DA_Champion
Avenger
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I noticed that in another thread
http://forums.superherohype.com/showthread.php?t=376691
Who should be the villain in the sequel for Man of Steel?
Forum posters are given 9 options for the villain of BvS, and none of the options is "Batman". I have not read every post, so I apologise if I'm neglecting some perspectives, but the general perspective seems to be that Batman and Superman should meet, team up, beat up a couple villains as well as fight Lex. I argued that this is a bad idea, and I hope that Goyer and Snyder go for a pure versus movie, which is in fact possible as they've said that they're "inspired" by The Dark Knight Returns.
My arguments are that a pure versus movie would be more original, more focused, a more coherent and organic sequel to Man of Steel.
A Pure Versus Movie Would be More Original:
This is the simples argument, on the basis that it's manifestly correct. We've seen heroes fight briefly in a staged match, then team up against a greater enemy. There's a movie called The Avengers with a bunch of ridiculous fights (Iron Man vs Thor, etc) between the heroes before they team up against the greater enemy. That's been done, so repeating the formula starts the movie off to a bad start.
What has not been done is adequately exploring why two heroes with different styles and histories who are not well-established in the public eye might actually distrust each other originally (they should), and how they would fight each other. On that point, a Batman vs Superman would necessarily be original, because it can't (or shouldn't) be a pure physical brawl. There's going to be a use of gadgets, escape hatches, psychology, and conflict avoidance involved at various stages. That's necessarily original.
A pure versus movie between the two heroes who don't actually know that the other is a hero, and who don't know that the other is a villain, would actually be interesting. Both Batman and Superman are supposed to be brilliant. One is a detective, and the other eventually becomes a world-renowned investigative reporter and is dating his equal. One has an abnormally high IQ (let's guess 160) and a high emotional quotient as well; the other has a superhuman IQ (250?) but a naive understanding of human nature and less life experience. Batman has cameras everywhere, superman has supersenses. Superman has the advantage that as a public figure he can go from point A to point B without hiding, Batman has the advantage that as a hidden figure Superman cannot easily find him.
As an aside, a lot of people say that what's most interesting about Batman is not Batman but the villains. Well, Goyer and Snyder can turn that on its head by making Batman the villain.
It's More Focused:
This movie is very hard to write. Batman and his immediate entourage need to be written, apparently Lex Luthor needs to be introduced, and a lot of issues from MoS have to be resolved, such as the destruction of quarter of Metropolis. That is very hard to do, therefore it would be irrational to also require building up some villains (Mr. Freeze, etc) just to have Batman and Superman beat them up would consume precious screen time that can be better spent on the important issues:
- Building up Batman
- Consequences of the destruction of Metropolis
- The broader world's reaction
- Forward the Lois/Clark relationship
I make an exception if these villains are auxillary villains, like Scarecrow in the Batman movies. If it's someone that Superman or Batman could run into, then dispatch over a 5 minute action set piece to show off Zach Snyder's mastery of visual art, then that works.
With a single antagonism defining the plot, the tension can be built up better. The first scene of the movie can be an action shot of Batman beating up some minor bad guys in some back alley in Gotham, the same way that TDK and TDKR begin with the Joker and Bane scoring points. The third shot of the movie can be Bruce Wayne pulling over in a Lamborghini in Metropolis, from a distance of a few hundred meters, where Superman is getting some attention from the public. If you have a single antagonism, it can be built up properly.
As a counterexample to this: Star Trek into Darkness, a disappointing movie from this summer that was recently ranked the worst of all the Star Trek films at a fan convention. It had two villains: Khan Noonien-Singh and Admiral Weller (Robocop), they were not well-integrated and thus the movie didn't flow naturally. Excessively complicated plots don't work. Another counterexample is TDKR, which might have worked better if Bane had been the sole villain, with Talia Al Ghul completely removed from the story.
Focus is good. That doesn't mean Luthor, Intergang, etc can't show up... just have them show up in small tertiary pieces, such that their arcs are spread over multiple films.
A Pure Versus Movie Would be a More Coherent and Organic Sequel to Man of Steel:
The world has just been introduced to alien life. Remember how America felt after 9/11? The trauma in the world of MoS would be substantially worse, because nobody's going to go kick ass in Afghanistan now and bomb the enemies to hell and take revenge. The people now know that there are aliens in the Galaxy, that their abilities are far beyond any human abilities' to defend, and that some of them could be hostile. And again, 100,000 people died in Metropolis. As Snyder said, this is a "mythological event", so deal with it. Through Batman. Don't just move on to the next story involving Darkseid. Take a step back, and deal.
Batman has been fighting crime in the background for a few years (decades?). Suddenly, he's in the batcave one night, and all of his computers are taken over by General Zod. He sees a man in blue claims to have saved the day. We know it wouldn't be in Batman's character to immediately trust the man in blue. So let him investigate Superman. In a way he'll be the audience surrogate as we better understand Superman's role in the world.
At the same time, this is a proper MoS sequel as we only have one major villain: Batman. Not having them first fight, then team up against the Penguin and Metallo and whoever else. The screen time saved allows us to see more of the Daily Planet, of Lois and Clark, of Martha Kent, etc, all of which are vastly more interesting than seeing Clayface get melted by Superman's heat vision.
I'll note that there are good models of 1 on 1 psychological thrillers in recent movies: The Departed, and The Prestige among others. Those are both good and interesting models to follow. The Avengers? Not an interesting model to follow.
http://forums.superherohype.com/showthread.php?t=376691
Who should be the villain in the sequel for Man of Steel?
Forum posters are given 9 options for the villain of BvS, and none of the options is "Batman". I have not read every post, so I apologise if I'm neglecting some perspectives, but the general perspective seems to be that Batman and Superman should meet, team up, beat up a couple villains as well as fight Lex. I argued that this is a bad idea, and I hope that Goyer and Snyder go for a pure versus movie, which is in fact possible as they've said that they're "inspired" by The Dark Knight Returns.
My arguments are that a pure versus movie would be more original, more focused, a more coherent and organic sequel to Man of Steel.
A Pure Versus Movie Would be More Original:
This is the simples argument, on the basis that it's manifestly correct. We've seen heroes fight briefly in a staged match, then team up against a greater enemy. There's a movie called The Avengers with a bunch of ridiculous fights (Iron Man vs Thor, etc) between the heroes before they team up against the greater enemy. That's been done, so repeating the formula starts the movie off to a bad start.
What has not been done is adequately exploring why two heroes with different styles and histories who are not well-established in the public eye might actually distrust each other originally (they should), and how they would fight each other. On that point, a Batman vs Superman would necessarily be original, because it can't (or shouldn't) be a pure physical brawl. There's going to be a use of gadgets, escape hatches, psychology, and conflict avoidance involved at various stages. That's necessarily original.
A pure versus movie between the two heroes who don't actually know that the other is a hero, and who don't know that the other is a villain, would actually be interesting. Both Batman and Superman are supposed to be brilliant. One is a detective, and the other eventually becomes a world-renowned investigative reporter and is dating his equal. One has an abnormally high IQ (let's guess 160) and a high emotional quotient as well; the other has a superhuman IQ (250?) but a naive understanding of human nature and less life experience. Batman has cameras everywhere, superman has supersenses. Superman has the advantage that as a public figure he can go from point A to point B without hiding, Batman has the advantage that as a hidden figure Superman cannot easily find him.
As an aside, a lot of people say that what's most interesting about Batman is not Batman but the villains. Well, Goyer and Snyder can turn that on its head by making Batman the villain.
It's More Focused:
This movie is very hard to write. Batman and his immediate entourage need to be written, apparently Lex Luthor needs to be introduced, and a lot of issues from MoS have to be resolved, such as the destruction of quarter of Metropolis. That is very hard to do, therefore it would be irrational to also require building up some villains (Mr. Freeze, etc) just to have Batman and Superman beat them up would consume precious screen time that can be better spent on the important issues:
- Building up Batman
- Consequences of the destruction of Metropolis
- The broader world's reaction
- Forward the Lois/Clark relationship
I make an exception if these villains are auxillary villains, like Scarecrow in the Batman movies. If it's someone that Superman or Batman could run into, then dispatch over a 5 minute action set piece to show off Zach Snyder's mastery of visual art, then that works.
With a single antagonism defining the plot, the tension can be built up better. The first scene of the movie can be an action shot of Batman beating up some minor bad guys in some back alley in Gotham, the same way that TDK and TDKR begin with the Joker and Bane scoring points. The third shot of the movie can be Bruce Wayne pulling over in a Lamborghini in Metropolis, from a distance of a few hundred meters, where Superman is getting some attention from the public. If you have a single antagonism, it can be built up properly.
As a counterexample to this: Star Trek into Darkness, a disappointing movie from this summer that was recently ranked the worst of all the Star Trek films at a fan convention. It had two villains: Khan Noonien-Singh and Admiral Weller (Robocop), they were not well-integrated and thus the movie didn't flow naturally. Excessively complicated plots don't work. Another counterexample is TDKR, which might have worked better if Bane had been the sole villain, with Talia Al Ghul completely removed from the story.
Focus is good. That doesn't mean Luthor, Intergang, etc can't show up... just have them show up in small tertiary pieces, such that their arcs are spread over multiple films.
A Pure Versus Movie Would be a More Coherent and Organic Sequel to Man of Steel:
The world has just been introduced to alien life. Remember how America felt after 9/11? The trauma in the world of MoS would be substantially worse, because nobody's going to go kick ass in Afghanistan now and bomb the enemies to hell and take revenge. The people now know that there are aliens in the Galaxy, that their abilities are far beyond any human abilities' to defend, and that some of them could be hostile. And again, 100,000 people died in Metropolis. As Snyder said, this is a "mythological event", so deal with it. Through Batman. Don't just move on to the next story involving Darkseid. Take a step back, and deal.
Batman has been fighting crime in the background for a few years (decades?). Suddenly, he's in the batcave one night, and all of his computers are taken over by General Zod. He sees a man in blue claims to have saved the day. We know it wouldn't be in Batman's character to immediately trust the man in blue. So let him investigate Superman. In a way he'll be the audience surrogate as we better understand Superman's role in the world.
At the same time, this is a proper MoS sequel as we only have one major villain: Batman. Not having them first fight, then team up against the Penguin and Metallo and whoever else. The screen time saved allows us to see more of the Daily Planet, of Lois and Clark, of Martha Kent, etc, all of which are vastly more interesting than seeing Clayface get melted by Superman's heat vision.
I'll note that there are good models of 1 on 1 psychological thrillers in recent movies: The Departed, and The Prestige among others. Those are both good and interesting models to follow. The Avengers? Not an interesting model to follow.