Comics Latest My Cup O' Joe--Quesada drops a Spider-Man related bombshell

Your opinion, personally I cried. Good points though on how it was dreck.

I'll take a stab. I cried, too, especially the part with the little boy, but...

I have to admit, at the end, he was just preaching. The story (despite the dramatic background) was almost told as a slice-of-life story. In other words, this is what happened to me on 9-11. And rather than sticking with that, he started jumping into all the issues surrounding that day, including the dumb-ass preacher whose name is escaping me. (Was it Pat Roberts?)

I wasn't the only one to find that having the villains guard the site was a little bizarre (yes, I know the point he was trying to make. I thought it was jarring).

They're small complaints, but if it were just another issue, on any other day, those flaws would stick out much, much more.

I would agree with JJJ with the assessment that most of that story's impact comes from the real-life surrounding it (although I wouldn't call it dreck, hardly so).
 
I'll take a stab. I cried, too, especially the part with the little boy, but...

I have to admit, at the end, he was just preaching. The story (despite the dramatic background) was almost told as a slice-of-life story. In other words, this is what happened to me on 9-11. And rather than sticking with that, he started jumping into all the issues surrounding that day, including the dumb-ass preacher whose name is escaping me. (Was it Pat Roberts?)

I wasn't the only one to find that having the villains guard the site was a little bizarre (yes, I know the point he was trying to make. I thought it was jarring).

They're small complaints, but if it were just another issue, on any other day, those flaws would stick out much, much more.

I would agree with JJJ with the assessment that most of that story's impact comes from the real-life surrounding it (although I wouldn't call it dreck, hardly so).


It was very odd, and I'll be the first one to say this wasn't a spider-man comic really. This was a statement by the most NY icon (other than an apple or the Yankees) about people bonding together. The villians were completely out of charcter in every aspect, but that was the point I believe. They were trying to show that no matter what it was time to put aside any past issues and help, and while that wasn't the most true aspect to the characters it was true to what people needed to hear, believe and act out. It was jarring to some, I found it to be rather brilliant in a different way.

If it was any normal issue I'd have serious problems with it, but it wasn't really an issue of ASM at all, it was something that used spider-man as a tuning fork for the what we were all feeling. It put away the notion of superheroes and supervillians for real people and real emotions and while that's generally bad in a comic, considering the circumstances I feel it was spot on.

But I agree with pretty much everything you said, but that said I still feel it was brilliant and almost perfect for the day (that and the daily show's broadcast were the two most emotional moments for me after I found out my sister was safe of course).
 
ASM#40.

Hm. Well, all these years after the fact, I can tell you the only scene that pulled me out of it was the villians scene. Not because they were there, but because Doom was in hell, Magneto was dead, and Kingpin was supposed to be blind and in a coma at the time. Doc Ock was the only one who was able to stand there.Yeah, the fact that all of them except Kingpin have done far worse was jarring. Still its forgiveable.

As for the rest of the issue. It was the most powerful issue of Amazing Spider-Man in many a year. It was also the most poignant and relevant. JRJR's pencils....they were absolutely breathtaking. Also, the scene where we see Captain America with his fist clenched...saddened, but ready to go to it....that brought a tear to my eye. The scene with the kid and his dad did as well.

I could probably judge this issue and pick it apart, but it's honestly just too big. This comic was something MORE than just a comic....it was a look into the heart of every red-blooded American through the eyes of the hero who is more like us than any other. That was the point.



Now, I feel there is one more issue that needs some praise from the JMS run, and that's ASM#50. The reconciliation issue really healed up some of the scars for me in the Spidey books. It make MJ a person...something she hadn't been since the 70s. She begin to be a real character here, and it was good to have her back. Also, to see Peter and MJ holding each other again in that BEAUTIFULLY drawn JRJR splash page, that was a moment. A GOOD moment.

As for ASM#500, my ONLY complaint was wasting a page to pimp out JMS's very mediocre Dr. Strange mini. The rest of it, I highly enjoyed. The reunion with Ben was awesome. I thought it was fitting to have Ben basically give Peter a little piece of mind, and for Peter to get a little closure. I thought the reliving of past battles, and the glimpse of a possible future wer eactually pretty cool. Also, that cover was downright awesome. Add to that even MORE JRJR artwork, and I don't see why it was so poorly recieved. Granted, it wasn't as good as #200 or #400, but it was better than #100, and I'd tie it with #300.

Just my opinion on all counts, of course.
 
damn shin said that really really much better than my pathetic efforts. And I'll also toss in the silent issue, the one where may finds out pete is spider-man were very powerful.
 
damn shin said that really really much better than my pathetic efforts. And I'll also toss in the silent issue, the one where may finds out pete is spider-man were very powerful.

Thanks, man.

I loved the silent issue, as well. The issue where May and Peter talk is good, too. The silent issue was great. I can't believe I forgot that one.

You know the one thing that JMS, despite my hatred for some of his arcs, did well? He could make an emotional Spidey tale. Anyone else remember the impast in the "Coming Home" arc of the two phone calls he made when he had accepted that he was going to die? Awesome. I knwo JMS wrote Spidey a little serious, but that can be good, too.

Now I have to go home and re-read some of the GOOD JMS issues. I also need to go home and write fan-mail to John Romita Jr. What a talented artist!!
 
And then there's the tailor aspect which I really dug. And I agree some of that stuff even in the Other was pretty good.



Interactions and events I loved even in the bad issues:

May and Jarvis
May and wolverine
MJ making fun of wolverine
Captian America training Pete
Tony's "those *****es are gonna get hunted down and pay" line after pete dies and the general attitude of the NA to Pete dying
Pete and the black panther eating salad and visiting temples
Pete actually exploring his powers
Loki and Spider-Man teaming up (this was NOT anyway near bad though)
Peter Parker beating the kingpin down, "Spider-Man isn't here to kill you *takes of mask* I am"
 
Now, I feel there is one more issue that needs some praise from the JMS run, and that's ASM#50. The reconciliation issue really healed up some of the scars for me in the Spidey books. It make MJ a person...something she hadn't been since the 70s. She begin to be a real character here, and it was good to have her back. Also, to see Peter and MJ holding each other again in that BEAUTIFULLY drawn JRJR splash page, that was a moment. A GOOD moment.

If MJ only began to be a "real" character for you in this issue (which by the way, it was a very beautiful character driven story by JMS... one of his rare masterpieces), then what was MJ to YOU during the whole 20 years of marriage prior to THAT comic?

Methinks that your boycott of all things Spidey is more due to devil-dealing than marriage-eliminating, but I must admit that that aforementioned comment from you really surprised me.

Personally, I think both Roger Stern & Tom DeFalco wrote some great MJ characterization in the early 80's...

:yay:
 
I believe shin has the same problem I have: not the marriage issue but the deal with satan issue.

I think DeFalco did a good job, but not so much with stern (and I know it's damn near blasphemony to say so but I just thought he was a so-so spider-man writer with a few exceptions)
 
http://www.marvel.com/news/comicstories.7544.Marvel_Nabs_11_Eisner_Award_Nominations

Marvel is pleased to announce that Marvel projects, writers and artists received 11 nominations in the 2009 Will Eisner Comic Industry Awards; winners are to be decided this July as part of the 2009 San Diego Comic-Con International. Check out Marvel's nominations below:

Best Continuing Series: THOR, by J. Michael Straczynski, Olivier Coipel, Mark Morales and various
Best Limited Series: OMEGA THE UNKNOWN, by Jonathan Lethem, Karl Rusnak, and Farel Dalrymple
Best Limited Series: THE TWELVE, by J. Michael Straczynski and Chris Weston
Best New Series: INVINCIBLE IRON MAN, by Matt Fraction and Salvador Larocca
Best Archival Collection/Project—Comic Books: ELEKTRA OMNIBUS, by Frank Miller and Bill Sienkiewicz
Best Writer: J. Michael Straczynski, THOR, THE TWELVE
Best Penciller/Inker or Penciller/Inker Team: Olivier Coipel/Mark Morales, THOR
Best Cover Artist: Jo Chen, RUNAWAYS (and others)
Best Coloring: Val Staples, CRIMINAL, INCOGNITO
Best Coloring: Dave Stewart, CAPTAIN AMERICA: WHITE (and others)
Best Lettering: Farel Dalrymple, OMEGA: THE UNKNOWN


^damn, JMS, is one crappy writer.
 
http://www.marvel.com/news/comicstories.7544.Marvel_Nabs_11_Eisner_Award_Nominations

Marvel is pleased to announce that Marvel projects, writers and artists received 11 nominations in the 2009 Will Eisner Comic Industry Awards; winners are to be decided this July as part of the 2009 San Diego Comic-Con International. Check out Marvel's nominations below:

Best Continuing Series: THOR, by J. Michael Straczynski, Olivier Coipel, Mark Morales and various
Best Limited Series: OMEGA THE UNKNOWN, by Jonathan Lethem, Karl Rusnak, and Farel Dalrymple
Best Limited Series: THE TWELVE, by J. Michael Straczynski and Chris Weston
Best New Series: INVINCIBLE IRON MAN, by Matt Fraction and Salvador Larocca
Best Archival Collection/Project—Comic Books: ELEKTRA OMNIBUS, by Frank Miller and Bill Sienkiewicz
Best Writer: J. Michael Straczynski, THOR, THE TWELVE
Best Penciller/Inker or Penciller/Inker Team: Olivier Coipel/Mark Morales, THOR
Best Cover Artist: Jo Chen, RUNAWAYS (and others)
Best Coloring: Val Staples, CRIMINAL, INCOGNITO
Best Coloring: Dave Stewart, CAPTAIN AMERICA: WHITE (and others)
Best Lettering: Farel Dalrymple, OMEGA: THE UNKNOWN


^damn, JMS, is one crappy writer.

He's not... his Midnight Nation was terrific, as is his Thor (a little too decompressed for me), as well as the Twelve... and I dug his early issue of Supreme Power...

Having said that, his ASM was sub-par for me, and that's disappointing to me because I think highly of him as a writer... he did nail the characterization on Peter, MJ & Aunt May perfectly... but he just had a hard time telling good ol'fashioned adventure stories... and typically fumbled the ball on the last chapter on his 6 issue arcs...

Just my opinion though...

:yay:
 
He's not... his Midnight Nation was terrific, as is his Thor (a little too decompressed for me), as well as the Twelve... and I dug his early issue of Supreme Power...

Having said that, his ASM was sub-par for me, and that's disappointing to me because I think highly of him as a writer... he did nail the characterization on Peter, MJ & Aunt May perfectly... but he just had a hard time telling good ol'fashioned adventure stories... and typically fumbled the ball on the last chapter on his 6 issue arcs...

Just my opinion though...

:yay:

That may be more a problem of the 6 issue format than JMS's failing. When you consider how many plotholes were rampant in the recent Character Assasination arc- JMS at his worse (Yes even in Sins Past) didn't pull that many fumbles.

And exactly- he nailed Peter's characterization. Something not seen in far too long.
 
I think JMs was at his best when he was with John Romita Jr. JRJR complimented JMS' script perfectly, the chemistry was just incredible. When JRJR left, i think thats when JMS went downhill, he had some good artists like Deodato and Ron Garney, but the chemistry wasnt the same (plus the stories were just bad).
 
The dude who responded to my post didn't get my point (btw, of course they were both false analogies, thats what I was trying, poorly, to show).

I know that you were attempting to present a false analogy. My point was that the appraoch to that analogy was off. MD's point presented an experience from which Peter, being a responsible person should have learned from the mistakes of others. Your point, while perhaps being meant to be flippant, presented Peter choosing to make an irresponsible choice simply because he failed in a few attempts, even though he'd succeeded far more than failed. And as I mentioned, the fact that your examples don't represnt the same types of failures, make it even more off.

With Captain Stacy, he made a failure in judgment, using an untested formula on Ock's tentacles which resulted in Stacy's death.

With Gwen he simply couldn't save her. No actual failure on his part. Things just didn't work out.

With Harry, Peter didn't fail at all. Harry did what he did to himself.

The other thing is that MD's point reflected in-character choices for Peter, while yours was not.

The bottom line with all of this is if you felt like Pete made the WRONG decision, you don't like what happened and will marshall arguments on its behalf. But, similarly, you can view Pete's decision as an heroic sacrifice as well. I don't think you can dismiss that argument any more than you can dismiss the arguments folks make saying Pete's choice condemned him to eternal damnation and forever destroyed the character. Multiple views exist on this subject. Reasonable people can disagree about it.

Nah, it was just the wrong decision. No heroism, no sacrifice even. Since he gets to forget the circumstances of his marriage ending and simply see it as a relationship that ended, he gets off pretty much scott-free. If he remembered the loss and why-that would be some kind of sacrifice. If he were never to love again- that would be a sacrifice. Merely forgetting he was once married so he's free to date isn't a sacrifice.

But ultimately his choice was selfish. The only person actually benefitting here is Peter. Not May. Not even MJ.

I happen to think the marriage was a huge, out-of-character mistake that damaged the character. Pete may have been "the marrying kind," but he chose not to because he understood his responsibilities.

And this is where you keep throwing me. I agree that the marriage was an editorial mistake, because it was a gimmick and never developed. But When did Peter (aside from the movie) deny himself pursuit of a relationship out of "responsibility"? Even after Gwen was killed, and MJ nearly killed, the thought never entered his mind that he shouldn't pursue a committed relationship.

Before he was Spider-Man, others prevented him from having a typical high school life because they refused to let him be a part of things--an external force.

But as we all know, a "typical" high school life usually includes for some/many the type of rejection Peter received. What made Peter unique is that he didn't let it get him down or strive to become one of the In-crowd.

Once Pete became Spidey, he gave up his normal life, an internal thing. He tried to get it back on occasion, largely by giving up his powers.

Again- when was this? Sure, Peter knew that as Spider-Man he'd never have a "normal" life (How many people do?) And at times attempted to quit being Spidey. But he never eliminated dating with the hope of marriage from his life. I'd love to see actual examples of what you're referring to here.

Others may certainly disagree, I respect that. But, bottom line, is that I like the new direction of the character and I like the fact Pete's single. He never should have married.

But the point you seem to miss is that even with this change, Peter isn't living the life of "responsibility" you keep championing. He still lived with MJ. Still brought his troubles as Spider-Man home to her. And the relationship didn't end out of any sense of responsibility either. It just ended. And he's still pursuing relationships in BND. So what's the difference aside from the policy of Peter never being married again?

It was a bizarre way to end the marriage on Marvel's part, but I suppose one can argue that it adds complexity to the character. Pete's never been perfect. He's tried to do the right thing, as best as he could, and sometimes failed. Maybe he didn't do the right thing by saving May, but he did what he believed to BE the right thing. And he made a substantial personal sacrifice to DO what he believed the right thing to be. To me, that's the very definition of a "hero."

Hitler thoght he was doing the right thing. Charles Manson thought he was doing the right thing. And while I'm of course not placing Peter at their level, clearly, merely doing what you believe (Or have convinced yourself of) is right doesn't make you a hero.

And I also disagree with this making Peter more complex. If anything its just the opposite. A magical reseting of his life to which he is blissfully ignorant. A world-encompassing mindwipe to relieve him of his id reveal screw-up. He doesn't have to deal with the ramifications of his choices. Having to deal with his choices would make him complex.
 
Dragon I've got into many arguments with you on this site, but you're absolutely right.

there are 4 things we can do with Spider-man comics right now

1. get over OMD and try to enjoy whats going on.(hoping it reverts back to normal eventually)
2. get over OMD, enjoy whats going on, and try justifying OMD.
3. not get over OMD still buy them and complain about everything.
4. just stop buying it.
 
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I dont wanna add fuel to the fire, but I just re-read One More Day (please dont ask me why, i guess im a masochist), and its funny, while reading it, i couldnt help but feel like JMS was strongly opposed to the separation and he made it blatantly apparent through the writing. I mean there was the scene where Peter met his older version of himself and the older version basically told Peter to never ever give up MJ. Aunt may was telling Peter to let her go, MJ told Pete to let her go, Dr. Strange told him to let her go, even Peter was like "there's no way im making a deal with the devil" initially. It really felt like JMS was going one way with the story and then Quesada came in changed it completely.
I dunno, am i reading too much into this or do you guys think JMS was strongly implying that this was the wrong choice? I mean the story felt like it was going one way and then in the very end did a complete 180 and went another despite everything before it.
 
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I dont wanna add fuel to the fire, but I just re-read One More Day (please dont ask me why, i guess im a masochist), and its funny, while reading it, i couldnt help but feel like JMS was strongly opposed to the separation and he made it blatantly apparent through the writing. I mean there was the scene where Peter met his older version of himself and the older version basically told Peter to never ever give up MJ. Aunt may was telling Peter to let her go, MJ told Pete to let her go, Dr. Strange told him to let her go, even Peter was like "there's no way im making a deal with the devil" initially. It really felt like JMS was going one way with the story and then Quesada came in changed it completely.
I dunno, am i reading too much into this or do you guys think JMS was strongly implying that this was the wrong choice? I mean the story felt like it was going one way and then in the very end did a complete 180 and went another despite everything before it.

Well that was absolutely the case with Sins Past. JMS started the stroy intending for the kids to be Peter's. Quesada nixed this (because being a father ages Peter :whatever: ) and came up with the idea of Norman beig the father. So it isn't as if JMS and Quesada haven't been of two minds regarding Spidey's direction.
 
Well that was absolutely the case with Sins Past. JMS started the stroy intending for the kids to be Peter's. Quesada nixed this (because being a father ages Peter :whatever: ) and came up with the idea of Norman beig the father. So it isn't as if JMS and Quesada haven't been of two minds regarding Spidey's direction.
Uh...yeah, it does. In a big way.
 
Not necessarily.
I mean, I think it is for the better that Peter is not a father... But I know some young people who have had a child and they are no more grown up than they were before they had the kid.
 
I think it would be cool for pete to be a father BUT i gotta say Quesada made the right call in terms of sins past, giving peter two fully grown kids would've been a bad bad move.
 
JMS wrote the story so that the events of ASM #96-98 would have changed so that Gwen would have never died, MJ would have still been with Harry, thus making the marriage a "non" event... JQ nixed that idea because it litterally changed continuity as we know it.
 
Dragon I've got into many arguments with you on this site, but you're absolutely right.

there are 4 things we can do with Spider-man comics right now

1. get over OMD and try to enjoy whats going on.(hoping it reverts back to normal eventually)
2. get over OMD, enjoy whats going on, and try justifying OMD.
3. not get over OMD still buy them and complain about everything.
4. just stop buying it.


There's lots more we can do. We can demand that Marvel do better and keep doing so until they change policy.

I'm not talking about telling certain types of stories or giving Peter any particullar type of relationship. I'm saying let characterization and plotting dictate the stories and not "events" which always fizzle at their climax.
I'm saying stopping belching out the 50th Goblin or symboite based character. I'm saying not having Peter so weak that he relies on universal mindwipes or the benevolence of Satan to solve his problems.

And Marvel, considering how retcon/reboot happy they are will likely eventually fold.
 
If MJ only began to be a "real" character for you in this issue (which by the way, it was a very beautiful character driven story by JMS... one of his rare masterpieces), then what was MJ to YOU during the whole 20 years of marriage prior to THAT comic?

Methinks that your boycott of all things Spidey is more due to devil-dealing than marriage-eliminating, but I must admit that that aforementioned comment from you really surprised me.

Personally, I think both Roger Stern & Tom DeFalco wrote some great MJ characterization in the early 80's...

:yay:

Well, considering how my first comic that I bought was ASM#350, and that I had maybe a year or two of good David Michelinie stories, yeah, MJ had rarely been a character in the story for me. JM Dematties was the first writer to make a a good character back in those wonderful SSM issues from "The Child Within" up until issue #200. Then I had Maximum Carnage, and the Clone Saga, where nothing mattered more than shocking the readers with "Who is the real Peter Parker THIS week".

After the Clone Saga, the wonderful era of comics disappearing from convenience stores started, and with no LCS, I was out of the loop until well into the relaunch. When that started up, Mj was this nagging sugar-mama who was totally blind to the fact that Peter was still Spider-Man...which was beyond dumb for her. She was then subsequently killed off(which we all knew wouldn't last), then she was revealed to be alive (told you), and then she left Peter. She was really becoming this horrible character.

About that time, I went and started reading up on the Essentials, as well as some old Roger Stern issues. JMS started his run, and all of the MJ goodness hit me all at once. So, yes, that's when MJ became a real character for me.

Remember, TMOB, not all of us are as fortunate to have your longevity and to have been reading it since the glory days!! :cwink:
 
Saw this in another forum thought you guys might get a kick out of it.

SupermanOneMoreDay2.jpg
 

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