Lencho01
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I would've loved to have seen something like this.I keep posting this, and everyone seems quite content to ignore it and pretend like there is no other logical way of concluding the movie
Here it is again though, just for you!
Basically, this is how it could have gone:
1. Make it clearer that the plan is to send the Kryptonians back to the prizon they had been sentanced to on Krypton. Actually SAY that.
2. Only have one world engine, which is over Metropolis.
3. Still have the military and Lois go after the world engine with the PZ plan and baby's ship on board, but have Supes job be to go after Zod when the military confirm that he is not on the ship.
4. Have him confront Zod in the scout ship, have the same exchange about Krypton having it's chance and Supes destroying the ship with his heat vision, but have him destroy it from the outside and ,with great effort guide it into the river we see it pass over in the movie... rather than just allowing it to smash through buildings in Metropolis.
5. Then both Supes and Zod rise up from the ruins of the ship, Zod gives his pissed off speech about what he just cost him (the genesis chamber still signifies a great loss for him), and then we see them duke it out, but with Supes constantly having the PZ in mind when choosing which direction to fly in/punch him towards, but finding it incredibly difficult to force the direction of the fight.
6. At this point we've still got the other kryptonians in Black Zero, Faora attacking the plane, as well as Jenny trapped about to die with Perry holding her hand.
All of that culminates in this scene, which is somethinf I thought would be great since first discussion the movie, similar to the one we got with a very different ending.
Supes and Zod end up in a street full of people watching in horror. Zod keeps trying to go after people, and Supes just about manages to stop him each time. Finally, he has him beat, in the head lock, ready for that killing blow, when zod says 'you'll have to kill me to stop me!'
And then there is this moment, where you can see how much he wants to. And he's looking at the Black Zero, with the army plane not far from reaching it now, knowing the odds of him actually getting Zod there are pretty slim.
But he looks up at the people watching, just everyday citizens, families, a little girl holding a teddy bear covered in ash... (maybe even a young ginger kid taking pictues) and he realises what killing Zod, especially in front of all these people, would mean... that if they saw that, they'd never trust him again and he'd be sending out a message he just doesn't want to send - and so the anger starts to fall from his face, replaced by determination. He knows what he has to do.
At which point he says 'No, Zod. You're a criminal, and you belong back in the prizon you came from.'
So he puts everything he has into flying towards Black Zero, arm still around Zod's neck. And you can see them both struggling, and Zod trying to pull away as he's realised the implications of what that means, but Superman is putting as much effort into this flight (as he did the destruction of the World Enginge in the actual film... enough to make him scream with just the same effort). And it's only at just the last minute that Zod manages to break free of his grip, but it's too late. They are close enough to the plane crashing into the ship for Superman to super punch him into the Phantom Zone as it begins to emerge, with one last lingering shot of him struggling to not be sucked in.
It starts to pull on Superman then too, but that's when he sees Lois falling to her death, and it gives him that extra incentive to drag himself out of the pull of the Zone in order to catch her.
Que the 'He saved all of us' line, the kiss, and subsequant scenes.
Would that have really been so difficult to make work?
Because it sucks BOTH times.
Why do people keep assuming that no one hated it in Superman 2 (or the vaious other comic storylines in which similar things have occured), and therefore anyone who doesn't like it in MOS must be a hypocrite.
I can only speak from myself, but I hate ALL of those instances. And there are much fewer of those instances than examples of Superman choosing NOT to kill.
Agreed. It's funnier too when you find out they actually filmed Zod and co. being arrested to.
It's like when people bring up the Doomsday DTV (if I remember correctly on the commentary they joked that the buildings were empty) or him punching Darkseid at the end of JL/JLU. I didn't like the possible deaths there too.


t:
It's mainly about taste here anyway.