Besides the trailer,I never had a problem in understanding his words,its the accent which sounded terrible to me
Was a nice touch to me. I admit that I didn't like it at first but I have no problem with it anymore.
I never felt that he was doing anything extraordinary.
He broke Batman.
Its not the plan that was unintelligent,but how the plan was written.
How did he assume that the whole police force would be sent down into the sewers? What does he even mean by 'Take control of your city' when he is going to blast it anyway? He totally got Ra's al ghul plans upside down,how is it intelligent to blast himself within the city?Why dont they press the trigger and blast it instead of being chased through half of Gotham.It never made sense to leave Bruce Wayne alive and keep him in a place from where he could escape
It was very lazy writting on Nolan's part,I never expected lazy writting from Nolan of all people
I agree here with alot of what you say and I have had the same problem with all of Nolan's films (that I've watched). He relies heavily on chance and luck to the point that it sometimes feels ridiculous and far fetched. All of that to make everything seem smarter than it is and epic. Alot of what Joker managed to do looked clever but was very much based on luck. It's not a huge issue I have because sometimes you have to go that route to make it flow nicely and feel epic, but it doesn't always work for me.
The "Take control of your city" was connected to the longer speech outside the Blackgate Prison. He means that the ordinary citiziens should take back the city from the rich and corrupt. It was all part of this whole "revolution" agenda he used to give the people false hope.
Bane wanted Gotham to die a slow death. Like he said to Bruce in the prison: he's a torturer of the soul. It's worse to die slowly and painful than quickly. However I must admit that it felt too much like an easy way for the writers to give Bruce all this time to build up himself. It didn't feel natural. It's very much like that typical stereotype villain who, when it seems like he has the upper hand against the hero, starts to unnecessarily brag about his whole plan, instead of just giving the final blow and be done with it, just long enough to let the hero come up with a way to defeat him.
So I understand why it feels lazy to some and I might say too that it felt a little lazy. But it still worked fine to me.
Anyone can die from a canon missile but do you expect the main villian to be killed off so quickly and unceremoniously? It totally felt like Nolan wanted to get Bane out of the way to focus on the 'main' villian which was Talia.
Again Lazy writting
The way GG died in SM1 was great,the irony of getting killed with his own hands.Same with DocOck,the way he redeemed himself(I will not die a monstor),same with Harry's death in SM3(it was really emotional),even Ra's death was great(I will not kill you,but I dont have to save you).I always want the villian to die epicly
I also like when villains have memorable deaths but it made alot of sense how Nolan chose to kill Bane. Actually, I really like his death because it showed that no one, not even the biggest and baddest, is immortal. I felt there was alot of thought put into his death, no matter how simple and "easy" it looked.
There are a few things I look in a villian and Bane has none of them
Intimidating? No
Genius Plan? No
Great Back story? No
Excellent action sequences? They were Okay
Legacy? No
Great Acting? Again just okay
And the movie would be 5 hours long
He's one of the most intimidating CBM villains out there. His whole presence was badass.
Genius plan? Well, up until he decided to let Gotham breathe for 5 months it was pretty genious.
Great back story? I actually loved the backstory and how it was a mystery until the very end.
Action was much improved in TDKR I'd say. But the action shouldn't be anywhere near Spider-Man for example because they are so different. It's not possible to have the same spectacular action.
I don't know what you mean with legacy. It probably won't have the same impact as TDK but that's because it follows in the same vein already. But it will be remembered as one of the few good final film in a trilogy, that makes the trilogy as a whole one of the first great ones.
To piggyback onto what you're saying, this was a central issue for the entire film. I recall a poster saying that the words spoken by Gordon at the end of TDK sounded like they were randomly picked out of a hat, and solely to sound (melo)dramatic and epic. My feelings about the writing in this film is akin to this, in that it seems like Nolan and Co. had a bunch of interesting ideas, locales, and set-pieces(the prison, Bane's plan, the cops in the sewer, Talia's existence and relevance), but didn't put too much thought into how it all came together to form a cohesive narrative.
You can have all of the fascinating situations you can shake a stick at, but if your plot is incoherent, it simply won't work. Every transition and resolution was a little too neatly wrapped up in a bowtie for my tastes, right down to that abysmal ending.
I very much agree with that bold statement. I always feel a bit uncomfortable at that part and many other scenes because as you say, it feels too unreal and "poetic" in a way that puts you out of it. This is another thing I've always had a problem with when it comes to Nolan. He tries to make every sentence sound overly poetic and epic that you feel it belongs more to an act play rather than a film. It feels like he doesn't give much thought to whether or not it actually fits naturally or feels forced, he just came up with a sentence he thought sounded awesome and had to put it in the movie no matter what.
I always feel a film like The Amazing Spider-Man is such a breathe of fresh air because it feels so much more natural, genuine, honest and real the way those characters talk and behave, compared to Nolan who makes it feel like the characters have planned out long beforehand exactly what they'll say. With Webb's two films I can see myself and other real persons in those characters in the situations they are in and how they talk and behave. I can connect to them alot more. But Nolan has the upper hand when it comes to the feel of thrill, epicness and rush.
It's pretty funny I think that Webb has very realistic personalities, behaviour, dialogue/monologue to characters in an extremely unrealistic world, whereas Nolan has a very grounded (in CBM standards) take on Batman's world but with very unrealistic dialogue/monologue and to some extent, unrealistic amount of luck and chance.