Superman Returns The Official Bryan Singer Thread

Will it be announced MOS is Singer's next film?

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Someone said a great statement once. STM is both a blessing and a curse. A blessing because it really helped put the comic book film on the map. A curse because its really left superman in the dust in terms of other heroes stomping all over him.

You call that a great statement? STM has been the guideline for movies like Spiderman 1 and Batman Begins (ask raimi and Nolan what do they think of STM; in fact ask Raimi whether he liked SR or not).

It was the pioneer and it is a film that, one flaw here and there, still works. Let’s wait 20 years and see what people will say about superhero movies that today are regarded as untoppable.

Watching spider-man, iron man, x-men, and batman begins I still can't honestly believe someone with half a vision of a trilogy hasnt walked in to WB and grabbed superman by the balls and said this series needs to be rebooted.

That’s a funny thing to say when Spiderman and Batman Begins followed STM steps.

I am all for a reboot. I wanted that over a sequel before SR was released.

I'm sure some do but obviously it wasn't enough. If alot of people still hold it close to their hearts why didn't SR do better?

Did I mention today’s GA’s need lots of CGI and punching in oprder to please them?

Indy 4 was the sequel to a long gone series and it made over 300mil

StarWars episode one was the prequel to a beloved series and it did over 400mil, about ten years ago.

If "Superman: The Movie" was that beloved I think that it would have easily passed 300mil.

Episode I and Indy 4 may have made big numbers, but they’re not precisely good movies. Good for the suits if they made money. But as a member of the audience I only demand a good movie.

I'm glad that in the end of the day, we all agree that Singer screwed one way or the other. Yay.

No we don’t. Nay.

He made what’s easily the second best Superman movie, next to STM. Both can be topped, sure. I’ll be glad to see that.

Donner movies should've been left in the 70's and in good memory as a nostalgic feeling.

Directors like Raimi and Nolan insist in go back to them to base his superheroes movies on though.

Hey, lifting an island is not that bad. As long as it's not made of freaking Kryptonite.

Mh, yeah. An island made of regular rock that means no threat at all to Superman, sounds a much more exciting idea.

Nothing against it being mature and character driven, but if you don't give Superman a physical threat it just screams of missed opportunity.

An entire island made of Kryptonite would mean a physical threat. Ah, but you don’t like that. I bet you’re talking of giant robots and endless punching. It’s like I said it, SR with a big CGI enemy at the end would have changed perceptions.

I didn't find Superman Returns mature in the least, as for the X-films...don't get me started.

Or the Spiderman movies’ maturity. ;)

The fact that S.R. was a drama filled character driven film is all well and good, and i'm glad some here loved it, but it cost W.B. the possibility of a sequel happening..

You’ll have to excuse me that i don’t hold WB’s costs as mine. The goodness of the film is enough for me to be satisfied.
 
And your opinions on goodness are questionable. SR was terrible to me and it deserved an oscar to you. THe thing is, you already lost this conversation. Go talk about SR in the Superman Returns forum since this movie is also going to be nostalgic and forgotten. Singer has moved on and won't be back. Stop crying.

And STM is used as a guideline in the first half. The rest is a joke with Luthor and his plot but still is a million times better than SR.
 
And your opinions on goodness are questionable.

All of our opinions are. That's why these forums are open.

SR was terrible to me and it deserved an oscar to you.

Being terrible and deserving an Oscar might be very well the same for El Payaso.

THe thing is, you already lost this conversation.

I don't think so. I could reply properly to what was said.

Go talk about SR in the Superman Returns forum since this movie is also going to be nostalgic and forgotten.

When that happens, then let's have this thread closed.

So far, please throw this "stop talking of Bryan Singer here" to every person that has been posting here - including yourself - since the thread is called after his name.

Singer has moved on and won't be back. Stop crying.

Mh. It seems that none of my posts are claiming that Singer should be back for a sequel. I even said I was all for a reboot. You know what they say, good reader, good replier.;)

Now, you seem to be complaining about something you claim is forgotten... see the contradiction there?

Now if you finished trying to tell me where or what can I post or not...
 
Nothing against it being mature and character driven, but if you don't give Superman a physical threat it just screams of missed opportunity. Throwing in a super villain wouldn't suddenly turn the Movie into a brainless popcorn flick. Villains like Brainiac and Darkseid could add a whole new layer of Drama.

The X-Men were mature and character driven, yet didn't skip on the action.

And yet I still enjoy SR much more than the XMen films. Both STM and SR don't feature supervillains and I love and enjoy them so much. Besides, Superman's essense is not about fighting. It's about saving people at the last minute, hope when it seems that there is none. Sure, I also wanna see superfights and Superman kicking butt, but it's not essential for me.


:meow::heart:



.

I knew it. :cwink: :D


And your opinions on goodness are questionable. SR was terrible to me and it deserved an oscar to you. THe thing is, you already lost this conversation. Go talk about SR in the Superman Returns forum since this movie is also going to be nostalgic and forgotten. Singer has moved on and won't be back. Stop crying.

And STM is used as a guideline in the first half. The rest is a joke with Luthor and his plot but still is a million times better than SR.

Uh? I don't see El Payaso crying in any way. You are so melodramatic in a lot of your posts, imo.
 
You guys better tone it down or you're going to be crying about being infracted or banned.
 
It's not nice to be told to "stop crying" (aka, stop posting your opinions) or to be told where I should/shouldn't post by someone who's not a mod, let me tell you that much. What fair is fair.
 
He made what’s easily the second best Superman movie, next to STM.
Making a better movie than SIII and IV isn't an achievement, it's a requirement. "Returns" is certainly not better than SII; and I don't even like SII.

And on that note, Returns isn't a better Superman movie than SIII either. Or IV, for that matter, if I remember "Quest for Peace" well enough.
 
It's not nice to be told to "stop crying" (aka, stop posting your opinions) or to be told where I should/shouldn't post by someone who's not a mod, let me tell you that much. What fair is fair.

It's my job to tell people what they can or cannot post, you are fine.

No more arguing.
 
Making a better movie than SIII and IV isn't an achievement, it's a requirement. "Returns" is certainly not better than SII; and I don't even like SII.

Basdically SR dared to go further in Superman's personal life, but with no last-minute undoing endings. That makes it better then SII.

And on that note, Returns isn't a better Superman movie than SIII either. Or IV, for that matter, if I remember "Quest for Peace" well enough.

Then you might need to watch it again. Specially the Luthor's nephew bit, Nuclear Man part and the x-ray China Wall reconstructing vision.



It's my job to tell people what they can or cannot post, you are fine.

No more arguing.

:up:
 
Basdically SR dared to go further in Superman's personal life, but with no last-minute undoing endings. That makes it better then SII.
That's one way of looking at it. The other way is that SII actually went that step further and despite the undoing in the end, it at least did a fair job at exploring where Super ends and Man begins and the complications of a messiah figure abandoning all he is to be happy.

Whereas SR dared to give him a kid, have him trying to put the moves on Lois and fly around with the puppy look "awww, I'm all alone". Something the audience would probably be a lot more sympathetic about, if the ass hadn't left without so much as leaving a note on the fridge. That's not the stuff of good movies and it certainly isn't deep or good characterization.

Then you might need to watch it again. Specially the Luthor's nephew bit, Nuclear Man part and the x-ray China Wall reconstructing vision.
Oh, it was a horrible movie, no doubt about it. But I don't remember wanting to kick Superman in the nuts repeatedly.
 
Making a better movie than SIII and IV isn't an achievement, it's a requirement. "Returns" is certainly not better than SII; and I don't even like SII.

And on that note, Returns isn't a better Superman movie than SIII either. Or IV, for that matter, if I remember "Quest for Peace" well enough.

WTF :huh: I thought Returns was big disapointment, and a missed oppertunity to start fresh for this generation. Superman Returns is still vastly superior to superman 3 and superman 4 combined. Thats like saying Batman and Robin was better then Batman begins dude.:o
 
Basdically SR dared to go further in Superman's personal life, but with no last-minute undoing endings. That makes it better then SII.
See, we agree on one thing: I also hated the amnesy kiss and time travel. But to me it is still better than SR by miles.
 
That's one way of looking at it. The other way is that SII actually went that step further and despite the undoing in the end,

You realise of course the impossibility of going further when you undo your steps.

it at least did a fair job at exploring where Super ends and Man begins and the complications of a messiah figure abandoning all he is to be happy.

It's all easier to do when you have no consequences at all for the characters; Lois won't remember a thing and Superman didn't seem to have a problem with everything by the end. He was mostly smiling at his own memory wiping power after he amensia-kissed Lois.

Whereas SR dared to give him a kid, have him trying to put the moves on Lois and fly around with the puppy look "awww, I'm all alone". Something the audience would probably be a lot more sympathetic about, if the ass hadn't left without so much as leaving a note on the fridge. That's not the stuff of good movies and it certainly isn't deep or good characterization.

The depth doesn't come from his actions alone but how he had to learn from his mistakes. Opposite to, let's say, to undo everything magically.

And a last minute mind manipulation isn't exactly "deep" or "good characterization."

That said, good movies have many times been exactly about terrible mistakes. Much worse than what Superman did on SR.

Oh, it was a horrible movie, no doubt about it. But I don't remember wanting to kick Superman in the nuts repeatedly.

:huh:


WTF :huh: I thought Returns was big disapointment, and a missed oppertunity to start fresh for this generation. Superman Returns is still vastly superior to superman 3 and superman 4 combined. Thats like saying Batman and Robin was better then Batman begins dude.:o

Well, the sense of hyperbole is there, but its impact is certainly lost.
 
You realise of course the impossibility of going further when you undo your steps.
Ah, yeah, I forgot. Singer intended to get the character further. How did that one work out for him, again?

It's all easier to do when you have no consequences at all for the characters; Lois won't remember a thing and Superman didn't seem to have a problem with everything by the end. He was mostly smiling at his own memory wiping power after he amensia-kissed Lois.
The ending was a cop-out that returned everything to the status quo and you can argue that, were this intended to actually develop things further, this was certainly a bad move. But it's a stand alone move. And the kiss, horrible as it was, erased only Lois' memory; not what the movie explored and did for the character or the drama that led there.

The depth doesn't come from his actions alone but how he had to learn from his mistakes. Opposite to, let's say, to undo everything magically.
Superman learned NOTHING by the end of "Returns". The only thing he did was find out he had a son.

Unlike, say, learn that giving up all the good you can do to be selfishly happy is just wrong and tending to fixing that.

And a last minute mind manipulation isn't exactly "deep" or "good characterization."
I never said it was. I'm not hang-up on one scene from the entire movie; you keep bringing it up.

th_confused.gif
SIV was a terrible film, but the lead character was neither unlikeable nor terribly acting out of character for the majority of the film.
 
Ah, yeah, I forgot. Singer intended to get the character further. How did that one work out for him, again?

Very good story-wise. It finally explored Superman’s inner-self without regretting/reverting it at the last minute.

The ending was a cop-out that returned everything to the status quo and you can argue that, were this intended to actually develop things further, this was certainly a bad move.

Bad and cheap. Not only the amnesia kiss is a ridiculous super-power, but it’s awfully arrogant from Superman to go through life mind manipulating people at his own will. It also was a very easy way to wash your hands from everything that was done. It’s easy to explore when no one has to live with the consequences.

And the kiss, horrible as it was, erased only Lois' memory; not what the movie explored and did for the character or the drama that led there.

It was the same as if at the end of the movie, Clark woke up and we realise everything was a dream.

If Lois can’t remember then the tree fell but no one listened.

Where is the 'drama' if no one can remember it? And for what we can see, Clark/Superman smiled after the amnesia kiss. Unexplainably he didn’t seem to care to much about, or to carry any burden.

Superman learned NOTHING by the end of "Returns". The only thing he did was find out he had a son.

By that he learnt that his happiness doesn’t have to be with Lois. He learnt that, as much as he loves her and she loves him, Lois doesn’t have to be the most important thing in his life. He learnt that he’s not alone anymore, even if he can’t have a normal life. Most important, he learnt that life is not easy, decisions are not divided into right ones and wrong ones only, and that when you make mistakes you have to live with consequences that won't magically dissappear.

Unlike, say, learn that giving up all the good you can do to be selfishly happy is just wrong and tending to fixing that.

And that no matter how much harm you can make, you can always erase memories so he doesn’t have to live with the consequences of his actions. He could have erased Lois' mind again in SR, so he could have made Lois forget he didn't say good-bye for all he cares.

I never said it was. I'm not hang-up on one scene from the entire movie; you keep bringing it up.

It’s like when you don’t like a movie you keep bringing the things that ruined the movie for you. Or when you try to make a point you keep bringing things that prove that point.

SIV was a terrible film, but the lead character was neither unlikeable nor terribly acting out of character for the majority of the film.

But it seems that all that “likeability” factor couldn’t save it from keep being a terrible film in your own words.



SIII & SIV are better than SR. period.

Yeah, one can't but to wonder why people are not posting more about those movies in the Misc. Film section.
 
Very good story-wise. It finally explored Superman’s inner-self without regretting/reverting it at the last minute.
It really didn't. The exploring never went beyond Superman feeling alone and Superman feeling less lonely when he finds out he has a son. Fine as an idea, but it drags down the entire movie, because even that lacks pacing. It shows up here and there, visually for the most part and then it resolves itself.

It’s easy to explore when no one has to live with the consequences.
I don't get that. In a TV show, I'd probably agree, but movies stand on their own. It's a move that certainly wouldn't pass these days, because it is a bad resolution to drama, but it's a snap decision in the last moment and in no way does it magically erase what came before and what the movie did for the character before.

Again, Returns didn't do anything different. Everything was exactly the same by the end of it, with the exception of Superman knowing he has a son.

By that he learnt that his happiness doesn’t have to be with Lois.
Was that before or after he was putting the moves on her on the rooftop of the Planet? Or we assume that's the case, because in the end they didn't hook up? Because it was pretty obvious that, had this story been continued, Richard would've been dumped pretty fast in the next one.

He learnt that, as much as he loves her and she loves him, Lois doesn’t have to be the most important thing in his life.
Yes, fortunately he has a half-Kryptonian son that can be the most important thing in his life. Steady and substantial.

Most important, he learnt that life is not easy, decisions are not divided into right ones and wrong ones only, and that when you make mistakes you have to live with consequences that won't magically dissappear.
Ok, seriously, example or it didn't happen. Or are we talking about Lois again? Because good luck convincing me that the only reason they didn't drop by the Fortress for a quickie wasn't that the movie was running out of time.

And that no matter how much harm you can make, you can always erase memories so he doesn’t have to live with the consequences of his actions. He could have erased Lois' mind again in SR, so he could have made Lois forget he didn't say good-bye for all he cares.
Superman didn't do any harm in SII. He used the kiss to help Lois forget, not himself. It was out of character to mind-rape someone, and that's the second reason that movie gets my glorious middle finger (the first one being KILLING Zod and his gang), but SR had him act just as much out of character (more, in fact), just without the good stuff, the revelance and the impact.

It’s like when you don’t like a movie you keep bringing the things that ruined the movie for you. Or when you try to make a point you keep bringing things that prove that point.
Understandable, but a 2-minute-scene, dissappointing or not, doesn't define or characterize an entire movie. It's the logical equivelant of anyone who doesn't like SR putting it down just for the stalking scene. It's certainly an issue and people rightfully bring it, but it doesn't summarize the whole movie.

But it seems that all that “likeability” factor couldn’t save it from keep being a terrible film in your own words.
I never said it did. I said that it potrays a better Superman than SR does. And while liberties are acceptable to a degree in an adaptation, writers and/or directors wishing the put their spin on an old, iconic and defined character should stay the hell away from them.
 
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You didn't like the X films?
I did.

X-Men: 6.5/10
X2: 7.5/10
X3:7/10 (Ofcourse this one wasn't directed by Singer but it's till an X-Men movie)

I like em well enough but I never thought that they were the hot s**t that people on here made them out to be. They are charming movies to me that would have been better with a different studio, directors and costume designers.
 
The irony is The Last Stand could have been a legitimately solid follow-up to X2 had Fox not rushed it to the 11th just to say, "Screw you!" to Singer for jumping ship.

There were plenty of good ideas in the film that (given a more reasonable time-table) could worked out. X-Men 3 is an insanely "rushed" film, and feels it.
 
I'm going to respond to a few things you said El Payaso:

I have never said that the Spider-Man movies were the most mature movies around but I liked them (the first two) alongside the first two Blade movies the most out of any other comicbook movie. And I loved the campy Power Rangers Green Goblin too! lol. I loved Watchmen, TDK, Iron Man and the first HellBoy too for the record.

Also I'm not asking for all action all the time. If I actually liked SR's storyline/plot and characters I would have liked the film. I still would have wanted fight scenes but I would have liked the film.

Maybe you aren't but I'm tired of no other Supervillains from the comicbooks but LL. I would be perfectly happy with a Superman movie that featured likable characters, a halfway decent plot/storyline and atleast two altercations with a Supervillain not named Lex.

I've never asked for a dumb Transformers type flick because I usually don't care for those type of films.

I don't think that I have to put IMO because you know it's my opinion that SR wasn't a good movie.:cwink:

Just my 0.2cents
 
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So whoever thinks were in need of news raise there hands, lol... El Payaso you said that STM

"was the pioneer and it is a film that, one flaw here and there, still works. Let’s wait 20 years and see what people will say about superhero movies that today are regarded as untoppable."

Sure it was a pioneer, but lets be realistic, someone would have come up with the format for the origin story. They were doing it in the comics so lets not act as if Donner et al are the biggest heroes in the world. STM has more than one flaw here or there, people just gloss over it. But I could sit here and trash that movie till the cows come home, its a matter of opinion at the end of the day.
 
It really didn't. The exploring never went beyond Superman feeling alone and Superman feeling less lonely when he finds out he has a son.

Yes, exactly. What is the wrong part about it. That’s further than what SII (or any other Superman movie) went.

Fine as an idea, but it drags down the entire movie, because even that lacks pacing. It shows up here and there, visually for the most part and then it resolves itself.

Being cinematography a visual art in a big way, I can’t see the wrong in developing themes visually. Sure, florid speeches can be cool but they’re not the only way.

I don't get that. In a TV show, I'd probably agree, but movies stand on their own. It's a move that certainly wouldn't pass these days, because it is a bad resolution to drama, but it's a snap decision in the last moment and in no way does it magically erase what came before and what the movie did for the character before.

In fact the whole point of the amnesia kiss is precisely to magically erase what came before and what the movie did for the character. In the end, we never see Superman a bit troubled for what happened. It looked like the amnesia kiss had anesthetic effect on himself. 5 minutes after the kiss he was smiling at the camera again as if nothing happened (which is almost true since the ending goes back the whole way; wjhat happened during the movie left no effects on any of the characters).

Again, Returns didn't do anything different. Everything was exactly the same by the end of it, with the exception of Superman knowing he has a son.

Unless the son magically dissapeared or Superman never left Earth for 6 years, SR’s Superman actions pretty much had consequences and an effect on the main caharacters until the end of the movie. Nothing that happened was left “as if” never happened.

Lois forgave Superman for what he did to her. She didn’t just magically forgot the whole thing, getting her back exactly to what she was in the beginning.

Superman felt alone by the beginning fo the movie and he felt radically different by the end. With Jason on the picture it is obvious that his life will never be the same again. Jason set a difference not only because his mere presence, he got an efect on Superman’s feelings and perception of life forever.

Was that before or after he was putting the moves on her on the rooftop of the Planet? Or we assume that's the case, because in the end they didn't hook up? Because it was pretty obvious that, had this story been continued, Richard would've been dumped pretty fast in the next one.

Unless you can provide a serious link about what the Singer’s sequel would be about, we have to base our thoughts on what we actually see in the movie so to avoid speculation.

Superman and Lois didn’t kiss in the end. No ‘I love you’s were said. It is obvious that they still love each other but – as you observe yourself – it is not the rooftop situation anymore. In fact Singer repeated the smoking Lois/Superman blowing the lighter again so it was clear that they are again in the same position as before, but they’re not romantically approaching to each other. He’s coming from Jason’s bedroom; it is obvious that the Jason factor has changed things between them.

Yes, fortunately he has a half-Kryptonian son that can be the most important thing in his life. Steady and substantial.

Exactly. It is a son now and not Lois, as I said. It is not romance but fatherhood; quite different.

Ok, seriously, example or it didn't happen. Or are we talking about Lois again? Because good luck convincing me that the only reason they didn't drop by the Fortress for a quickie wasn't that the movie was running out of time.

I’m not aware of what you’re talking about for it makes no connection at all with the portion of post you quoted from me. Again, what you say wasn’t even suggested in the movie and we cannot develop a good discussion based on speculation alone.

I was talking about how Superman learnt that decision are not easy; going to Krypton or staying on Earth. Saying good-bye to Lois (risking that he wouldn’t be able to leave) or not.

In the end, he made his decisions and had to liove with consequences since, luckily for the story, he decided not to turn back time or delete memories.

Superman didn't do any harm in SII.

You mean, apart from abandoning his mission while Zod and Co. Killed people at their pleasure?

He used the kiss to help Lois forget, not himself.

If that was the case he would have asked Lois first. It’s her mind we’re talking here and thus her decision. The quick smilie Superman we got at the end of the movie tells me he wasn’t too troubled about it once Lois stopped being troubled about it.

It was out of character to mind-rape someone, and that's the second reason that movie gets my glorious middle finger (the first one being KILLING Zod and his gang), but SR had him act just as much out of character (more, in fact), just without the good stuff, the revelance and the impact.

If you call killing more “in-character” for Superman than not saying good-bye, then I’ll have to disagree about your concept of “in/out of character” for obvious reasons.

Understandable, but a 2-minute-scene, dissappointing or not, doesn't define or characterize an entire movie.

In fact it does. Just like when we realize the Wizard of Oz is a cheat by the end of the movie tells us he was a cheat throughout the whole movie.

It defines the character. In his own words he tells Lois that what he does during the movie is not for her but “I did it for us.”

It's the logical equivelant of anyone who doesn't like SR putting it down just for the stalking scene. It's certainly an issue and people rightfully bring it, but it doesn't summarize the whole movie.

It’s an aspect that defines the character and his behaviour and choices. It’s not like a light plothole you choose to ignore under the ‘suspension of disbelief’ principle.

I never said it did. I said that it potrays a better Superman than SR does. And while liberties are acceptable to a degree in an adaptation, writers and/or directors wishing the put their spin on an old, iconic and defined character should stay the hell away from them.

SR ignored SIII and SIV. It’s a sequel to STM and SII, and from what I’ve seen of SII, it maches the character. It wasn’t more “out of character” than he was in the movie to which SR is sequel.
 
I'm going to respond to a few things you said El Payaso:

I have never said that the Spider-Man movies were the most mature movies around but I liked them (the first two) alongside the first two Blade movies the most out of any other comicbook movie. And I loved the campy Power Rangers Green Goblin too! lol. I loved Watchmen, TDK, Iron Man and the first HellBoy too for the record.

I just mentioned the maturity aspect because it seemed it was important for you at the moment of deciding what movie to like. SR and X-Men movies weren’t “mature in the least” and it looked like that was an important reason as to why you don’t like them. Of course, that notion left me scratching my head a little.

Also I'm not asking for all action all the time. If I actually liked SR's storyline/plot and characters I would have liked the film. I still would have wanted fight scenes but I would have liked the film.

Maybe you aren't but I'm tired of no other Supervillains from the comicbooks but LL. I would be perfectly happy with a Superman movie that featured likable characters, a halfway decent plot/storyline and atleast two altercations with a Supervillain not named Lex.

I've never asked for a dumb Transformers type flick because I usually don't care for those type of films.

I don't think that I have to put IMO because you know it's my opinion that SR wasn't a good movie.

Just my 0.2cents

More than fair, I SEE. I have said I’m all for a reboot, and I don’t see harm in a super-villiain as long as it’s not the usual excuse for a long razzle-dazzly CGI fight sequence without any substance.





So whoever thinks were in need of news raise there hands, lol...

Me, me! 

El Payaso you said that STM

"was the pioneer and it is a film that, one flaw here and there, still works. Let’s wait 20 years and see what people will say about superhero movies that today are regarded as untoppable."

Sure it was a pioneer, but lets be realistic, someone would have come up with the format for the origin story.

In fact they did the Superman origin at least once before Donner. But in all justice Donner’s version was a masterpiece, specially compared to the old 1940’s series in every aspect.

Donner’s Superman origin wasn’t the core of his triumph; it was the quality and seriousness of every aspect of the movie that historicallt were considered unnecessary for a “childish” genre such as superheroes previous to STM.

They were doing it in the comics

Never on films.

so lets not act as if Donner et al are the biggest heroes in the world.

Just excellent filmmakers in the genre.

STM has more than one flaw here or there, people just gloss over it.

I wonder why they chose to do that. Like when they decide to look over little plotholes, unfauithfulness to the comics or incoherences in TDK.

But when I say “one flaw here and there” I’m implying there’s more than just one. I have mentioned the time-reversing thing in this very thread.

But I could sit here and trash that movie till the cows come home,

Sure. People have done it also with TDK and so many other movies.

its a matter of opinion at the end of the day.

Thus El Payaso’s words: “All of our opinions are [questionable]. That's why these forums are open.” :up:
 
I agree, El payaso. However, you can't include the characterization of Luthor in this serious thing...Donner's luthor is a campy joke
 
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