My review of Hancock
(INCLUDES SPOILERS SO BEWARE !!!)
I have gone back and read what you folks have had to say on this film and have seen so much bashing, both unnecessary and over blown (and one contradicting "review"), that I feel it is time to throw in my two cents on it.
I give this movie a 5/5 (voted 10/10 on here)
This was a really great movie and truly delivers where MANY films based on already existing comics fail. Basically they took 4-5 differnt comics (Superman, Luke Cage, The Eternals) mixed them all together and gave us an original take on the superhero genre and not some bland retread.
Hancock has made it onto my list of "great comic book films NOT based on a comic book" (Unbreakable, Donnie Darko, Children of Men, The Incredibles, Hancock).
Many people here are complaining about the "shift in tone" which I feel is just a b.s. excuse. Whats the problem? The film has moments of comedy, romance, handles superheroes in a realistic and smart way and gives us some of the best action seen in a movie in a long time.
There isn't really any "shift in tone". A film can only be pure action or pure jokes? Bull. Every film shifts gears and Hancock was no different. The characters all came off very realistic and believable. Yes there are times like the end where things get a little "darker" but it isnt a jarring jump and it still stays within the context of thier universe.
"Plot holes": I've seen many claim about plot holes which honestly there arent any. Sure the film was supposed to be R rated and they cut a lot out but Berg still trimed it down and got this film tight enought that none of the information is lost. If you follow you can still connect the dots. In a world where Han***** all over youtube and sightings of him are al lover the t.v. 24/7, why is it hard for fanboys to grasp that Red could track him down to the hospital (especially considering we see a news report on it)?
The origin: I cant beleive people are both confused or complain over this. Han***** origin is simply put: fantastic and original. We arent given info right away and things are alluded to and once we get to the twist, oh boy what a twist! We arent given a lame genetic experiment, radioactivity, or alien origin which would have been lame.
We love our heroes because they are wrought with tragedy which makes them more human and Hancock is no different. Here we have a man who cannot love who he is destined to love otherwise they both die. This is something I think the fanobys here are taking for granted and seem to overlook.
The villain: The bad guy in this is just awesome and is another point where the filmmakers were pure genius with. We could have gotten a lame corrupt c.e.o. with super powers or even worse, Batemans character getting/having powers and him and Hancock duke it out over Charlieze. This would have been a pretty bad way to go and you can't deny that. Fans have said "how did he know about the hopsital?" It was all over the news so it would not have been hard to put 2 and 2 together especially for a man smart enought to rile up the prisoners and cause a riot.
The one liners: Arent annoying at all. Usually in the summer blockbusters they are advertised like crazy and the one liners are super annoying, not so in Hancock (prolly cuz most of the one liners cant be advertised on t.v.

)
For me this film did not fail. There was not one thing I hated about this film or one thing that made me roll my eyes. If anything, the last scene I would have changed. After Hancock jumps away we see more of Theron coming back to life and Bateman/son relieved. Fade to black. We see "3 months later" on the screen (cuz sorry, after all that, one month is not enough to reconcile) we play out the same scene we have in the film of her and Bateman discussing, maybe throw in a line about Hancock not being seen since,them celebrating thier anniverssary, Charlieze looks up and we see the moon shot, Batman looks up with a smile. We then pan up to see Hancock in the sky unseen by them watching solumly at the one thing he so wants but cant have a la Superman returns.