Well what I definitely wanted to not do is steal what [Sissy Spacek] did, because I think what she did was amazing and iconic and everyone knows the typical hands-out, eyes-open look. There were so many times when someone [would suggest that]. People wouldn't even think about it but I was doing one of the photoshoots and someone was like, "Just stick your hands out like this!" and I was like, "No! I can't do that," because the minute I do that I'll be stealing someone else's character. My main thing about this film was building my own Carrie, and she's not what Sissy did, she's not what De Palma made Carrie to be, it's what Kim and I have constructed to be this being, what we have made into this living, breathing human.
But it took a while to figure out what exactly—I remember the first time, it was the screen test. I was already here and we were just testing all the clothing and stuff and we did one of the TK tests, which had special effects and all this wind and stuff. I was like, "Uh Kim, we haven't really talked about this. What am I supposed to do?" And we ended up coming up with some interesting stuff that, I'll tell you what it's pretty cool. We did some onset visual effects, so in one of these scenes I'm practicing my TK and when I move my hand over something it actually moves, so it's kind of a little bit like Harry Potter (laughs), it's really cool. At one point in your life you've looked a remote and been like "Move!" But it actually happened, so.