Overall, how satisfied were you with the first season of “The Strain”?
You know, I think that it was a very steep learning curve in a way. We were very ambitious with the production values and visual aspects of it, and I think finding a balance between character and set pieces was, I think, was one of the things I feel we learned as we went along. I’m very satisfied. I love the response of the audience. I think that some traits or character storylines that seemed to … I’ll give you an example: the custody battle with Eph that, in the beginning, for the people that didn’t know the books, seemed to be a character trait that you see in other shows. When you get to episode 10, Kelly is taken. It took 10 episodes for people to know we’re not just doing this for another character trait. It’s going to become part of the backbone of the series. That episode for me, particularly, was very poignant, the ending of it. Finding the different strengths of the characters as played by the actors when they’re revealed … for example, David Bradley as Setrakian is a much harder, tougher, almost-relentless Setrakian than the Setrakian in the books, so we needed to start writing differently for him.
It was a huge learning curve for all of us, but we had fun, and we watch with great relief and gratitude and happiness that we have a very steady, very strong viewership. We were especially very daunted by the football season, and remained very strong and steady during that. For me, it was a particularly exhausting experience, because in movies you work for two years, three years, and then, basically, it all comes down to one or two weekends. You release the movie, there’s a box office return, there’s a critical consensus, and then that’s the end of it. With a TV series, you kind of learn week by week. You have certain dramatic arcs as life lines in the series that became quite intense for me at times.
How long do you foresee being involved in the second season before other responsibilities pull you away?
My hope is that I remain in that capability for the entire season. I originally was going to do a very small project around April or May, but there are some issues in the family that I have to take care of. So I decided that staying put was the best idea for the family, and “The Strain” allows me to do that, allows me to basically 20 minutes away from home. I’ll be shooting the pre-credit prologue of the pilot, I’ll be shooting the Silver Angel black and white Mexican movies, and I’ve been doing second unit last week, and I’ll continue to do it, God willing, through the season.
Generally speaking, people tended to like the creature design, but when the Master’s face was revealed, there were a lot of fans who weren’t quite happy about that. Did you hear any of that? Do you have any comment about the Master’s look?
I think that, honestly, half of a creature is the way it’s lit, and I think that the reveal of the Master, in retrospect, was done in a lighting circumstance that was not the one I would have gone with. I was shooting “Crimson Peak” during those episodes, so all I could do was keep up with the dailies and the VFX load that is my share of the package. VFX cannot do anything about cinematography, and I thought that the reveal of the Master should have been more moody, lit in a far more … in a way that is not so flat. The rest of it, I think that’s the way I saw him. I didn’t see him as the usual gaunt vampire. He’s a 7’3″ giant, so he needed to have this very brutish face, and I think that I will stand by that. At least I will assume responsibility over that part. I do think that the cinematography suffered in that particular reveal.
Season two is filming already, is that correct?
Yeah, we’ve been shooting for a week. And I can say that the first appearance of the Master in season two is far more moody.