CaptainWagner
I'm A Worrier, It's What I Do (he/him)
- Joined
- May 29, 2014
- Messages
- 11,370
- Reaction score
- 7,310
- Points
- 103
31 Days of Halloween
1) Sleepy Hollow (1999)
Such a great movie to kick off the season. A pure homage to the iconic Hammer films, this is Burton's gothic sensibilities at their best. And he hasn't managed to recapture the magic since. The lead performances are great and Christopher Walken proves he doesn't even have to talk to be terrifying. But the real star is the production design - delightfully haunting by day or by night, and the ultimate rendering of the Headless Horseman. The pacing is off in parts, the age gap gets a bit uncomfy in the more overtly romantic moments and there are scenes where they needlessly insert some ridiculous CGI "Large-Marge-style" eye-popping effects that doesn't fit at all. But in the end, it's a darn-near perfect Halloween flick (4.5/5)
2) As Above, So Below (2014)
I'm not angry, just disappointed. I was familiar with the basic concept going in, and was very interested by it. But then... nothing. It's certainly not a BAD movie, the acting, writing and directions are all perfectly fine. It just kind of...exists. A full-horror Indiana Jones is a great idea, but it takes what should be a fascinating and terrifying premise and ultimately does nothing with it. It comes and goes with a scarce handful of scares and barely leaves an impression. (2.5/5)
3) The Evil Dead (1981)
This is the part where I shamefully admit to having never seen the original Evil Dead before now. All I can say is... bizarre. Raimi really shows off the brilliant director he was growing into with the way the film is shot, and it really makes me want to see him return to smaller budget fare. I feel like there's two different movies being made - a prestigious, somber thriller (the long tracking shots, eerie and isolated setting) and then pure camp (some of the dumbest ever horror movie decisions and the "You think it was an animal?" moment, which has to be one of the strangest line deliveries I've ever seen) So it's kind of a tonal mess for me, and Ash is the only memorable character out of the five. That said, its influence on the genre is undeniable, and as far as ground-breaking movies go, this one was plenty of fun to watch (3/5)

1) Sleepy Hollow (1999)
Such a great movie to kick off the season. A pure homage to the iconic Hammer films, this is Burton's gothic sensibilities at their best. And he hasn't managed to recapture the magic since. The lead performances are great and Christopher Walken proves he doesn't even have to talk to be terrifying. But the real star is the production design - delightfully haunting by day or by night, and the ultimate rendering of the Headless Horseman. The pacing is off in parts, the age gap gets a bit uncomfy in the more overtly romantic moments and there are scenes where they needlessly insert some ridiculous CGI "Large-Marge-style" eye-popping effects that doesn't fit at all. But in the end, it's a darn-near perfect Halloween flick (4.5/5)

2) As Above, So Below (2014)
I'm not angry, just disappointed. I was familiar with the basic concept going in, and was very interested by it. But then... nothing. It's certainly not a BAD movie, the acting, writing and directions are all perfectly fine. It just kind of...exists. A full-horror Indiana Jones is a great idea, but it takes what should be a fascinating and terrifying premise and ultimately does nothing with it. It comes and goes with a scarce handful of scares and barely leaves an impression. (2.5/5)

3) The Evil Dead (1981)
This is the part where I shamefully admit to having never seen the original Evil Dead before now. All I can say is... bizarre. Raimi really shows off the brilliant director he was growing into with the way the film is shot, and it really makes me want to see him return to smaller budget fare. I feel like there's two different movies being made - a prestigious, somber thriller (the long tracking shots, eerie and isolated setting) and then pure camp (some of the dumbest ever horror movie decisions and the "You think it was an animal?" moment, which has to be one of the strangest line deliveries I've ever seen) So it's kind of a tonal mess for me, and Ash is the only memorable character out of the five. That said, its influence on the genre is undeniable, and as far as ground-breaking movies go, this one was plenty of fun to watch (3/5)
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