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This is a continuation thread, the old thread is [split]382583[/split]
Fun, fun, fun, fun, fun, fun
In the sun,sun,sun...
Marvel's The Avengers (*** out of four, PG-13, opens at select theaters at midnight, nationwide Friday) offers maximum bang for moviegoing buck. Audiences are treated to the snarky wit of Iron Man (Robert Downey Jr.), the unmanaged anger of the Incredible Hulk (Mark Ruffalo), the patriotic derring-do of Captain America (Chris Evans), the hammer-wielding Norse justice of Thor (Chris Hemsworth), the sly fearlessness of Black Widow (Scarlett Johansson) and the fiendishness of arrow-wielding Hawkeye (Jeremy Renner).
It's essentially six movies in one, which might account for the nearly 2½ hour length. While it's slow getting started, The Avengers is a splashy superhero mash-up that should please breathless fanboys. It also has a broader appeal for mass audiences with its fast-paced comic banter and exhilarating action sequences under the capable helm of director/co-writer/unabashed fan Joss Whedon.
So “The Avengers,” which has been foreshadowed by post-credits teasers in (deep breath), “Captain America,” “Thor,” “The Incredible Hulk” (the one with Edward Norton) and both “Iron Man” pictures, is not without its pleasures. Written and directed by Joss Whedon, this movie revels in the individuality of its mighty, mythical characters, pinpointing insecurities that are amplified by superhuman power and catching sparks that fly when big, rough-edged egos (and alter egos) collide. The best scenes are not the overblown, skull-assaulting action sequences — which add remarkably little that will be fresh or surprising to devotees of the “Transformers” franchise — but the moments in between, when the assembled heroes have the opportunity to brag, banter, flirt and bicker.
The secret of “The Avengers” is that it is a snappy little dialogue comedy dressed up as something else, that something else being a giant A.T.M. for Marvel and its new studio overlords, the Walt Disney Company. At times — when various members of a game and nimble cast amble in and out of the glassy, metallic chambers of a massive flying aircraft carrier, cracking wise, rolling eyes and occasionally throwing a punch — the movie has some of the easygoing charm of “Rio Bravo,” Howard Hawks’s great, late western in which John Wayne, Angie Dickinson, Dean Martin and Ricky Nelson did a lot of talking on their way to a big and not-all-that-interesting shootout.
while “The Avengers” is hardly worth raging about, its failures are significant and dispiriting. The light, amusing bits cannot overcome the grinding, hectic emptiness, the bloated cynicism that is less a shortcoming of this particular film than a feature of the genre. Mr. Whedon’s playful, democratic pop sensibility is no match for the glowering authoritarianism that now defines Hollywood’s comic-book universe. Some of the rebel spirit of Mr. Whedon’s early projects “Buffy the Vampire Slayer,” “Firefly” and “Serenity” creeps in around the edges but as detail and decoration rather than as the animating ethos.
And AO Scott's review, which seems... mixed I think?
http://www.nytimes.com/2012/05/04/movies/robert-downey-jr-in-the-avengers-directed-by-joss-whedon.html?_r=1&smid=tw-nytimesmovies&seid=auto
I expect this to be a rotten. Ah well, can't win them all.
I don't quite know what to make of that. While I'm sure it will be tallied as a bad review, Scott certainly doesn't make it easy for the reader to discern his intent. His real beef with the movie seems to be that it's a big budget studio film that will make a lot of money.
Since I never expected a positive review from the New York Times I can't say I am surprised or disappointed. In fact, it isn't nearly as cutting as I expected it to be. Perhaps the critic-proof nature of the film, the fact that it is already a global blockbuster, plus the fact that plenty of his peers loved it, left Scott feeling too dispirited to unleash his rage against the corporate machine.
Regarding AO Scotts review what is "cynical" about the superhero genre?