Ehhh I'm not sure thaf that fits Batman's character. I don't want to see him overwhelmed by street thugs when he should have control of the situation at all times. If Batman is constantly getting beat up, he may as well be reimagined as an ex Police officer with military background who took a couple of lessons in Jujitsu
I get where you’re coming from...
..But I’m also remembering stuff like:
-Dark Knight Returns having Batman get his yellow oval blasted off by a direct hit from a gun, and getting his face bloodied in a fight with the Mutant leader, before his brutal beatdowns with Joker and Superman.
-Mask of the Phantasm having Batman get concussed, busting his ribs, and losing his cowl and cape to escape cops before getting cut up and bloodied again fighting Joker.
-Batman clearly getting pushed to the limit in the Nolan films, flat out losing one fight to Bane, getting mauled by dogs as an unexpected x-factor he has to deal with, and even limping away from Harvey Dent’s body.
- Getting his mask sliced off and clearly having to pull out all the stops while dealing with Red Hood.
...And other examples. All that happened so that
when he takes out a helicopter, finally defeats Joker, catches up to Joker on a Jetpack and beats him, coming back from his defeat by Bane and winning their rematch, and managing to finally subdue his wayward ex-Robin... it has more weight and dramatic payoff.
I don’t want Batman getting his ass handed to him every night, and I don’t want him getting into brawls as often as, say Daredevil. 90% of the time he’s wearing the suit, he should really only get mildly winded and a little sore afterwards.
But that 10% where he does everything right and things
still get out of his control and he has to reassert himself brutally... that’s the stuff that makes him scarier.
I don’t want him wading through armies of ninjas, or through whole mobs, without breaking a sweat. If he’s facing armies and mobs in the first place, that means that he was in a situation he couldn’t strategically manipulate to his satisfaction, and that’s where a writer can inject some drama into a scene and make the audience empathize with him a little more as a human while still fearing and loving him as a near demi-god of combat.