I have no idea what you are talking about, and i'm not really involved in any debate regarding the difference between the two films critical receptions
You chimed in on my post about "Superman film vs Good film." You said that the ending to that film was not one you liked
nor the only example of a triumphant ending to a Superman story.
Ergo my point about opinion. STM has been a celebrated achievement into the mythos since it's release. Start to finish. With a 92% RT score I would think the ending part of the story was "liked"

It has two writing awards in the adapted category.
The discussion was about a "Good film" vs a "Good Superman film"
Instead of using my opinion I was deferring to the general consensus of the so called critical masses of fanboys and film critics alike. According to these people MoS is a superman film with a mixed reception. STM is a superman film with an overwhelmingly warm reception and has been a milestone of genre and american cinema for 35 years.
One look at the RT scores speaks to it's reception. For many years the Donner verse has been brought up here and celebrated there for this that and the next thing. The one that defines superman for a generation. At this point in time, MOS isn't that.
STM being a well received Superman film isn't just my opinion, it's based on a form of consensus. Ergo why I brought up the line of discussion: Is a film the consensus sees as a good superman film the same as one these same groups see as a "good film"
Are the conventions the same, cause if they are one would think it's ending would be a technical deal breaker or sorts.
I point to STM being celebrated as a great superman film but with a failed ending that serves to drive home the point that superman will always save the day no matter how few choices the bad guy gives him. Deus Exing isn't good form but in a Superman film, as long as it serves the theme of absolute heroism and measured power, the film will be celebrated regardless. Man of steel has an ending of a very different nature and this less optimistic thing is a point of contention among many discussions. A super guy facing a tough choice with a plot that follows through on that choice. Contrasting that with making the choice of reversing the clock...still, one of these two endings is being touted a many as "not superman"
The question I suppose is, which ending to a film is weaker? I already know the answer to which one is a better ending to a
superman film.
What's the point though, Superman kills in the sequel and that films and it's ending has been more warmly received. Forget I asked.
All that is, is a discussion of my opinion.
I couldn't give a stuff about what's 'well recieved'. Whether STM was or whether MOS was. (Although i've really never heard a single thing about how well recieved the ending to STM was... I mean, people celebrate the film as a whole, but i've never seen any particular discussion on how amazing the ending was, or how it's the kind of ending all Superman movies should have

)
Lots of reviews(positive and negative) speak on MOS' ending. Reading many of the STM reviews, the ending(conflict resolution that is) is almost never brought up. Sadly there are no forum databases I can pull up to show what the GA was talking about back when that film came out as I can now with MOS, but I do wonder if that films ending was as dissected and or lambasted as this ones has been during it's theatrical run. Were fan boys more off put by that films contrivance or the ending to MoS?
I just care about them portraying the best version of the character they can.
And I really don't feel like they did, or that they will manage to in future projects either.
To be fair that might very well be your intent, however I think you are more concerned with them portraying the version of the character you are more enamored with.
In regards to triumphant endings, you went on to suggest that in order to do so they, "Look at
pretty much every Superman story in the comics... They are all right there."
I'm confused, When you say
pretty much every, you must mean the stories you personally don't think suck. It's quite the situation we are in...
You seemingly dismiss any and everything superman as bad or not worth noting depending on whether it fits your personal collection of celebration. Then go on to suggest the producers simply look at the breadth of the superman canon for inspiration.
If someone cites one of the many instances superman has done something you suggest he doesn't do, you go on to suggest it's not just worth ignoring but that it's also an instance of failed writing. That's all well and good when it comes to elaborating on why this piece in question wasn't for you but it's confusing the matter on whether this MOS film is a good film or a failure. Superman or otherwise.