The Dark Knight Heath Ledger Dead - ALL talk/rememberance and discussion in here

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I watched an interview recently where Heath was talking about this. He said that he couldn't keep from laughing because the idiots (though he didn't call them that) put him and Jake out there to describe their own movie. :lmao:
Seriously, that was hilarious. Why have the actors describe their own movie from the outside perspective, that's just odd.
 
The SAG Awards clip is hilarious! That's how we all should remember him! It made me feel a lot better... Thanks Heath!
 
Nolan wrote an entire article for Newsweek about Heath:

http://www.newsweek.com/id/105580

One night, as I'm standing on LaSalle Street in Chicago, trying to line up a shot for "The Dark Knight," a production assistant skateboards into my line of sight. Silently, I curse the moment that Heath first skated onto our set in full character makeup. I'd fretted about the reaction of Batman fans to a skateboarding Joker, but the actual result was a proliferation of skateboards among the younger crew members. If you'd asked those kids why they had chosen to bring their boards to work, they would have answered honestly that they didn't know. That's real charisma—as invisible and natural as gravity. That's what Heath had.

Heath was bursting with creativity. It was in his every gesture. He once told me that he liked to wait between jobs until he was creatively hungry. Until he needed it again. He brought that attitude to our set every day. There aren't many actors who can make you feel ashamed of how often you complain about doing the best job in the world. Heath was one of them.

One time he and another actor were shooting a complex scene. We had two days to shoot it, and at the end of the first day, they'd really found something and Heath was worried that he might not have it if we stopped. He wanted to carry on and finish. It's tough to ask the crew to work late when we all know there's plenty of time to finish the next day. But everyone seemed to understand that Heath had something special and that we had to capture it before it disappeared. Months later, I learned that as Heath left the set that night, he quietly thanked each crew member for working late. Quietly. Not trying to make a point, just grateful for the chance to create that they'd given him.

Those nights on the streets of Chicago were filled with stunts. These can be boring times for an actor, but Heath was fascinated, eagerly accepting our invitation to ride in the camera car as we chased vehicles through movie traffic—not just for the thrill ride, but to be a part of it. Of everything. He'd brought his laptop along in the car, and we had a high-speed screening of two of his works-in-progress: short films he'd made that were exciting and haunting. Their exuberance made me feel jaded and leaden. I've never felt as old as I did watching Heath explore his talents. That night I made him an offer—knowing he wouldn't take me up on it—that he should feel free to come by the set when he had a night off so he could see what we were up to.

When you get into the edit suite after shooting a movie, you feel a responsibility to an actor who has trusted you, and Heath gave us everything. As we started my cut, I would wonder about each take we chose, each trim we made. I would visualize the screening where we'd have to show him the finished film—sitting three or four rows behind him, watching the movements of his head for clues to what he was thinking about what we'd done with all that he'd given us. Now that screening will never be real. I see him every day in my edit suite. I study his face, his voice. And I miss him terribly.

Back on LaSalle Street, I turn to my assistant director and I tell him to clear the skateboarding kid out of my line of sight when I realize—it's Heath, woolly hat pulled low over his eyes, here on his night off to take me up on my offer. I can't help but smile.
 
Batman on film has a very touching interview with gary oldman that u guys should check out. Oldman really sounds like an great dude.
 
Just wanted to throw in my two cents.


I am absolutely devastated by the passing of Heath Ledger. It is just so shocking to know that he is now gone from this earth and at such a young age. It amazes me to think that only a handful of months ago I was in Chicago, seeing him on a daily basis. He was a great actor and, by all accounts, a great and selfless man as well. I hope that where ever he is, he is at peace. My thoughts go out to all of his family and friends.

Also, I was very moved by Nolan's tribute in Newsweek. It is by far the most touchingand tasteful thing I have read about him yet.
 
Nolan wrote an entire article for Newsweek about Heath:

http://www.newsweek.com/id/105580

One night, as I'm standing on LaSalle Street in Chicago, trying to line up a shot for "The Dark Knight," a production assistant skateboards into my line of sight. Silently, I curse the moment that Heath first skated onto our set in full character makeup. I'd fretted about the reaction of Batman fans to a skateboarding Joker, but the actual result was a proliferation of skateboards among the younger crew members. If you'd asked those kids why they had chosen to bring their boards to work, they would have answered honestly that they didn't know. That's real charisma—as invisible and natural as gravity. That's what Heath had.

Heath was bursting with creativity. It was in his every gesture. He once told me that he liked to wait between jobs until he was creatively hungry. Until he needed it again. He brought that attitude to our set every day. There aren't many actors who can make you feel ashamed of how often you complain about doing the best job in the world. Heath was one of them.

One time he and another actor were shooting a complex scene. We had two days to shoot it, and at the end of the first day, they'd really found something and Heath was worried that he might not have it if we stopped. He wanted to carry on and finish. It's tough to ask the crew to work late when we all know there's plenty of time to finish the next day. But everyone seemed to understand that Heath had something special and that we had to capture it before it disappeared. Months later, I learned that as Heath left the set that night, he quietly thanked each crew member for working late. Quietly. Not trying to make a point, just grateful for the chance to create that they'd given him.

Those nights on the streets of Chicago were filled with stunts. These can be boring times for an actor, but Heath was fascinated, eagerly accepting our invitation to ride in the camera car as we chased vehicles through movie traffic—not just for the thrill ride, but to be a part of it. Of everything. He'd brought his laptop along in the car, and we had a high-speed screening of two of his works-in-progress: short films he'd made that were exciting and haunting. Their exuberance made me feel jaded and leaden. I've never felt as old as I did watching Heath explore his talents. That night I made him an offer—knowing he wouldn't take me up on it—that he should feel free to come by the set when he had a night off so he could see what we were up to.

When you get into the edit suite after shooting a movie, you feel a responsibility to an actor who has trusted you, and Heath gave us everything. As we started my cut, I would wonder about each take we chose, each trim we made. I would visualize the screening where we'd have to show him the finished film—sitting three or four rows behind him, watching the movements of his head for clues to what he was thinking about what we'd done with all that he'd given us. Now that screening will never be real. I see him every day in my edit suite. I study his face, his voice. And I miss him terribly.

Back on LaSalle Street, I turn to my assistant director and I tell him to clear the skateboarding kid out of my line of sight when I realize—it's Heath, woolly hat pulled low over his eyes, here on his night off to take me up on my offer. I can't help but smile.

.......wow.
 
Does anyone think that the nex issue of Empire Magazine will be a tribute to Heath Ledger. I only ask because they usually reveal the next cover a few days before the release and they havn't yet done so.
 
Does anyone think that the nex issue of Empire Magazine will be a tribute to Heath Ledger. I only ask because they usually reveal the next cover a few days before the release and they havn't yet done so.

Maybe him on the cover with a long story inside?
 
Actors Talked Into the Wee Hours

While a recently de-closeted boy band star was mixing it up with Inuit the other night, two sworn enemies of Batman were conspiring further uptown.
In other words, the film festival started by striking, as it does sometimes, like cupid—love at first right place at the right time; a peculiar period when the shoulder-rubbing can be unexpected and the freaky juxtapositions provide an infinite well of comedy.
Over at the Liberty Grand, during the post-opening gala party—a film fest tradition that is the Toronto-in-September answer to gung-ho golfers hitting the links in Augusta every April—more than a few heads turned when Lance Bass arrived.
Given that the film being feted was The Journals of Knud Rasmussen, a period movie in which the snow is the main star and the language spoken is Inuktitut, the appearance of the former 'Nsync star provided for a delish meld of high and low. And the fact that Lance had in tow his boyfriend, Reichen Lehmkuhl, a chap best known for winning a particular cycle of TV's Amazing Race? Doubly delish.
"I'm talking to people here," Bass was heard to say when grilled what he was doing at TIFF. Trying to get investors, he said, for two features he's trying to make. (Aha! He was, in fact, testament to an ancient truism at the festival: the one that says while civilians are trying to schmooze celebrities here, celebrities are often trying to schmooze investors! It's what gives Toronto such an indelible circus atmosphere at this time of year.)
And though the frosted-haired entertainer is most famous recently for a People cover that read, "I'm Gay," celebrity has its own calculus, and hence, he almost managed to steal the show at the Liberty Grand. Out, you might say, and then Inuit!
Oh, well. "Fame is a fickle food upon a shifting plate." So wrote Emily Dickinson. And while the spread was a melange downtown, some blocks up there was also plenty to snack on. That's where at Lobby, on Bloor, a late-night buddy-buddy act formed between Heath Ledger and Cillian Murphy.
The guys were at different booths at the back of the newly redone bar, but, once introduced, they certainly weren't. The two of them, I can confirm, got on like Buckingham Palace on fire.
The Irishman is here starring in a film that was a Cannes favourite, The Wind That Shakes the Barley. Heath, the Australian, is here promoting the intriguing Candy. But for those of us who know our Variety, there was a subtext to their fast-growing acquaintance: While Cillian played Mr. Scarecrow in Christopher Nolan's Batman Begins last year, Heath, nominated more recently for Brokeback Mountain, has already signed on to be in the upcoming Bruce Wayne sequel. As the Joker.
Were some Batty tips passed on? We certainly think so. In fact, Cillian, who's the biggest acting name out of Ireland since Colin Farrell and is the spooky-eyed fella from films such as Red Eye and Breakfast on Pluto, didn't leave his Gotham cohort until about 3:30 a.m.
"His driver was waiting for him for hours," a spy tells me. "Because he said he was leaving hours ago."
Of Heath—who earlier in the day stopped by solo at Il Posto in Yorkvile, where he read a book and ate some soup—our spy tells us this: "He's a ratty-looking dude."
Certainly, that night he was in a very different mood from earlier that day, when he told a Canadian Press reporter than he and wife Michelle Williams are not into partying.
For the record, Ledger told Canadian Press: "I'm up at 5:30 or 6 every morning and in bed at 9. But it's fine, and the one thing I realize is that before Matilda, we were just sleeping in too long. We were missing out on so much of the day. I get much more done now. I feel more focused. And I actually need to go to bed at 9 now—I feel it in my bones."

http://www.cilliansite.com/press/feature-stories/2006-09-09-natlpost
 
I wouldn't be surprised if Bale says nothing to the media. I don't mean that in a negative way at all......that's just Bale.......he's extremely private, and I could see him...MAYBE saying something through his publicist, but thats it.
 
It's a spoof...but since you're here, may I ask you something? Do you get a kick out of posting snarky little comments on this thread? Because I can't think of any other reasons you and others like you keep doing stuff like that. We get it, this isn't a big deal do you. How about leaving those for whom this does effect in peace?

:up: :up:
 
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