Well i agree with this guy.
There were hints from the beginning.
Also how do you balance having too much hints and trying to surprise audiences ?
Daenarys not giving a zero f when her brother dies was really telling for me personally.
I dont care how much he mistreated her. You can never be that apathetic when your brother dies even if you hate them.
I think the point here may be that sometimes, a character arc being believable and brutal as it plays out in real time, with the audience seeing it as it happens, is simply the superior and better option to trying to surprise the audience.
Dany was perhaps too well known and understood by the audience for the
scale of her “shocking swerve” into madness; a “shocking swerve” in and of itself works much better with characters who maintain some elements of a cipher to the audience, where we don’t know them well enough to feel like they’e acting out of character. Think of Ramsay Snow’s first appearances as “The Boy:” he was an unknown variable and mysterious while pulling his first psychological torture on Theon, so when he revealed he had led Theon on a wild goose chase just to screw with him, it was shocking... but not something that the audience couldn’t follow on a character level. It played as having more fo the character
revealed, instead of having the character change.
Ned’s execution and the Red Wedding likewise follow established characterization for their perpetrators, with the shock coming more from the sheer balls of the show to actually follow through on logical concequences rather than simply doing something unexpected: Joffrey’s pettiness and tyrannical disposition provided a perfectly logical framework for why Ned
should end up dead in his situation from a literary perspective, and Walder Frey’s odious nature and Roose’s creepy disposition are why an audience member hearing The Rains of Castamere during the eponymous episode begins to feel their skin crawl... particularly when Roose blatantly trolls Catelyn with his mail armor and homicidal smirk.
Dany’s fall to the dark side would probably have been better served by an arc comparable to Miguel’s in season 1 of Cobra Kai: not only do we see the “heel turn” foreshadowed, but we follow the gradual slide into darkness as it happens and see exactly
why it’s happening all the way.
It’s less of a “kick to the balls” surprise and more of a “slowly stabbed with a knife then get it twisted” situation.