Absolutely. This is what I noted to my husband on the drive back from the IMAX - the fact that Nolan builds up intensity by using 3 storylines is phenomenal. I mean, it's hard enough to do it for ONE, and he does THREE and then puts it all together.
The time jump is especially poignant when you meet one character at what is the midway point of the story, and
then see him a day before and how he is then. (If you watched Chris Stuckman's review, it's the one he mentions "seeing a character at night." You'll absolutely know which one I'm talking about.) It's a shocking, albeit almost throwaway moment.
A less shocking moment is the trick where he shows you the same event from different characters' POV, depending on whose viewpoint he takes at that moment. This happens several times in the movie, and it's really cool because you get to see how those different characters react to the same event.
I think I'll have to see it again to really get into it. Was too busy drooling at the IMAX sequences and deconstructing the structure. But God damn, it is gorgeous in 70mm IMAX. The aerial scenes, the soldiers on the beach, the (second to) last shot. Amazing. You think you've seen enough destroyers bombed on screen by the likes of Michael Bay to ever be impressed again, but I'm telling you, you have never be as impressed as seeing a destroyer bombed by a pilot's POV, shot on IMAX.
If you can, SEE THIS on 70mm IMAX.