Bought/Thought June 25th, 2008

Cap #39 - Sharon finally catches a break and steals the show here.Bru continues to make use of what's going on in the US right now and at the same time it doesn't feel preachy.De La Torre does good work as always.Things are ramping up fast and I look forward to the conclusion of "Death of Captain America."

Eternals #1 - Bought this on a whim,I need some Knauf considering they're off DOS now.Ive never read any of Kirby or Gaiman's work with the characters before.I felt this was a perfect first issue,the recap page was effective.In a book that deals with big cosmic ideas,the Knaufs are able to ground it all with these rich characters.Acuna's art is perfect for the book.I hope this book makes it at least to #12.

Green Lantern #32 - Secret Origin has been solid so far,being a new GL fan,I was never very familiar with GL's supporting cast and actual origin.This continues to be one of DC"s best and Reis seems to continually get better.

Brave and the Bold #14 - Kolins' art is a really flat here,then again,I've never been a real fan of his.I don't know if it's colorist or his choice of style,but the art just feels very dull and never really leaps off the page.Despite this,BATB continues to be a great read (and one which seems totally disconnected to all the crap going on at DC) every month thanks to Waid.It's going to suck seeing him go,but the book's future should prove interesting with Wolfman and then JMS taking the reins.
 
i have never understood the obsession with "late" comics. who f'ing cares? the comic comes out when it comes out. why does it affect you if a book doesn't appear every month? surely you have enough of a life that you're not waiting with baited breath for a comic to arrive.
I wish I could agree, but in practice any sort of lateness is always annoying and almost always hurts the book, if not financially, then at least in terms of interest. What frustrates me is that it's very rarely the books that suck that get delayed
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, instead it always feels like the books with the best talents on it that come under one bump or another.

I mean, it depends. Civil War didn't come out in time because Millar was bleeding on the carpet or something, and that's understandable. Young Avengers and Wonder Woman did not come out on time because Heinberg decided it wasn't his priority, and that's not understandable. On the flip side, All-Star Superman doesn't have a steady schedule at all, and yet I don't really care as much -- even though I love the book -- because the stories are less serialized, and it's not part of the larger canon anyway. Alternately, Action Comics apparently took something like two and a half years to finish what I believe to be five issues of their Last Son storyline -- apparently it was Kubert's fault -- and while I barely ever read that book at all, it's almost less forgivable than other latenesses because it's supposed to be a flagship title of a flagship character that effects every corner of the DCU. It all depends on your context.
 
Full disclosure: I really didn't read anything past that, I just don't have the energy. But it's nice to hear that some of you guys act like the heroes we love. Good for you, Dread.

I don't know why I typed that in that last post, especially in a response towards BrianWilly of all people. It just came out. I probably would have edited and deleted that line but I had to run out after posting. Looking back on it, I am surprised no one thought I was trying to gain sympathy because I was losing yet another MB debate.

Pfft, I wish I was a hero. I mean, according to Mr. Willy, I am a pathetic, biased, stupid, sad-sack troll. I just have to do without sometimes because other people won't step up and do their share.

Anyway, thanks for the post of good faith. It was a pleasant surprise to read coming back in at 12:30 a.m. :up:

In a more serious vein Ikaris, I don't mind comics coming late. Hell, I finished reading Black Cat mini, and plan on buying Ultimate Hulk vs Wolverine if it ever comes out. Ultimates and Astonishing X-Men were consistently late, but they were good, so I stuck with them. But I also watch the sales numbers, and that's fair territory for me (and the rest) to comment on. And any comic that shows delays always shows a serious drop in readership. Hey, you snooze, you lose. some readers will move on to something else. I don't view it as a "slap in the face" and all that kind of nonsense. BUT, I do have a vested interest in the health of Marvel, the comics I read, and comics in general. And lateness does affect that.

Yes, lateness does effect sales figures. Whedon's RUNAWAYS run has steadily lost sales every issue. Lateness may be a factor.

Yeah, it's not that hard to understand. It's a monthly comic, they told us it's monthly, we didn't assume it. Deliver it monthly.

Or as close to monthly as humanly possible. I agree.
 
I really am not in the mood to respond. But, BrainWilly is probably winning the argument we were having, and to deny him a chance to kick me when I am down would be unfair of me.

I'm acting like your statements are pointedly and purposefully slanted to the point of comedy. Like I said at first and will now repeat, you've somehow managed to twist "writer picked late artists" into "writer is spoiled ignoramus who doesn't care about his work."

Yeah, because that is when I am clearly doing. I'm purposefully slanting my arguments to make you look better and me look ******ed, for pleasure. :rolleyes:

I wasn't saying that Whedon didn't care or that he was the worst of the lot. I was commenting on how arcs and runs written by Hollywood types seem to always, by "magic", run horribly late. And I think 14 months for a 6 issue storyline is horribly late. Sadly, Whedon's RUNAWAYS run became just another part of that rule.

I have no proof that he didn't try to nudge Ryan more. You have no proof that he did. Honestly I looked through some of his interviews and the latest one I found online was from Wizardworld, circa Jan. 2008. About the only bit that wasn't pure fluff to me was Whedon admitting, rather honestly, that he probably could never top Colossus' reveal in AXM #4 in that entire run.

The irony is that if you looked through my posts, besides to find examples of what an ignorant stupid ****** you think I am, I actually ADVOCATED for Whedon to go to RUNAWAYS. In the topic for them that used to be part of this forum, people asked which "A-List" writer would one suggest to replace Vaughan. I thought Whedon would match Vaughn's voice well for the characters. When I found out Whedon was a fan, it was even better. I even liked some of Whedon's first issues of the run more than other RUNAWAYS fans on that topic. But that became harder to do when the story proved more mediocre over time and got later, and later, and later. Months between issues dragged.

Despite all this, I considered the grade for the run B-.

Really, I don't care who was the late party. I just am irked that it took 14 months to get 6 issues of RUNAWAYS. Whether it was his fault or not, the reality is that Whedon's Marvel stories are 0-2 for anything resembling a normal schedule. Like "magic".

If Whedon is announced to do another run on a Marvel franchise, would it be unfair of me to presume it will run behind, too?

BrianWilly said:
Clever boy! Feel better now? To be honest, I've learned more about what you really think from these little attempts at sidetracking and ad hominem than I ever have from any of your wordy paragraphs or prose. I've just asked you how you could possibly know how Whedon thinks, and you've just told me that you can't.

No, maybe I can't. I'm wrong and you're right. I'm garbage and you're gold. I'm a slack jawed ****** who shouldn't even post on a MB and you deserve to be a mod. Care for more?

BrianWilly said:
I know I'm right:word:, and am prepared to defend my arguments as intensely yet objectively as I can. I think you're unreasonable because you have a tendency to appeal to bias, preconceptions, and flat-out guesses at the worst when asked to defend your arguments. Do you think I keep using those words against you because I'm pulling them out of my fine ass? You gave them to me. As it has happened before, so it happens yet again. How many sweeping mischaracterizations or too-broad assumptions have you made here in the scope of this conversation --all of which having been proven wrong with some simple search results or general knowledge about the subject -- and tried to pass them off as valid points? You tell me upfront that you're making all these disparaging statements for the most part because Whedon fans liking Whedon annoy you, and then you get ********* when I think that is trolling at best and pathetic at worst?

Fine, I am a "pathetic troll". Feel proud of yourself for exposing this "secret truth"?

BrianWilly said:
I don't perceive one writer the same way as I do another writer, that's very true. On the other hand I also don't usually hold it as a personal affront and assume the worst of personality shortcomings when someone is not capable of laying golden eggs on command (especially, need I say yet again, if it wasn't his job to lay those eggs in the first place). The way you say it, it's almost like you hold Whedon and others' A-list statuses as some sort of unwanted defect that they have to overcome. If preconceptions take you that far, maybe it's time to reconsider those preconceptions.

Expecting an A-List creative team to deliver A-List Results I don't think is very unreasonable. Expecting even a mediocre shipment schedule for such a run would be the very least we can do.

So, I suppose Whedon just has poor luck with artists, then. Poor Whedon. Maybe his 3rd time will be the charm.

I suppose, in your opinion, I should have spent all this text tearing Ryan to pieces while merely bemoaning Whedon's overly-cluttered-with-characters, generic-adventure storyline that is once again getting rave reviews as if it was WATCHMEN. Fair enough.

BrianWilly said:
If you know for a fact that one single person caused the lateness, or was a primary instigator, then you would treat the primary instigator different than the partner that he dragged down. You'd probably even weed him out as the problem to be solved here. If you don't, or in fact overemphasize the culpability of the wronged party far beyond the instigator, then you are merely being petty and unreasonable. The end. You are attempting to paint this all out as some vague office mystery scenario where someone has to be chosen to take the fall for a failed project based on an imperfect awareness of what went down, except that you know for a fact exactly how it went down, who was more culpable, and who deserves the blame more. You know for a fact that Ryan dragged Whedon down, and yet you are trying to depict Whedon as the one more at fault here because I guess he should have tried harder or something. That is bass-****ing-ackwards! To hold the person responsible for a fault responsible for the fault, instead of the person not responsible for it, is such common sense and normative thinking that it actually annoys me that you could sit there and pretend not to understand it. Yes, that's right I said it, it honest-to-Buffy annoys me that you are being so dense about this.

On top of which, if you were the boss and you knew for a fact that one single person caused the lateness and you yourself as the boss did nothing to rectify it and in fact aggravated the situation, you have absolutely no room to chew out the remaining party...who incidentally is the only who actually did his job, of all the parties involved. You're trying to pass this off as Whedon having somehow cleverly weaseled his way out of some wriggly pitfall all the whilst shedding the blame on everyone but himself when, in reality, there was no pitfall. There was no weasling. Perhaps it truly doesn't work that way in real life and it's all actually just a corrupt cluster**** of unfairness and people getting wrongfully accused and pointed fingers always fingering the right target regardless of context...but that doesn't mean I have to endorse it. In fact, I fully mean not to. You've presented an imperfect description of the scenario, and while I won't claim mine is perfect, it at least it takes more things into account -- is more fair, in other words -- than yours.

You're always right, I am always wrong. Got it.

BrianWilly said:
What, you mean if you presented a situation more accurately as opposed to the sweeping misrepresentations that you've been dishing? Yeah, that'd be cool. And I'd probably be less critical, yes.

No, you wouldn't. In fact, because you so obviously have won the argument objectively, I expect you to throw this into my face every single time I get passionate about any topic. Whenever you disagree with me on any future points, you will throw this little argument into my face to banter me down. Dread is always wrong, in your eyes. No opinion of mine is ever valid.

BrianWilly said:
I'm getting a bit tired of proving your sweeping statements wrong over and over again.

This is a blatant lie. You love every minute of "proving" me to be an ignorant ******. I type long rants and reviews and that gives me a rep, and gives me a target. I'm not saying you're doing this because of that alone; you're equally passionate about your point, which you're probably right on. But to say that you don't enjoy humiliating me is absurd. Just tell the truth about it. "I know I have the advantage of facts, Dread, so I enjoy every moment where I shove them into your face, and will do so forever after." I like honesty.

BrianWilly said:
Maybe there was once a time where I would jump to Whedon's defense over even the tritest subjective statements, but if I did, I honestly don't recall them. In fact, let me go ahead and say that, to all concerned, I genuinely apologize if I ever blew a fuse over any subjective opinions anyone's ever had, however negative, about Whedon's work or talent. However, I do not and will never apologize for correcting anyone -- harshly if need be -- for their flat-out misrepresentations, imprecise assumptions, and audacious embellishments as far as I can tell, whether they intended to do so or not, regarding any writer and not just Whedon.

I have never seen you defend any writer as zealously as Whedon. He brings out the animal in your debate skills.

So, I suppose I am wrong about any of the points I may make about Whedon's stories, not his comics' schedules too, right?

BrianWilly said:
I never ***** when you presume that I like Whedon, and frankly the fact that you still think so says a lot. I ***** when you use that as an excuse to ignore what I have to say. How many times have you done just that, even now?

Me: "Whedon doesn't have an ego."
You: "You don't know anything because you never give him bad reviews!!!!"

That sort of illogical exchange would be nigh-comical if it weren't for the fact that -- judging from the amount of times that you have droned that exact line -- you are being totally serious about it and honestly think that it has anything at all to do with...what did you call it? A "clean debate?" Please. This is not even the first time I've told you this, so you don't even have the thin excuse of ignorance that you did for the first, oh, dozen or so times that you did it. In fact, **** this ****, frankly let me just say this: if all our future interactions are going to consist of you pigeonholing my fandom out of some pathetic way to dodge all those questions you can't or won't answer, please just let me know about it right now so I can go ahead and ignore you from here on out. Seriously.
:ikyn

It is your call. I've told you before we don't get along on the MB's, and we never will. I'll remember being out-debated and will NEVER forgive you. I'll probably be overly harsh whenever we disagree in the future. You, for your part, will make no qualms about beating me over the head with this argument whenever we disagree in the future, or you think I am "flying off the handle" about an opinion.

We don't discuss things often, and whenever we do, it turns into a fight. It is really your call. I know about life stresses and if this is too much, by all means set me to ignore. Seriously. Life's too short sometimes.

BrianWilly said:
Heh, I actually, honestly think that you didn't mean for that to sound as heinously childish as it did. Here, you get a retry on that one.

Don't lie. You always believe the worst about me. Always have.

BrianWilly said:
You seem to have made it some sort of mission to prove that my biases cripple me as much as your biases do. Hey, guess what? I'm not going to apologize for liking Whedon more than other writers, which you -- for Willow knows what reason -- seem to think is some sort of shameful handicap. But I will say that I try earnestly to keep a level mind about the subject of Whedon, and at the very least I won't say things about him that I know objectively not to be true. And that is not the case for you. From what I have seen and that you have all but proven to me over these last few exchanges, you seem to accept and even thrive on your biases. I'd like to think, and this honestly may just be wishful thinking on my part, that any habits that I do gather from being a fan of Whedon's junk informs and maybe even strengthens how I think as a person. Maybe even for the better, who knows. That's what art does. That's what we all wish from our favored creators, after all. You feel sorry for me that I like Whedon? Don't. What have you done lately with your bias, Dread, other than to vent your misinformed frustrations based on the justification that you don't like someone else's fandom...oh, hmm, how did you put it? "Screaming to a wall"? I'm glad that's working out for you.

The only thing I admit on my avatar is that Whedon is my favorite writer. I do not and will never admit -- because I don't believe -- that Whedon being my favorite writer renders me incapable of presenting an informed, coherent, and valid position on him. The fact that you think so, and have shown that you are incapable of thinking otherwise no matter what, has and always will be your problem and your problem alone. You see what you want to see.

I think you're more biased than you think about Whedon. Your posts show more emotion when you debate about him.

Maybe I have gone a bit overboard with this and Whedon for personal reasons, and I am sorry. But, this is meaningless. I once apologized to PhotoJones when I went overboard, and then later he used that against me to depict me as a psycho. You also will not care.

Congratulations on out-debating me, if only because I really don't care to argue from an unwinnable position. The irony is that I often do like reading your reviews and we do have some opinions that we agree on. It is just when we disagree, they become knock-down fights. You'll say it is entirely because I am a jack-ass, and maybe I am. I just don't like seeing bias or perceived bias I guess, and I overreact to it. I also don't like seeing privaleged parties "get a free pass", and when I see that too, I also get angry about it. Professionally, Whedon's late comics, whether his fault or not, make no difference.

Now, can everyone talk about another comic this week? It always seems the biggest debates and discussions come about comics I dislike or get negative with vs. comics I actually like, and then people will claim that negativity doesn't breed posting.
 
Wow, that was interesting in a car crash kind of way.....

Well I recently got back so I'll review a couple books for the hell of it:

Thunderbolts 121- best read of the bunch. Great Norman/Songbird fight. They had some good Samson parts, Robbie actually seemed ok in this (note: he's ed norton, I didn't get that before this issue), bullseye's comeback was excellent and creepy and finally the ending with norman and the president on the phone was just priceless and classic. His gotcha as the end line could be a very cool setup for latter.

AtI 14- Pretty damn good. I got a little confused telling crusader and pym apart in their skrully forms. 3-D man, wow, I didn't think anyone could make me care about him let alone root for him the old school line was a nice touch. The skrull fight was pretty cool with a good ending, though I wonder why the skrull thought he could change forms without being detected since the glasses clearly cut through the illusion or whatever easily (still minor point). The ending was excellent and this will be the only comic where those gimmick covers has a point, so extra cool points for that. The only trouble is there was just too little with the main cast, but as it's a set up I can't hold that as a major problem.

1985 2- Boring. I really liked the first issue but this one just barely tread water. Yes, wyncham was important to explain a bit but the vast majority of this issue could have been covered in a one page narration with the kid talking about his dad, wyncham and his current family. This is six issues and millar seems to be in no hurry to actually tell the story. Hopefully next issue cranks it up a bit.

Trinity 4- I don't mind some filler and setup, so I'll call this just so-so. Konvict I couldn't care less about or his furry little friend so most of the fighting didn't do much for me. I found the villians to be much more interesting but they had a very limited role. The back story was interesting not in the it's a good story aspect (tarot or whatever is pretty dull) but what I think is being set up and that to me is multiple trios being introduced. At first I thought it was just going to be the heroic Trinity vs the evil Troika but I'm getting the feeling that there are going to be many trinities set up with a spacepower/mystical/knowledge based grouping all over the place which has a pretty cool sound to it. (my appologies if this theory has been already voiced, I've been away for a while)

Cap 39- very cool. This sets things up well. Nice to see sin get shut up for once. Falcon's becoming a very cool character thanks to this series, keep this track up marvel. A lot of set up here, but next issue should have a nice payoff.

Young Avengers/Runaways SI 1- Ok, but shows some promise. Xavin(as a girl) and Victor looked far too much alike and I found that distracting as hell. SI 3 took a lot of the wind out of this since we all know how most of this will turn out. Still Teddy's story has some promise. The premise itself is pretty good, and the dialogue doesn't suck but (and this is slightly biased since it's hard for me not to immediately compare this to well's outstanding YA/Runaways Civil War) there's just something missing, a lack of coherence between the two teams. This issue focused mainly on Xavin and left the majority of the cast with one or two lines tops and that doesn't bode well since xavin's not exactely the most intriguing character even with the current situation.
 
my 2 cents,late books are fine with me,frees up a spot to check out other books you're not reading in the meantime
 
It could just be that my anti-Dread bias outweighs my BW hatred, but from what I could bear to read, BW makes a compelling argument, and Dread is way out on a ledge and should probably chillax.

Yes, chillax.

The question now is how will Washington react, now that the critical Fifthfiend swing vote is in.
 
Did you just angry-face me for agreeing with you?
 
Yeah, that could lead to problems if those late books ever get back on track, like Mighty Avengers did.
 
If you're interested in a book, why not look into it regardless?
 
It could just be that my anti-Dread bias outweighs my BW hatred, but from what I could bear to read, BW makes a compelling argument, and Dread is way out on a ledge and should probably chillax.

Yes, chillax.

The question now is how will Washington react, now that the critical Fifthfiend swing vote is in.

Yeah, I acknowledged as much. The argument's over, BW won, whatever.

The only dilemma is that if I "chillax'd", I would probably become a boring poster. :p
 
What's funny about smilies is that I don't think I've ever angry-faced anyone I was actually angry at.
 
What kind of sick world are we living in that a smilie evokes more outrage than good old-fashioned name-calling?

I mostly couldn't figure why BW would be using cockmonger as an insult. Last I heard he mongers cock with the best of 'em.
 
It's like a play on warmonger, see. But with "cock" instead of "war." So instead of precipitating war, one would be precipitating cock.
 
But... what? How do you precipitate cock? Fifthfiend stirs up controversy, causing... c**ks to just appear out of thin air? :huh:
 

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