4. If you've been reading the space books for at least a year, none of the data is new or something you don't already know.
 
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R.E.B.E.L.S is at 160? My God, that is depressing :(
 
Yeah, it's gonna be canceled sooner or later. Enjoy it while it lasts. I know I am. :)
 
Take solace in the fact that DC has a much lower sales threshold before they can titles than Marvel does. REBELS would NEVER have made it to a 17th issue with sales like that if it was a Marvel title. BLUE BEETLE never would have made it 35 issues as long as it did either. Marvel tends to axe books that dip below 21-20k with no end in sight. Since the Disney buy out, they've actually become more trigger happy with some titles. DC is sometimes willing to eat sales a bit to have a book last longer so they can reuse the characters at another date. Marvel, aside for the ATLAS franchise, don't.

Cornell & Kirk's CAPTAIN BRITIAN & MI-13 made it 15 issues and an annual before being canceled, and Marvel was happy with that. That's 3 trades and a hardcover, man! Until it won a Hugo Award. Then they were willing to rip off the plot wholesale for ULTIMATE AVENGERS and X-MEN. But by then, Cornell was on ACTION COMICS.
 

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