Canis Sapiens
Ragnarök and roll!
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That's one of the single best contributions of this new series. The villains survive, and even if they don't appear again, you just know they're not killed off.CConn said:Nolan's been quoted as saying they "won't make the same mistake" of the previous franchise by killing off the villains. And Goyer's said Joker will be the one to scar Harvey Dent in BB3, so you're probably wrong.![]()
Agentsands77 said:Thank you. Somebody I can agree with!
Harley Quinn is a character that, if used by Nolan, would have to be pretty radically reinvented. She's a fairly comical, campy character as we know her, and so Nolan would really have to change her. And if Nolan has to change her so much, I then have to ask, "What's the point of using the character?" Not to mention I'd prefer she wasn't used, period, just because I don't think the Joker needs a side-kick.
Though I do say, if they did want to do something interesting with Dr. Harleen Quinzel, they could. Have Dr. Harleen Quinzel meet Joker when he's incarcerated at the end of THE DARK KNIGHT. The Joker would then destroy her mind leading up to her helping him escape in BB3. The Joker could then just kill her. It's a big change, but it's delightfully disturbing - the Joker drives a person insane and then murders them. I know I'd like it.
Umm, the Joker should never be out for a "hot piece of ass." If anything, he's asexual in the sense of human relations. And what sexuality he does have manifests itself in violence, not in the act. The Joker has only one "love affair" of sorts, and that's with Batman.
See if you can find, and read, the Mad Love graphic novel by Timm and Dini. The really the best argument for Harley Quinn anyone could give. Maybe not for her importance to the Joker, but for her importance as a character in general. The book also demonstrates several character traits that he wouldn't need to "radically change" to bring to the screen seriously.Agentsands77 said:I guess, but considering Nolan would have to radically change Harley's personality, what's the point of using her? If somebody could really explain to me why Harley Quinn is such an important thing to bring into the films, I'll be very happy. I do believe she could be done, but Nolan would really have to take quite a dark turn with the character.
I've never liked the Joker with a permanent sidekick ala Harley Quinn. I just don't see him with any consistent help and I've always wondered why he hasn't just killed her yet, especially when she's so incredibly inept. I've always thought of the Joker as a solo character. There should be no "couple" at all - the Joker shouldn't have a female consort.
I've read it. It's great for the Timm/Dini Batman world, but it's not something that makes me say, "Hey, let's bring this over into the normal continuity."CConn said:See if you can find, and read, the Mad Love graphic novel by Timm and Dini.
It's good for what it is, but I still don't feel that her character is all that important. What do you specifically find so important about the character?The really the best argument for Harley Quinn anyone could give. Maybe not for her importance to the Joker, but for her importance as a character in general.
Her motivation for being a villain. It's really quite different than any other villain's (at least any that I can think of). And I'm not particularly talking about her infatuation with the Joker, but rather what the infatuation means; weakness; submission.Agentsands77 said:It's good for what it is, but I still don't feel that her character is all that important. What do you specifically find so important about the character?
It is actually a great case for using her. Take her basic origin and concept, then take the character to a whole new level of dramatic power. I'd be up for that, and I think it's definitely doable.E-Mack said:If the character hasn't reached that potential yet, all the more reason why it would be good to introduce her on film. It would bring something new to the table, while expanding on what was already previously written for Harley.
Yeah, but to me it doesn't cut it because it is kid-friendly, and while the potential was there, the character has mainly been used for comic relief. She has a jokey personality, a cutesy voice, etc. and so on. Somebody once remarked to me that the character had a great backstory, but none of it seemed to show up beyond that, and I agreed.E-Mack said:Well, actually the character was kinda always there. That description isn't far off from what we saw Harley as. The reason why it wasn't depicted to the level CConn explained it, is because it was simply a kid's cartoon.![]()
I love Paul Dini. The way he's reinvented so many of the Batman characters is fantastic (Mr. Freeze is now a terrific character thanks to him). I just don't think BTAS is really his best work because of how kid-friendly he was required to be. I do rather like a lot of his comic book work, though, and he's still the one behind the best-realized Joker origin to date ("Case Study" from BATMAN: BLACK AND WHITE).Which btw, is a great testament to Paul Dini.![]()
Of course he doesn't need to show he's crazy. But I'm not really arguing on those grounds. In the individual case of Harley Quinn, thematically, that's the best way to finally tie her character together in one story.Majik1387 said:I hate this idea as much as I hate the idea of Joker killing Scarecrow. He doesn't need to kill any of the major or well known villains to show how crazy he is.
He doesn't need to outright kill her. It could just be leaving her to die and her actually dying, or something along those lines. But when that resolution comes (and it does have to come sooner or later), that's how it has to end to really bring the thematic end to the character.I might be able to believe him leaving her to die the majority of the time because he always does that, but he doesn't need to kill her.
Eh, that stuff wasn't any great material. It wasn't a very successful attempt to get her out of the Joker sidekick role. But honestly, even that has limits. She'll run out of stuff to do on her own too - she's no criminal mastermind. If she does pull stuff on her own now, it would have a very "been there, done that" feel to it.Majik1387 said:She's no only always Joker's sidekick. She's teamed up with Poison Ivy before as a partner but she still acted as a sidekick, which I vy tries to snap her out of.
Well, I could definitely live with that and it's all I'm expecting, really.CConn said:I'll be honest though, while Harley definitely has all of the potential depth I spoke of, probably all she would get, and all she would be needed for in TDK or BB3 is a pretty simple cameo/replacement for Jonathan Crane at Arkham. And honestly, as a fan of her, if she's cast well, I'll be perfectly fine with that (limited) role.
Her character already has that irony. She's been in Arkham. The irony of the doctor becoming a crazy person is already ingrained in her character. That provides no real resolution to her character, especially considering almost every villain ever has been confined in Arkham at one point or another, and it doesn't provide resolution.Majik1387 said:She doesn't have to die, let her become a patient of Arkham so it could end her character with irony; First she works there, falls in love with crazy man, goes crazy, and ends up becomng a patient.
Eventually, Harley Quinn will have to die. She's not a character of unlimited potential that's worth keeping around forever. And when that moment comes, there is a right way to do it.
Oh yeah it has. She's been mostly comic relief. There's a darker theme under there, but it's never really been brought out because the character was initially written as kid-friendly, and then when she was transferred over to the normal comic book continuity, she was never brought into a more adult area.ChrisBaleBatman said:But, I think people only see the campy side of it....which, honestly....has never been quite campy at all.
The only truly final resolution for a character is how they die. That's how a character's journey is finally closed. Thematically, I think her death could be so dramatic and powerful and tragic (and thus, thematically fulfilling). Tragedy is the key here, and that needs to be played up for all its worth. That end would be such a magnificent moment in mythology that it's worth doing at some point.