InkSlinger said:If Millar and Gough wrote that script, I'm not surprised Marvel didn't like it.
They've dragged out the nasty Father against the Son crap for 5 years on Smallville and just keep running around in circles. Clark should be finishing college and becoming the Big Blue Boy Scout, instead of just screwing around trying to find his 'destiny'. WE KNOW WHAT HIS DESTINY IS! Move on, man! Bring on the Suit and forget the teen angst. We want adult angst!
On a lighter note, if they insist on bringing in his father, why not make HIM the Vietnam Vet whose shrapnel damaged heart needs the ultra-tech heart pace-maker. He is an electronics wizard and developes the best pacemaker for himself with the technology available. His son, Tony, becomes the real techno-wizard and with training started by his father, designs and makes a better heart monitor pacemaker for his father that keeps him alive and well. Because of this design, they make a fortune as a hi-tech medical products company. Unbeknownst to them, his circuitry is being reverse engineered by a military-industrial combine that Tony must eventually stop as the IronMan. Because of their theft of his technology, Tony developes the nanotechnology that allows him to build the Ironman armor, with his father's help. An attack on the Stark medical research facility by the Combine (could be AIM) kills the elder Stark, and gives Tony the go ahead for some real kick-ass Mission Imposssible style fireworks as he avenges his father's death and recovers his technology. Of course, his father's death is a good segway into Tony starting to drink more than he used to or should, setting up his problems with the bottle.
How's that for a new start?
I like all of that, except for the part where the Combine kills his father. I always feel like it's kind of cheap in movies where that happens, like it all of a sudden gives you an excuse to kill someone. Especially if they were going to die in the script anyway. When they put that little throwaway line in Batman Begins, like, "Oh by the way, I sort of indirectly killed your father." It just seemed like the cheapest thing in the world. Ra's might as well have just said "Now you don't have to feel bad about killing me even though it contradicts your principles so that there can be a big scene where I get blowed up real good." Either find a way to write the scene without them dying or just kill them and leave out the "avenge my father's death" angle.

