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Arrow (Green) Arrow Comics/Graphic Novel Thread and Discussion

ARROW SEASON 2.5 #8

Written by Marc Guggenheim and Keto Shimizu, art by Joe Bennett and Craig Yeung, photo cover.

The thrilling climax of the Brother Blood story arc as the Arrow and Arsenal team up with the Huntress to save Felicity

32 pages, $2.99, in stores on May 13.
 
BLACK CANARY AND ZATANNA: BLOODSPELL TP

Written by Paul Dini, art and cover by Joe Quinones.

A year ago, Black Canary infiltrated a gang of female criminals set to pull a dangerous heist at a Las Vegas casino. Its leader was skilled in hand-to-hand combat and had more than a passing interest in black magic. Rather than be captured by Canary or the law, she went to her death, vowing to get revenge on Canary! Now, one year later, death stalks those gang members, and Canary must turn to her friend Zatanna to help investigate. This title also includes a special sketchbook section.

144 pages, $14.99, in stores on June 17.
 
GREEN ARROW VOL. 3: THE TRIAL OF OLIVER QUEEN TP

Written by MIke Grell, art by Ed Hannigan, Dan Jurgens, Dick Giordano and others, cover by Ed Hannigan and Dick Giordano.

In these stories from Green Arrow #13-20, Green Arrow relocates to Portland to be with Black Canary. But after helping out a local resident, he finds himself the target of an assassin who wants to bring his own brand of deadly vigilante justice to the city.

208 pages, $16.99, in stores on June 3.
 
Ben Percy said
Green Arrow will feel like a movie in your hands. @PatrickZircher draws the way cinematographer John Alcott (2001, The Shining) sees.
and Patrick Zircher said
Do not tell DC I'm having this much fun.
and
The days when you work on a title for the first time are great days-- there's an electric buzz to them, every time.
 
http://www.comicbookresources.com/comic-previews/green-arrow-40-dc-comics-2015

green arrow 40 preview


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I'm amazed that DC is keeping GA/BC away from each other in New52.
 
I'm amazed that DC is keeping GA/BC away from each other in New52.


Pretty sure they will meet. lemire was going to bring Dinah but his artist left from marvel so ended his green arrow prematurely..
 
Nrama: You made it clear that you want to build Green Arrow separately from those relationships for which he was so well known in the past, like Green Lantern and Black Canary and such. But since you’re getting into a long-term plan, do you think we’ll see him encounter any of those characters during your run?
Lemire: Yeah, I think eventually. Like I said, I need to redefine who he is first before we start playing him off other characters again. Like you said, we need a strong foundation of who this guy is. I don’t want him to become “that guy who dates Black Canary.”
So once we lay down that foundation, there should be the chance to do some cool stories with some of those other characters. Geoff and I have already talked about doing a new version of the Green Arrow/Green Lantern team-up with the new Green Lantern Baz.
But I’m going to stay away from Black Canary for awhile, because I feel like once you get them together, that’s it. They’re together. So it will close doors instead of opening them, storywise. Somewhere down the road, they could always end up together, but for now, it might be interesting to see Oliver involved with other women.


http://newearth2.com/post/35781827890/jeff-lemire-was-interviewed-by-newsarama-about-his
 
Such a stupid reason. Does the writer not know that they break up constantly? That he wont be tied down?
 
Such a stupid reason. Does the writer not know that they break up constantly? That he wont be tied down?

I Hope they meet post convergence also dc has not forgotten about their relationship. The statue, injustice, bloodspell, convergence ect.
 
Except that them constantly breaking up and then getting back together gets annoying after awhile as well. Also Mr. Kreisberg, stop trying to make Cupid happen. It's not going to work. There's a reason why no other writer besides you has wanted to use her, she's a godawful character.
 
Except that them constantly breaking up and then getting back together gets annoying after awhile as well. Also Mr. Kreisberg, stop trying to make Cupid happen. It's not going to work. There's a reason why no other writer besides you has wanted to use her, she's a godawful character.

She was tolerable on arrow compare to her comic counterpart.
 
Yeah but that's like saying that a punch to the face is better than a kick to the balls. The character was still awful, it's just that the actress was good enough that I didn't want to jab pencil into my ears every time the character opened her mouth.
 
Let’s conclude this interview with a question about Green Arrow. You have already written two comics starring Batman, and you are about to tackle Green Arrow in an ongoing comics series. Is there anything you would like to share with us about your hopes or goals for writing Green Arrow’s adventures?

I can’t say too much—I’m not supposed to talk content or characters—but I will say that Patch Zircher and I are taking the series in a new direction. It has zero connection to the television show. We will be incorporating some of the Jeff Lemire mythology. The aesthetic will be dark and literary and packed with arresting visuals (Patch draws the way cinematographer John Alcott sees.) The other day Patch said to me, “You know what happened to James Bond when Daniel Craig took over? This is like that.” I sure hope people enjoy reading it as much as I enjoy writing it.

This is an exciting beginning for me, and my goal is not only to nail Green Arrow, but to pitch some original ideas and take on assignments in other established series. I love writing comics; this is, corny as this sounds, a dream come true. Especially compared to the Hollywood nightmare. Writers don’t get a lot of respect out there. If you don’t do what the brass ask of you, they simply fire you and bring someone else on board. And every project moves so, so slowly, prohibited by actor availability, special effects costs, endless and conflicting producer notes. Comics are so freeing, so pure by comparison. And the creative partnership—between artist and writer—is the most rewarding collaboration I’ve ever experienced.

http://nothingbutcomics.net/2015/03/03/percy/
 
Yeah but that's like saying that a punch to the face is better than a kick to the balls. The character was still awful, it's just that the actress was good enough that I didn't want to jab pencil into my ears every time the character opened her mouth.

Agreed terrible character, but at least Amy Gumenick is gorgeous. So, that helps. right.
 
BLACK CANARY #1
Written by BRENDEN FLETCHER
Art and cover by ANNIE WU
1:25 Variant cover by BABS TARR
On sale JUNE 17 • 32 pg, FC, $2.99 US • RATED T
Retailers: This issue will ship with two covers. Please see the order form for details.
Dinah Lance hits the road! After years as a soldier and vigilante, the LAST place Dinah saw herself is on stage…but she’s quickly learning she’d die to protect the gang of misfits she’s fallen into. And she just might have to – for some reason, the newly rechristened band Black Canary seems to be a magnet for trouble…and Dinah’s not gonna believe it when she finds out the reason why! Martial arts, super-spies, and rock ‘n’ roll combine, from Brenden Fletcher (BATGIRL) and Annie Wu (Hawkeye)!


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I've started reading Mike Grell's Longbow Hunters. It's really good so far. Very grimy, like a comic book version of Seven, or Zodiac.
 
Let’s talk “Black Canary” — we don’t know much about the series yet beyond the initial imagery, and the fact that she’s in a band. How much more can you share?

Fletcher: Let me just tell you that a significant amount of butts will be kicked.
Annie Wu: All the butts.
Stewart: Your daily recommended dosage.
Fletcher: There will be a lot of people with bandages and bruises, and there may be some touring in a bus and some gigs happening. But mostly a lot of butt-kicking and a lot of fun, fish-out-of-water stories.
How much does the music aspect play a role — is it a major component, or more in the background?
Fletcher: It informs the situation, but the situation, of course, involves a woman who is ex-military, and potentially the best martial artist on the planet. Trouble kind of follows her around. While they’re trying to go on this tour, while they’re trying to make the most of this unique opportunity that they’ve been given to have a record deal, and play all these shows, really they just end up in fights all the time, and people end up hurt. That’s maybe a problem. It fuels the story.
Wu: What I have in mind, stylistically, music plays a big part in that. I look at a lot of gig posters and music videos; the theatrical aspect of being on stage, all that fun stuff. Hopefully our final product will have that feeling of a rock tour. Halftones and bold colors. That, plus, al the kung fu action and all that kind of stuff. Hopefully it’ll be a really fun, vibrant, energetic final product.
Fletcher: This set-up has allowed us to put her back into fishnets, because now it makes practical sense. It’s her stage outfit! It’s not her action outfit. But of course she ends up in the middle of action scenes wearing her stage outfit.
Annie, what are some of the specific things that you got inspiration from? It a specific type of aesthetic?
Wu: All the bands, from every genre, and every era. The way that I’ve been mentally approaching it is, this is an era in an artist’s career. Like Bowie, Ziggy Stardust, he has a very distinct look, and then when he moved on to Thin White Duke, this is a distinct look, so I’m trying to approach it like that.
I’m a big musical theater nerd, too, so I’ve been watching a lot of musical movies, as well. Everything that’s exciting about being a performer, and music, being in a band — all the theatrical stuff, I’m trying to have that directly inform the style and the energy of the book.
Fletcher: This was one of our first conversations when I was trying to get Annie on board the book, one of the first things we were talking about was Bowie. We share this Bowie passion.
So does that wide range of inspiration reflect in the band itself? It’s not like, this is exactly what they sound like, but you’re pulling from a lot of different places?
Fletcher: It’s something that we’re still talking about. We’re still trying to nail down the exact sound. We want to know the exact sound of the band, but it’s not entirely derivative of anything that’s out there. You see, even in the promo shot, you can get an idea of what the make-up of the band is, and it’s not your average bass, guitar and drums lineup. It’s different. So it’s going to sound a bit different.
Will we see the two books intermingling, between “Batgirl” and “Black Canary”?
Fletcher: Where “Batgirl” #40 ends, is where “Black Canary” #1 begins.
Stewart: I’m sure that at some point, after Dinah goes off on her own, we’ll have a reason to draw them back together again.
Tarr: Maybe during her tour, she has a concert at Burnside.
Fletcher: I have a feeling that something might happen around September or October where we might have a good opportunity for Black Canary to return.
Interesting! What kind of threats or enemies can we expect in “Black Canary”?
Fletcher: Nasty ones.
This is a book that features a character that was born in the New 52. So she has a past. She’s been in several books before. If you look to the books that she’s appeared in, there’s some information already there about what she might end up facing while on the road with her band.
But then there’s a lot more. And it’s fairly fantastical, and maybe outside of the realms of what you’re expecting. But you can rest assured, that whatever it is, it’s butt will be firmly kicked.
Wu: He’s really pushing that point.
Fletcher: People are wondering if this is just going to be a music book. It’s Black Canary. She kicks people’s butts.
Wu: She’s deadly. She’s one of the top martial artists in the entire universe. We’re going to be addressing that in the book.
Fletcher: You can put her on Apokolips, and there’s probably no better martial artist than Black Canary.
There’s been a lot of talk about the comic book audience changing, and now it seems like that’s actually being recognized by publishers — how gratifying is that part? Are you getting a lot of feedback from people who may not be traditional comic book readers?
Tarr: We get told weekly, “I wasn’t into comics before ‘Batgirl,’ and now I read it, it’s so fun.” It’s awesome.
Stewart: “I’ve never read a DC book before.”
Fletcher: I’ve been getting a lot of, either, my first two comics, or my first two DC comics, are “Gotham Academy” and “Batgirl” — “I’m adding ‘Black Canary’ to my list already.” Which is amazing.
It’s a Brenden Fletcher monopoly. It’s also reflective of a diversity of art style — something that DC had gotten some criticism for at one point, with the notion that a lot of the books were looking kind of the same. Have you gotten a lot of freedom thus far on “Black Canary?”
"Batgirl" took the comics world by storm, and many fans have told the creators it’s their entry into comics or DC Comics overall
Wu: They’re letting us get away with murder. [Laughs] Until they tell us to rein it in, I’m just going to keep doing what I do.
Tarr: Don’t listen. [Laughs]
Fletcher: We’ve been given great freedom across the board. Right before we came over here, we were pretty much story meeting with our editor, Chris Conroy, and group editor Mark Doyle. We were actually hashing stuff out and making decisions out there. They’re so open to talking about everything. It’s incredible.
I feel like we’re spoiled. We have the best editorial team in comics. It’s incredible. It’s the best feeling. I don’t know if I could go to work anywhere else after this.
And “Black Canary” is a little different for you, Brenden, because you’re writing it solo — that’s your first solo monthly, right?
Fletcher: For big, monthly ongoing series, yes, it’s my first.
Stewart: Brenden is the co-writer of “Batgirl” and “Gotham Academy,” but he does a lot more than I think he’s often credited for, or is acknowledged. “Black Canary” is going to give him an opportunity to show that he’s got the chops.
 
GREEN ARROW #41
Written by BEN PERCY
Art and cover by PATRICK ZIRCHER
THE JOKER Variant cover by BILL SIENKIEWICZ
On sale JUNE 3 • 32 pg, FC, $2.99 US • RATED T
Green Arrow returns to Seattle to find the city in chaos! What's causing this destruction, and can Ollie stop it before it spreads beyond the city?

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