He actually saw the entire movie?
Well, sure. But that's kind of my problem. Y'see, I don't parade SIN CITY as an example of a good adaptation. The comics are decent, but I thought that film was utter dreck. So when Smith says, "Remember that feeling of watching Sin City on the big screen and being blown away by what a faithful translation of the source material it was, in terms of both content and visuals?" That was never me.He didn't say the movie was anything like Sin City, except in the aspect of being exactly like the book.
Kevin Smith is the man. This is a fact.
Pumped by this news. This is my most anticipated movie of 09. By miles.
Well, sure. But that's kind of my problem. Y'see, I don't parade SIN CITY as an example of a good adaptation. The comics are decent, but I thought that film was utter dreck. So when Smith says, "Remember that feeling of watching Sin City on the big screen and being blown away by what a faithful translation of the source material it was, in terms of both content and visuals?" That was never me.
Now, to Smith's credit, he does say it does an even better job of that than SIN CITY (which it better do, or I'll walk away might disappointed). But I'm glad Smith liked it, and I am hopeful that WATCHMEN will deliver.
Mostly agreed. Another real problem I had with the SIN CITY film is how rushed the stories were. They were never really given any time to breathe.I don't think copying a comic book panel for panel into a film format is the most favorable way to adapt a graphic novel. Mind you, I could very well have mis-read the Sin City books, and seen them a bit more "serious" than the over-the-top cartoonish violence offered by RR and Frank Miller. I was a big fan of the books, btw.
My problems with the Sin City film:
-Stories told out of order. What was the point of that? Some people I'd spoken to after seeing the film were utterly confused by it. They also tried to cram way too much into one film.
-The violence was way too cartoony. I expected something more gritty, a tiny bit more "serious," and less like an overt Robert Rodriguez film.
A few scenes that come to mind:
--Marv dragging that guy's face on the pavement while driving at about 100 miles an hour (I always imagined that scene was actually a car going much slower, making it that much more agonizing, and you know, still keeping the guy alive long enough to actually offer some information)
--Marv being tossed around like a rag-doll by Goldie's convertible. It looked so preposterous, the audience I saw it with was in hysterics. Nuh-uh. That scene should've played far more brutal, IMO. Making it funny takes the weight out of it, IMO.
-Cheap CGI look. I said it then, and I'll say it again: the way they shot this thing won't stand the test of time. The entire film felt more like a (cheapish, at times) music video than an actual "film." What's wrong with just shooting the thing on real sets, utilizing a few nods to Miller's technique used in the comics?
And don't get me started on the makeup. Mickey Rourke is ugly enough to pull off Marv without having to wear a bad wig and that silly jaw.
-Casting and performances. Rosario Dawson, Jaime King, Bruce Willis, Brittany Murphy, Elijah Wood, and Michael Madsen, I'm looking at you. Bruce Willis didn't belong anywhere near this film, and didn't capture what I believe to be the real Hartigan in the least. The role had Clint Eastwood written all over it, and while I know they'd never get him for such a part, they could've hit a little closer to the mark.
Michael Madsen had the worst acting and dialogue in the film. Jaime King looks a little too burnt out to pull off "high class hooker." Everyone else I listed are way too young. Kevin is more of the "creepy substitute teacher from Bible school," a guy in his late 30's/early 40's with receding hairline, not a punk kid. Brittany Murphy was an inspired choice, but she hammed it up way too much. Hearing her bleat out "you DAMN fool" was just stomach-churning. And don't get me started on the cheap scenes with the hookers in Old Town. Most of them weren't nearly as hot as presented in the comics, and seemed like they just hired mostly their friends to wear skimpy clothing and try to look "tough." The scene of them firing down into the alley felt tacked-on, lazy, and not the least bit as awesome as the comics.
To their credit, Clive Owen, Mickey Rourke, Carla Gugino, and Nick Stahl did a great job. Devon Aoki was decent, and Jessica Alba was alright, but didn't come close to capturing the Nancy from the comic books. What was with her lame dancing that lasted about 10-15 seconds? Did they happen to miss the 2 page spreads we'd sometimes get multiple times in a single volume? None of the dynamics caught on the comic page were truly brought to the big screen in regards to this character.
*nitpick side note on her scenes: Marv explicitly states that he loves Katie's because it was an old country bar. Nancy wears country gear, as does Shellie. So why the crap techno-ish music? Where was "Drivin' Wheel" by Emmylou Harris? nit pick, I know, but I was actually looking forward to that part.
I can (obviously) go on about this, but the main problem I had with Sin City was that it wasn't quite the adaptation I was looking for. I was hoping for something more gritty, not so "literal," and for the directors/writers to bring something *more* to the Sin City world, rather than just trying to get actors to replicate comic book performances. That allows for bad dialogue (comic-talk works in the books, not so much in real life), silly action, and simplistic storylines.
If I want a comic book, I'll read a comic book. When I sit in a theatre, I want to see a film. A few nods here and there are great, but just copying the panels doesn't excite me. Sin City could've been a whole lot more, IMO.
I don't think copying a comic book panel for panel into a film format is the most favorable way to adapt a graphic novel. Mind you, I could very well have mis-read the Sin City books, and seen them a bit more "serious" than the over-the-top cartoonish violence offered by RR and Frank Miller. I was a big fan of the books, btw.
My problems with the Sin City film:
-Stories told out of order. What was the point of that? Some people I'd spoken to after seeing the film were utterly confused by it. They also tried to cram way too much into one film.
-The violence was way too cartoony. I expected something more gritty, a tiny bit more "serious," and less like an overt Robert Rodriguez film.
A few scenes that come to mind:
--Marv dragging that guy's face on the pavement while driving at about 100 miles an hour (I always imagined that scene was actually a car going much slower, making it that much more agonizing, and you know, still keeping the guy alive long enough to actually offer some information)
--Marv being tossed around like a rag-doll by Goldie's convertible. It looked so preposterous, the audience I saw it with was in hysterics. Nuh-uh. That scene should've played far more brutal, IMO. Making it funny takes the weight out of it, IMO.
-Cheap CGI look. I said it then, and I'll say it again: the way they shot this thing won't stand the test of time. The entire film felt more like a (cheapish, at times) music video than an actual "film." What's wrong with just shooting the thing on real sets, utilizing a few nods to Miller's technique used in the comics?
And don't get me started on the makeup. Mickey Rourke is ugly enough to pull off Marv without having to wear a bad wig and that silly jaw.
-Casting and performances. Rosario Dawson, Jaime King, Bruce Willis, Brittany Murphy, Elijah Wood, and Michael Madsen, I'm looking at you. Bruce Willis didn't belong anywhere near this film, and didn't capture what I believe to be the real Hartigan in the least. The role had Clint Eastwood written all over it, and while I know they'd never get him for such a part, they could've hit a little closer to the mark.
Michael Madsen had the worst acting and dialogue in the film. Jaime King looks a little too burnt out to pull off "high class hooker." Everyone else I listed are way too young. Kevin is more of the "creepy substitute teacher from Bible school," a guy in his late 30's/early 40's with receding hairline, not a punk kid. Brittany Murphy was an inspired choice, but she hammed it up way too much. Hearing her bleat out "you DAMN fool" was just stomach-churning. And don't get me started on the cheap scenes with the hookers in Old Town. Most of them weren't nearly as hot as presented in the comics, and seemed like they just hired mostly their friends to wear skimpy clothing and try to look "tough." The scene of them firing down into the alley felt tacked-on, lazy, and not the least bit as awesome as the comics.
To their credit, Clive Owen, Mickey Rourke, Carla Gugino, and Nick Stahl did a great job. Devon Aoki was decent, and Jessica Alba was alright, but didn't come close to capturing the Nancy from the comic books. What was with her lame dancing that lasted about 10-15 seconds? Did they happen to miss the 2 page spreads we'd sometimes get multiple times in a single volume? None of the dynamics caught on the comic page were truly brought to the big screen in regards to this character.
*nitpick side note on her scenes: Marv explicitly states that he loves Katie's because it was an old country bar. Nancy wears country gear, as does Shellie. So why the crap techno-ish music? Where was "Drivin' Wheel" by Emmylou Harris? nit pick, I know, but I was actually looking forward to that part.
I can (obviously) go on about this, but the main problem I had with Sin City was that it wasn't quite the adaptation I was looking for. I was hoping for something more gritty, not so "literal," and for the directors/writers to bring something *more* to the Sin City world, rather than just trying to get actors to replicate comic book performances. That allows for bad dialogue (comic-talk works in the books, not so much in real life), silly action, and simplistic storylines.
If I want a comic book, I'll read a comic book. When I sit in a theatre, I want to see a film. A few nods here and there are great, but just copying the panels doesn't excite me. Sin City could've been a whole lot more, IMO.
Wow, so in your mind, a faithful comic adaptation is impossible, right?
Because Sin City blows every other comic film out of the water when it comes to being comic-to-screen "faithful".
And if you can nitpick Sin City to death, I'd imagine you have absolutely trashed every other comic movie ever made.
My advice: stay away from comic movies if you know they will never satisfy you.
Revenge of the Sith is, quite simply, ****ing awesome. This is the Star Wars prequel the haters have been *****ing for since Menace came out, and if they dont cop to that when they finally see it, theyre lying. As dark as Empire was, this movie goes a thousand times darker
and he was right.I hate to rain on everyone's parade, as I love Kevin Smith and hope the best for Watchmen, but...
That was Kevin a few years ago