Now the moon is almost hidden
The stars are beginning to hide
The fortunetelling lady
Has even taken all her things inside
 
Darkness dwells upon that same suburban neighborhood, the moonlight resting carelessly upon empty streets. Stray trash blows across the concrete, dancing in the wind, illuminating a part of New York that seldom gets praised among the travel cards and TV commercials that are used to advertise the so-called luxurious metropolis. But it's the people that are reeled in by this farce that don't see the ugly side that the city's nightlife has to offer. They don't see the death, starvation, decay, and raping of all remaining moral compass left within the denizens of a society only half intuned to the world around them.
He, however, does.
That same scrap of paper flowing in the breeze is slammed onto the pavement with a steady crunch, as a simple unmarked pair of shoes walk slowly across the narrow pavement. Their owner, a tall and silent figure, moves through the shadows as if more comforted by them than the now absent daylight, as his hands remain in the pockets of a long leather trenchcoat that is slightly stained with wear. He reaches up to keep his thick fedora in place atop his head, as the wind blows, giving an eerie greeting to him from the quiet neighborhood shrouded in darkness. He is not hesitant, but rather persistent, as he scans the apartment complexes to his side. 
Finally, he stops at one and stands to a still, casually taking in the detail before him. The establishment is worn and rusted from the outside, it's stairs covered in dust and dirt. But overall, it remains nicer than the majority he's seen on the walk here. He makes his way to the entrance, and quietly creeps up them, ready for any horrors that await him... and flooding his mind with nightmares far worse than anything that can. By the time he has reached the door of the top floor third apartment, he has experienced a trauma so fierce it almost unnerves him. But even so, he is ready to face what is inside. 
Seeing that the door is boarded shut, which is more than likely the work of the unnerved landlord, he reaches up to grab the tightly nailed-down wooden planks one by one. And effortlessly, he rips them from their perch. As a result, the door creeps open, revealing more shadows of the night. He pushes the door further inward, and steps inside it's hollow darkness. Pitch blackness surrounds him, provoking little more than a perplexed stroke of his chin. 
"Nurh."
Reaching into his pocket, he retrieves a small flashlight, and instantly turns it on. What greets him through the stray ray of light emitting from the device is enough to show him what he's looking for: A pale, motionless hand lying atop the thickly stained carpet. Bending down, he inspects it, and flashes the light onto the face it belongs to. A young male with long, dark hair. Hadn't shaved in a period of two weeks, judging by the just thinning beard. Letting the hand go, the figure in the darkness moves the light across the room. And what he sees intrigues him, where others would be horrified.
Across the floor lies a tossed and messy pattern of organs, pulled from the two respective bodies lying in the corner. Blood covers most of the furniture, though obviously now dried. The apartment itself, he notices, now stinks of apparent death. And that's what intrigues him most. Only death. No gunpower or chemical residue. The victims were each stabbed to death, their organs cut open and scattered across the ground. But what makes it even more distinct is that the male's skull is split open, as the bloodflow is more fresh from beneath that area. The killer's trademark, perhaps? He isn't sure. All he knows is that he's lacking an apparent motive for such a crime. And when the mystery was supposed to become hollow, it has instead deepened.
"Hurm."
All except for Cain and Abel
And the hunchback of Notre Dame
Everybody is making love
Or else expecting rain
As the figure inspects the living room, laced with blood and the remains of two corpses, he catches something out of the corner of his eyes. A faint figure in the darkness of the hallway's bedroom. Half expecting an attacker, he quickly shines the flashlight towards it... only to realize that it's nothing more than a large, tarp covered canvas. Realizing the victim was a painter, the figure looks to the corpse, then to the canvas, even more piqued by his own curiosity. 
Placing the flashlight on a nearby table, so it's ray is still shining upon the hallway, the figure moves to the bedroom, approaching the tarp. He expects to find nothing, naturally... but a cold feeling of uncertainty guides him to the canvas anyway. Slowly, he grabs the tarp, and pulls it with a strong grip. What's revealed underneath at first seems like nothing - a simple, if not overtly norbid painting, dipicting a corpse. But upon further inspection, the figure begins to realize that what he is looking at is nothing ordinary at all...
Swiftly, the figure looks back, as his flashlight slowly spins across the table it had lied on, due to a poor balance. After a couple of rolls, the crude object drops to the floor, illuminating the male's corpse. The figure peers at it, in surprise, before looking back at the painting. 
It is of the same incident.
The figure steps into the light shifting from the windows, revealing a white mask covering his entire face. Dark inkblots highlight the areas where the eyes and mouth should be, for a moment, before strangely shifting themselves into a more scattered pattern. The figure looks to the corpse, and to the painting once more. The deceased male was a painter, and his own death was depicted down to every last grim detail. It should be impossible, especially given that the death was no suicide. Someone wanted it to seem that way. 
Someone...
The figure known as the vigilante Rorschach then promptly leaves the apartment, and walks back onto the streets, this new information fresh upon his mind. Someone in New York knows what happened. And that someone, Rorschach surmises, will meet him soon enough. 
Someone. Must learn who.
And the Good Samaritan, he's dressing
He's getting ready for the show
He's going to the carnival tonight
On Desolation Row