I've never heard a script described as awful by those involved with it or those not involved with it.
But the thing with this one was, that people who have nothing to do with the project praised the script. They gained nothing from saying so.
They were probably just repeating the general gossip. I can't see how all these people had read the script if they had nothing to do with the project.
McQuarrie was also writing JtGK, so maybe him, or Singer, or both recommended him to FOX. Who knows? He also wrote the meh erotic thriller Deception starring Jackman and McGregor.
Yep, I know all that.
People get scared by news like this. I know, because I do, although I know 99.9% of movies have on-set rewrites every day.
A bit silly to get 'scared.' If you had read the McQuarrie script and then knew of a particularly terrible revision/cut that was happening as result of Bomback coming on board, that might be reason to be worried or concerned. But everything is all so non-specific.
I understand that it's the tendency of fanboys either to praise what they haven't yet seen (see the comments relating to Avengers or Dark Knight Rises, along the lines of 'this will be epic') or to tear apart what they haven't yet seen, but I am always hopeful of a more common-sense, realistic and logical approach.
In addition, McQuarrie's work on Valkyrie and The Tourist (neither of which were spectacular films with amazing scripts) indicates to me that he isn't the untouchable deity he is being portrayed as on here.
Even Simon Kinberg did uncredited on-set writing for First Class.
Yes indeed. All films require on-set adjustments when the director and crew discover a scene doesn't work the way it was written, or want to add in a new scene.
I admit it was a shame to lose Aronofsky - and that he might have delivered something amazingly different and edgy.
But the news that Bomback is reworking the script is hard to judge. Especially because all films these days seem to have multiple writers. Just look at First Class for instance: Singer came up with a story treatment, Jamie Moss was hired to thrash out a draft, then Stentz/Miller were brought in to deliver a screenplay in a few weeks, then Matthew Vaughn brought in Jane Goldman. On top of that, we know Kinberg made some on-set adjustments.
Also, X2 had multiple writers. Zak Penn and David Hayter worked on it, before Singer brought in Dan Harris and Michael Dougherty who, at that time, were totally new to screenwriting.