Then you should have clarified that instead of just quoting me and saying that.
I should have clarified your misunderstanding before you made it?
I was making a point. That is what message boards are for.
I quite clearly did not say "You said this", or attribute any of what I implied to you. I was making a sarcastic point, and rather than ask what I meant, you said "Learn to read", etc.
Couldn't disagree more. For starters, doing something out of desperation for a loved one is one of the most solid motivations a person can have. Second, there was absolutely no need to see this sick mother in hospital.
You disagree with what? All of what I said there?
Am I to believe then, that you feel this was a good exploration of the concept introduced in the movie?
In the world of Chris Nolan, it seems there's little need to see much of anything character development-wise beyond Batman and the villains.
If they were going to explore the concept of this woman and her agonizing over what she had to do, or some remotely difficult decision to do something awful to save her mother, then yeah, if that was to be executed well, it would be neccessary to see her mother, or at least to know more about the situation than "I needed the money", if we're to give two ****s about her gray area in relation to her crime. Tossing two or three lines of dialogue in there and expecting that to stand up as a valid or remotely interesting motivation is lazy, and its cheap.
So no, I do not think it is executed particularly well. At all.
That element was the kind of forced, mostly empty "emotional" screenwriting that plagues nearly every ****e comedy and half-ass action film out there.
People sometimes complain that Nolan goes into way too much detail and spoon feeds the audience too much. Actually showing us Ramirez's sick mother in hospital would have been just that.
How would fleshing out a character or scene with a few more details be considered spoonfeeding?
Was Nolan spoonfeeding when he showed as Bruce Wayne in the hospital? No. He was fleshing out an emotional element of the story. One that ended up being fairly satisfying.
Nevermind that, in the end, he DID spoonfeed us why she did what she did. Because she told Harvey why she'd done it. Come to think of it, for all we know, based on what we heard, her mother is a drug addict or something.
We didn't need to see her. We knew of her existence, that she was ill enough to be checked back into the hospital, which implies she's been there before. Not to mention Gordon asks Ramirez if she had to go and look after her mother.
I'm aware that she's been there before, and that she's been taking care of her mother in some fashion.
Saying something is happening doesn't make the conflict unique, and it doesn't make the exploration of it interesting. That is simply not enough information or exploration for this "reveal" to really have any impact whatsoever. It was a poor execution of the concept, and as such, felt forced and unneccessary, and worse, lazy.
If all you're going to do as a writer is have a character essentially say:
"My mom is sick again".
And then go from that to:
"I turned your friend and one of Gothan's brightest hopes over to the mob because I need money for my sick mom".
And then you think you've somehow justified that action, or created some sort of gray area, or anything interesting?
Nope. You'd have failed to execute it in an interesting or remotely interesting manner.
Might as well have left the dialogue out and added a few seconds for another "hiliarious police officer one liner".
I'd rather her just be pure, corrupted evil than to see the potential of that idea passed over with a cheap throwaway like there was in TDK. At least then I wouldn't be taking out of the movie by the ****** exploration of a potentially interesting and somewhat realistic element at a key point.
As you said, Nolan likes to spoonfeed. But the meals aren't always particularly satisfying. There's a lot of tell, and less show, when it should be the other way around.
Plus Ramirez came across as totally sincere in her scene with Two Face.
Of course she was sincere. She got caught and he was dangerous.
She still did something wrong. Something very wrong
But since when did aiding in a kidnapping because you sort of vaguely need the money for hospital bills become okay, or an admirable trait?