People, please don't start this nonsensical "You must not be a real X-Men fan" crap. If you yourself enjoy any superhero movie with sizeable changes to the mythology, you're basically just being a hypocrite when you attack fans of the X-Men franchise for enjoying it despite changes.
I find it incredibly silly when people act like Singer is the only reason things like Cyclops reduced role, Wolverine's increased role, Halle Berry, etc, occurred in the X-MEN franchise. People seem to forget that Bryan Singer had relatively little power for X-MEN's production process. And surely all you die hard X-Men movie fans realize that before Singer ever came aboard, the most recent plan for X-Men was WOLVERINE AND THE X-MEN. Hmm...
Singer's X-films aren't perfect, but he handled the themes wonderfully and with restraint. I think he'd be perfect for an X-MEN: FIRST CLASS. Don't know how I feel about just handing him an X4, though I'd certainly be intrigued.
In X-2 Singer juggled the different story lines well though. And God Loves Man Kills sorta fits in with the whole Weapon X thing anyway.
His juggling act was no better or worse than Ratner's of the Cure and the Phoenix Saga in X3. GOD LOVES, MAN KILLS was absolutely butchered as a storyline except for a few plot elements, and Singer basically just paid lip service to the WEAPON X storyline over the course of two films. Neither adaption of storylines was anything close as direct an adaption as the Phoenix Saga and Cure storylines seen in X3 were.
I don't consider the guy that did daredevil a real fan. He said that but from the interviews he did and what I understand of them is that he was a resent fan and had just gotten into it. after he gotthe job.
He was just saying he was a fan. and that really threw people off. that why so many say fans that are directors might not work. he mess you guys off cause of his false claims.
Uh...no.
Mark Steven Johnson fought...and fought hard, off and on for seven years, to get his version of DAREDEVIL made. He's a fan, and fought, as a fan, right through the production process to get things to be more faithful. It's obvious he's a fan in the movie he made. What he's not is an extremely talented writer, director and director of actors, which is why DD and GHOST RIDER aren't very good movies overall.
Singer was going to do the Phoenix saga storyline in two parts which is better than what X3 turned out to be. X-Men and X2 were great movies, I have no doubt he will do a great job with future X-Men movies. He cared about character development and that is what made the first two movies good. I just don't want anymore Wolverine movies for the time being. Wolverine origins was horrible and the sequel will be the same.
Singer's two part Phoenix Saga was to be X2 and X3. He was going to Dark Phoenix in X3, and that would have likely been it.
I disagree wholeheartedly with your statement about character development and Singer. This was more or less also a weakness in Singer's films as well. In fact, X3 had more character development, if anything, across the board, than previous X-films did.
Singer cared about spotlighting characters, themes, and a particular message he felt was valuable. Not appropriate character development for all characters.
I have yet to see a single person give a concrete reason why combining The Cure and The Dark Phoenix story didn't work. They just keep saying "It didn't work".
I should have been clearer. My point (and what I'm getting at above) is that one of the reasons Wolverine experienced the drop in BO was because of the already bad word of mouth and reviews that surrounded X3
X3 may not have been embraced by fans or critics, but the general public clearly liked it, or it wouldn't have made nearly as much money as it did despite mediocre reviews and a troubled history. Do you think the existence of WOLVERINE is an accident? That said, there's really no concrete reason WOLVERINE should affect the actual box office of another X-Men movie. The target audience isn't "critics and fans". It's the average person who gives two ****s about story, character development, and fidelity to source material.