Frodo
Avenger
- Joined
- May 12, 2004
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Wearing what could be the worst wig in modern cinematic history.
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More cowbell !
Wearing what could be the worst wig in modern cinematic history.
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The only real nods I believe Nolan was knowingly paying homage to, are the masquerade ball in TDKR & the Joker falling in TDK. Like MagnarTheGreat said, I believe Nolan was using the Joker falling as a direct comparison between the two versions, where one has a moral code he at least tries to adhere to, while the other, not so much.
And the masquerade ball is just classic psychological context, obviously showing how Wayne thinks of himself, and what he considers his true identity. Other than that, I think alot of the stuff happening were just comic idiosyncrasies of a character, like the Joker calling Batman out, battling him in public etc., that's just how he operates more than anything IMO. I mean, it's all right there from his very first appearance.
The Joker falling is also directly out of Batman # 1 which was clearly an influence on Goyer and the Nolans when writing TDK. I'm more inclined to say that the "Hit Me!" is an homage.
Also, am I alone on these boards in hating Batman Returns?
Batman charging down Joker on/in a Bat-vehicle, on a large narrow street.
89: Batwing
TDK: Batpod
Plus, let's not forgot Joker shooting him down in 89![]()
No but I think that make's two of us.
Well parts are absolutely fantastic while others are ridiculous. Better than the Schumacher ones.
Hate to bust up everybody's little fantasy about Christ Nolans "moral" Batman,
but the biggest similarity between the two franchises is that Batman is a VERY prolific murderer. The difference is, Burton's Batman is completely unapologetic. Whereas Nolan's is completely confused. BOTH were MASS murderers.
Keaton blew up a chemical plant with a ton of thugs in it.
Bale blew up a monastery PACKED with ninjas (and possibly prisoners) in it.
Keaton "assisted" in killing the Joker (i.e. the center of the movie).
Bale "assisted" in killing Two-Face (i.e. the center of the movie).
Keaton let somebody die.
Bale let somebody die.
Clooney is the only live action Batman (someone correct me if I'm wrong) NOT to kill ANYONE.![]()
Hate to bust up everybody's little fantasy about Christ Nolans "moral" Batman,
but the biggest similarity between the two franchises is that Batman is a VERY prolific murderer. The difference is, Burton's Batman is completely unapologetic. Whereas Nolan's is completely confused. BOTH were MASS murderers.
Keaton blew up a chemical plant with a ton of thugs in it.
Bale blew up a monastery PACKED with ninjas (and possibly prisoners) in it.
Keaton "assisted" in killing the Joker (i.e. the center of the movie).
Bale "assisted" in killing Two-Face (i.e. the center of the movie).
Keaton let somebody die.
Bale let somebody die.
Clooney is the only live action Batman (someone correct me if I'm wrong) NOT to kill ANYONE.![]()
He killed the franchise instead. Actually, the movie did more than him.
Its been a while since i've seen BB but I don't remember Bale's Bruce purposely blowing up the monistary. In fact he did save Ras (Ducard) from the explosion, and Ras made a point of that at the dinner party.
There's also a difference between not saving some one and killing them. The only comparrison I would concede is Harvey's death in TDK and BF.
The fact of the matter is, Burton and the writers of the final B89 didn't really consider the not killing thing essential to the film. It's that simple. We can question it was the right thing to do , but the fact of the matter it wasn't Burton focus, and I doubt he lost sleep over it.
Nolan took a different approach and decided to use the not killing credo as a major plot point to challange the protagonist. To be fair to Burton though, the two francises were made in different times and in different contexts .
You also have to very different directors with different sensibilities and storytelling styles. They both looked at the same source material and put their own spin on it , highlighting certain things and minimizing others.
It was strange actually. Bale, in what I guess was supposed supposed to be in an attempt to distract everyone, threw the hot coal (with stunning accuracy for someone who didnt mean for things to transpire the way they did) that, conveniently landed in the perfect position to kill everyone.
It was wierd.
However, this Batman still has the habit of being completely oblivious to the fact that he, at the very least, is directly responsible for putting ALOT of people in some pretty crappy predicaments that completely contradicts the standards he set for himself. I think Bale and Keatons Batmen are actually equal in their reckless abandonment in regards to human life.
バット人;22163077 said:
And the masquerade ball is just classic psychological context, obviously showing how Wayne thinks of himself, and what he considers his true identity.
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A Batsuit so shiny and effeminate it probably was the inspiration for the entire Twilight Saga.
No wait. Haven't seen that in Nolan Batman. =p
-Batman Returns and Batman Begins both feature the police in a car chase with the Batmobile.
Its been a while since i've seen BB but I don't remember Bale's Bruce purposely blowing up the monistary. In fact he did save Ras (Ducard) from the explosion, and Ras made a point of that at the dinner party.
There's also a difference between not saving some one and killing them. The only comparrison I would concede is Harvey's death in TDK and BF.
The fact of the matter is, Burton and the writers of the final B89 didn't really consider the not killing thing essential to the film. It's that simple. We can question it was the right thing to do , but the fact of the matter it wasn't Burton focus, and I doubt he lost sleep over it.
Nolan took a different approach and decided to use the not killing credo as a major plot point to challange the protagonist. To be fair to Burton though, the two francises were made in different times and in different contexts .
Jack Nicholson's Joker invented the 'pencil trick'.![]()