It would have to be a very dark blue, though.Still think the blue and grey looks perfectly fine - even for a noir setting. My mind won't change on that. Sorry, fam.
I honestly think a blue similar to the Captain America suit would work just fine within a particular aesthetic. I truly think that, and I won't budge on it.It would have to be a very dark blue, though.

Its premature to make any assumptions about Reeves' aesthetic, regardless of what his favorite films may be.Anything is possible but... I wouldn't hedge my bets on this film having a Blade Runner aesthethic. Reeves has not mentioned that film at all in any interviews or tweets, not even as a favorite noir or as one of his favorite movies. His favorite Deakins shot film isn't even 2049. Taxi Driver seems more likely.
Music does not indicate aesthetic. It indicates mood.I mean, I guess, but all this time he's had the Thank God For The Rain on an endless loop while writing the script.That's probably the best lead we have at this time as to what his aesthethic will be.
Also I hope Mario is wrong again but this time about the leather thing. This suit should have zero leather. It looks horrible.
Skin tight leather cowlI mean, I guess, but all this time he's had the Thank God For The Rain on an endless loop while writing the script.That's probably the best lead we have at this time as to what his aesthethic will be.
Also I hope Mario is wrong again but this time about the leather thing. This suit should have zero leather. It looks horrible.
But we're in the batsuit thread..Eh, just give me a good story. That's what it all comes down to in the end.

Very dark blue that pretty much looks like black... and at that point you should just do black. It's pointless.
Color matters when it comes to what light( if any) is bouncing off it.
Blue and grey against a neon Iceberg Lounge sign isn’t the same as an all black suit.
Noir aesthetic is about what is seen and what isn’t. Shadows, smoke, direct, and indirect light.