Okay, well, I don't know how many of you are actually going to read all of this, but here's my (rather long) review if you're interested. SPOILERS AHEAD. READ AT YOUR OWN RISK.
Clash of the Titans - 6/10
We need to be reminded of the order of things, don't we?
We spend a lot of time on the internet, b**ching up a storm about remakes. It stems from the constant belief that Hollywood has no original ideas, and it's only hope at producing quality material is to hit the reset button on something from 20 years ago and soup it up with better special effects and whatever actors are [Mugatu]so hot right now.[/Mugatu]
Yet despite all of our complaints, we all know that 9 times out of 10 when these remakes hit theaters, whether its out of actual interest or perhaps simple morbid curiosity, a percentage of us will go see them. In fact, as the release date nears, we often get excited for them. We begin to relish the possibility that a remake of a film we loved when we were kids might blow the old one completely out of the water because all of the crappy effects and inconsistent story elements have been excised.
And yet, when we see it... it's simply not that good. Never mind the fact that the original wasn't that good either... that movie (for some reason) is sacred to us and the only way we could accept the new version is if it is, in every way possible, a better film than the original (even though we know it will still be inferior, in our eyes).
It is the natural order of things.
But Clash of the Titans poses an interesting question. When remaking a film, how closely do you stick to the original? Perhaps it is possible to take various elements from an old movie (or and old myth) and craft something of a new story with them, while keeping with the spirit of what came before? That sounds like a novel idea, right? After all, Tim Burton and Andrew Kevin Walker did this pretty well in Sleepy Hollow.
Unfortunately for Clash, the one thing consistent with the original is its overall mediocrity. It's been a while since I've seen the original, but the often silly turns the story takes, the questionable lead actor and the silly looking sidekick are all here. The story has been butchered to turn Perseus (Sam "I Still Can't Do An Accent" Worthington) into a lazyass Batman/Maximus hybrid whose sole motivation is to kill Hades (who talks like he has emphysema for the first part of the movie).
See Hades (Ralph Fiennes) wiped out his family after he (apparently) recognized Perseus for being Zeus' son. The strange thing about that is that Hades originally showed up to kill a bunch of soldiers from Argos for tearing down a statue of Zeus and Perseus' family happened to be sailing nearby. Even though Hades hates the king of the gods for being a general *****ebag (Zeushebag?), he's trying to get back in his good graces for his own nefarious purposes. Because apparently Zeus would want to slaughter a bunch of jerks for tearing down a statue, but he probably wouldn't bat an eye if his son is murdered, right? Never mind, there's a lot about this movie that doesn't make any sense.
Speaking of Zeushebag. I gather that we're supposed to like him because he's played by Liam Neeson and he pops in from time to time to give Perseus advice and weapons (such as the lightsaber he dropped at the end of The Phantom Menace). Sure, that's great, but we're also talking about a guy who screwed his brother over and had him banished to the underworld (thus putting into motion the horrible events of the movie), more or less raped Perseus' mom by disguising himself as her husband (which ultimately got her killed) and towards the end, commands the Kraken to kill a few hundred people. Great guy.
Anyway, we're eventually introduced to Andromeda (Alexa Davalos), whose mom, in typical stage-mother fashion, proclaims that her daughter is more beautiful than the gods. This of course incurs their wrath and nearly gets Argos wiped out.
I wonder if Alexa Davalos read the script of this film before signing onto it. I would wager that she didn't. I know that she's not a huge star by any means, but she probably thought that this could be a big break for her, since Andromeda is supposed to be the love interest of Perseus. That's one of the things that the original got right... Perseus and Andromeda get together.... that's a pretty big part of the myth.
Not here though! Andromeda is relegated to a plot device and Perseus' love interest is instead Io (Gemma Arterton), some chick who shot down a horny god and he cursed her to remain young and hot for all eternity. I'm not exactly sure why, of all the mythological figures they could have used, they picked Io for this. According to the myth, she was seduced by Zeus and afterward, he turned her into a cow.
Anyway, Perseus teams up with Draco (Mad Mikkelson), Io, and a small band of soldiers to go kill Medusa, take her head, and use it to slay the Kraken before he wipes out Argos in 10 days. Among these soldiers is Hans Matheson, who does nothing interesting in the movie. Still I've seen this guy in plenty of other things, and he really deserves better than this. I would argue that he should have been Perseus, because even with this script, he probably could have made me give a crap about the character. Instead, we're stuck with Worthington, who looks like he should be playing tight end for the Patriots - well, actually, that's a little too kind - the Raiders, maybe - and tries to hide his Aussie accent by grunting every other line.
Along the way, Perseus does everything he can to refuse the help of the gods. Why the gods would want to help a vengeful guy who wants to wipe one (and perhaps all) of them out is a bit puzzling. It's also puzzling why the guys he fighting along side, who earlier in the movie declared WAR on the gods, are pissed at him for refusing the gods' gifts.
Anyway, long story short, they get attacked by Calibos (Jason Flemyng), then fight some giant Scorpions who look straight out of Might Morphin Power Rangers, and team up with some weird guy made of bark. Barkman is hilarious, by the way. I don't know if he's intended to be, but I couldn't stop laughing every time this character was on screen and delivered lines like "Arrguguuuuhggggrrfaaa!!!" (some of the best dialogue in the film).
Our heroes later have to confront the three long lost sisters of the Pale Man from Pan's Labyrinth, and later find their way to the underworld and confront Angelina Jolie's CGI doppleganger from Beowulf, who now has snakes growing out of her head. During the battle with Medusangelina, everyone (predictably) dies except Perseus and Io. Then Calibos shows up again and Io gets capped.
Perseus takes Zeushebag's lightsaber and Medusangelina's head and rides Pegasus to go fight the Kraken. Much has been said about how brief the Kraken scene is, but really, it's one of the better parts of the film. The Kraken looks cool and though it's not a long scene, well... if it was any longer the audience would be left to wonder just how in the hell someone who is clearly tied up as a sacrifice could have not become Kraken-food already. He saves her and then defeats Hades, who is apparently stupid enough to reveal himself to our hero right at the exact moment he's been weakened. Everyone in the film seems to realize this but him, I guess.
Andromeda gives Perseus the opportunity to become king (and presumably bang her on a regular basis) but being the emotionless jerk that he is, Perseus says that he already has everything he needs, which consists of a wrecked ship, a winged horse and two statue feet of Zeus, apparently. But then
Zeus returns and, since you know, he's not a bad guy, he brings Io back to life. Well, I have to give this movie some points for that. Even though they got the love interest wrong, at least they had the good sense to bring our leading lady back for a happy ending, instead of pulling a Van Helsing. I'm not opposed to a bittersweet ending, but when you're making a mindless, craptastic popcorn flick with the depth of a dixie cup, just go for the crowd pleaser at the end. Don't try and be pretentious. Killing off the heroine or the hero won't make this story a brilliant tragedy... it will just piss your audience off.
In the end, I know I've kind of torn this movie to shreds, and well, that's because it really isn't very good. But it is fun. And it's worth seeing at least once (though if you go, pick the 2D version). The only thing that concerns me here is that this was the first big budget venture into Greek Mythology in a long while (I don't count films like Troy because they cut out the fantastical elements). I was hoping that it would really set the bar high and we could expect a whole slew of these films based on classic myths. I know a few others are in production, but even if those are really solid, negative reactions to this movie could hurt their chances.
But here's to hoping they'll have more than cool looking creatures and actually focus on interesting heroes and villains, and a story that makes sense. Hopefully they'll look at this film and avoid its flaws, while taking a cue from some of its better points. That would, hopefully, be the natural order of things.