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Christopher Nolan's Inception

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I went out and interviewed people coming out of the first showing of Inception on IMAX. See if you agree with their reviews.

http://www.youtube.com/watch?v=FiFdBwzoFz0



Definitely agree with the guy who said it's better than The Matrix. Both films have great ideas and visuals, but Inception has an emotional core at the center of it that blows the Matrix out of the water. All of us deal with varying levels of grief at some point in our lives and I was very touched by Inception's portrayal of this. Cobb's catharsis is both heartbreaking and comforting at the same time.
 
I feel like Inception was the smarter script and had a much longer-lasting impression upon you in a cerebral fashion, but Matrix was the better-balanced movie. For me it's pretty much the perfect blend of action and story.
 
Nolan just does not know his way around the camera quite like the Wachowski's. Those guys are master visualists.

Imagine Nolan's script and the Wachowski's camera work.
 
Ehhh I disagree. Andy and Larry, I think are very hit and miss even with visuals. Now with The Matrix they were superb, but than a lot of their other stuff, not so much, even the sequels to the Matrix really did not have a lasting impact with visuals. Honestly they did it once, and really have never been able to replicate it. Kinda like M. Night.

I'm not saying their bad, but as terms "master visualsist" no. They did it once out of quite a few films I would call it more lucky. They do odd effects that's for sure, but I would not call it being a master for doing so.

Nolan knows his way around the camera and gains more knowledge each time. To me Nolan is what this decade has needed even still after the past two decades of a visual obsessed movie going audience, of just needing CGI shot after CGI shot. Nolan has gone back to the roots, and reminded us what makes films great.

That ain't a bash on CGI I know it will be needed for all time. But I think that we went overboard and Nolan has done a great blend of visuals here and there, but more so is a master story teller, and director. Sorry the W. Bros are not the best with "directing their actors" Nolan is master at that. His films just have tons of talent left and right, and brings out the best in all of them.
 
I feel like Inception was the smarter script and had a much longer-lasting impression upon you in a cerebral fashion, but Matrix was the better-balanced movie. For me it's pretty much the perfect blend of action and story.

It doesn't have the heart that Inception does IMHO. That's where it falls down whereas Inception had me on the verge of tears during a couple of scenes. I also had no "hated" scenes with Inception like I did with the Matrix. Hated the "birth scene." It's similar to how much I hate the SWAT/sonar scene in TDK. It's not something that kills the movie for me, but it drops both of those films below Inception. Matrix is significantly better in the action department than Inception, but I can think of a lot of movies that have better action. That doesn't mean they're better movies overall for me though.
 
I know many will rightly point out the superior screenplay of Inception. But we are talking the films as a whole here, not strictly screenplay.

The filmmaking in the matrix absolutely dwarfs inception on every level except possibly editing; acting, and score.

I hope I wasn't the only one sorely dissapointed with Inception's banal camera work. What the hell happened?

The Dark knight was a huge leap for Nolan visually. He just took 5 steps back with Inception.
 
Nolan uses one out of the the, only, two great African-American actors...

(Morgan Freeman/Denzel Washington)

It's not his fault most of the others are average at best for drama or just stick to bad comedies...

n/r
And in their defense...its not their fault that blacks in general are usually not given rich material to work with unless they're suppose to play a character from the hood or biopic of a famous black person.

Although, Leo was PERFECT for the role. I would not like to see Will Smith nor Brad Pitt as Cobb. I used to not like Leo that much but after this film I have a lot of respect for him as an actor.
 
And in their defense...its not their fault that blacks in general are usually not given rich material to work with unless they're suppose to play a character from the hood or biopic of a famous black person.

Although, Leo was PERFECT for the role. I would not like to see Will Smith nor Brad Pitt as Cobb. I used to not like Leo that much but after this film I have a lot of respect for him as an actor.

excuse me??
 
Ehhh I disagree. Andy and Larry, I think are very hit and miss even with visuals. Now with The Matrix they were superb, but than a lot of their other stuff, not so much, even the sequels to the Matrix really did not have a lasting impact with visuals. Honestly they did it once, and really have never been able to replicate it. Kinda like M. Night.

I'm not saying their bad, but as terms "master visualsist" no. They did it once out of quite a few films I would call it more lucky. They do odd effects that's for sure, but I would not call it being a master for doing so.

Uh, Speed Racer was a visual milestone.

Nolan knows his way around the camera and gains more knowledge each time.

Yes, but he is not even close to being good as the W's.

To me Nolan is what this decade has needed even still after the past two decades of a visual obsessed movie going audience, of just needing CGI shot after CGI shot. Nolan has gone back to the roots, and reminded us what makes films great.

Who is talking about cgi? Fantastic visuals start at the conception, cgi is just a tool.

Nolan just does not have the visual eye of the W's.

Its also one of the things holding him back from being a master.


That ain't a bash on CGI I know it will be needed for all time. But I think that we went overboard and Nolan has done a great blend of visuals here and there, but more so is a master story teller, and director. Sorry the W. Bros are not the best with "directing their actors" Nolan is master at that. His films just have tons of talent left and right, and brings out the best in all of them.

He is a master storyteller, a great screenwriter, but merely a good director. To be great he needs to refine his camera work.

He needs to understand that there is more to coverage than just shooting a scene. Its lazy.
 
He is a master storyteller, a great screenwriter, but merely a good director. To be great he needs to refine his camera work.

He needs to understand that there is more to coverage than just shooting a scene. Its lazy.

I'm calling BS on that one and the ending of Inception is a perfect example.
 
Uh, Speed Racer was a visual milestone.



Yes, but he is not even close to being good as the W's.



Who is talking about cgi? Fantastic visuals start at the conception, cgi is just a tool.

Nolan just does not have the visual eye of the W's.

Its also one of the things holding him back from being a master.




He is a master storyteller, a great screenwriter, but merely a good director. To be great he needs to refine his camera work.

He needs to understand that there is more to coverage than just shooting a scene. Its lazy.



I agree they can do amazing action and visuals, but that is not what the core of a director should be. Actors and story are the gateway into a movie and the emotional connection. Visuals are second. Hitchcock movies may not be filled with CGI but with editing acting, and story he told some of the best ever made.

Speed Racer I disagree with, it was interesting, but I think your one of the few that will consider it to be a milestone. I don't think I've ever heard anyone claim that before. I thought it was a great visual to adapt the cartoon, but nothing that really blew me away.

Larry and Andy have one claim to fame, they have some other decent films, but honestly the general public, critics, guilds, I think really don't think highly of their other works. The Matrix Trilogy was excellent, (most only like the first) it's just one of those things that not many people said

The Matrix was a visual milestone, and a superb sci-fi one of the best. But other than that the W. Brothers are far from being considered masters of their craft.

Nolan has made many movies that are being hailed to this day. Memento, Prestige the Batman films now this. He really has not been a one hit wonder.

The best action scenes to me have nothing to do with the action themselves, if it is just pure action that is good (Bay style) and no substance no one cares. To me some one like Nolan creates some of the best action sequences (that are not top shape on the action part) but the caring for the characters and story is so much that changes the view of it.

Joker and Batman in the penthouse or interrogation room. These scenes were not the best of action. But to me their still the best action sequences I've seen in a while because of the tense feeling, and the characters feel real and connectible, so their plight feels that much more so.

To me his action has improved it's just many have become action junkies. I would rather have a film with decent action and a superb story and characters.

That is what makes up the movie. Star Wars Episode V had one of the best lightsaber duels. Yea it was not as flashy and cool looking as Episode I but it over all was a better action sequence because it had much better emotion and substance. That is where I see Nolan, he gets what the important parts of a movie are, and focuses on those. To me as well he has gotten better each time with action movies. But to me that is one little thing I could care less about.

I think sometimes when action gets too flashy it truly takes away from the story and just becomes cool for the sake of it, even in the best of action films.

We must just differ on what it means to be a director. Visuals are a part of it but way way way way way down the list for me. Story, acting, editing, are much more important than just the visuals.

So I guess we will just have to disagree on that.
 
I don't think inception can hold a candle to the matrix, just my opinion but then the matrix is my favorite sci-fi movie of all time.
 
Are you guys talking about race or something?

You think Nolan is a racist?
 
A page or two back there was a link about a guy saying that Nolan has only had one black actor in the lead role in all his movies.
 
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