The Official Flash Thread

Your Preferred Flash For This Movie (Regardless who it ends up being officially)

  • Jay Garrick

  • Barry Allen

  • Wally West

  • Bart Allen

  • Jay Garrick

  • Barry Allen

  • Wally West

  • Bart Allen

  • Jay Garrick

  • Barry Allen

  • Wally West

  • Bart Allen

  • Jay Garrick

  • Barry Allen

  • Wally West

  • Bart Allen


Results are only viewable after voting.
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I think prob. one of the Reverse Flashes. Hunter Zolomon/Zoom or Profesor Zoom
But I'm not sure
 
There's a lot: Zoom, Savitar, Kadabra, Black Flash, the Top etc...
 
Question: Logically who do you think will get picked Barry or Wally?

Not who's better, not who you prefer, but who do you realistically think will get chosen?


IMO its hard to say. Barry was the first Flash with the suit with the mask, but Wally has been the Flash for the last 20 years. From what I've seen Wally is the fan favorite, but they shouldnt shove that down the writers throat if he doesnt feel comfortable using that incarnation. Barry recently has come back, but to lukewarm response..but thats just due to bad writing.


Listen, I know you don't want Barry back and don't like Rebirth, but a few things: One, Rebirth isn't over yet. It's just started. It's too early to say whether fans liked it or not yet. Secondly, it is not poorly written. You haven't even read it, so how can you even make that statement? Geoff Johns is an excellent writer in everything, even with characters I don't personally care for.

If anything, I would say Rebirth, for as fast as its title character is, has had kind of a slow start. The first 2 issues, anyway. But judging by the preview of issue # 3, the pace is definitely picking up. I don't think it will be disappointing and I look forward to the rest of it.


The last 2 Flash film projects by Goyer and Levy had Wally West...but those fell through. There using Hal Jordan in the GL film and he originated in the Silver Age like Barry, but then again the movies arent the comic books and they could take liberties as theyve done with alot of good comic book films in the past


Honestly I just want to hear some words from this Dan Mazeau guy. Just an interview about some of his ideas for The Flash be it Wally or Barry I just want some kind of confirmation that this project is still alive and running. I would be happy with either Wally or Barry

AND another kind of OT question: Why has GL been on the fast track while other DC projects have trouble just getting past the script stages. Is it a lack of a director that pushes for the movie?


Now, my thoughts on those questions:

1. Barry or Wally, who are they most likely to use?

My answer. Well, a few years ago I think they definitely would have went with Wally. However, WB does not like the fact that there is more than one Flash, they want one character that they can foucus an entire movie on. That's why I think the other Flash film projects never took off. David Goyer is an excellent writer, I'm sure he did fantastic with the script, which I would love to read, BTW, and he incorporated all of the legacy elements into it. He had Barry as The Flash from the beginning and had Wally become Flash sometime toward the end, he also delved into the speed force aspects very heavily from what I had read.

But it never took off because of the legacy aspect, which I think WB sees as something that holds the character back because he can never be his own, like the JL toonzone Flash post I posted the other day, as The Flash races thru Central/Keystone City, he drags his mountainous past behind him, and WB doesn't really like that.

So I think they would have done Wally West, but they would have given him Barry's origin and had him be the only Flash. I don't know whether or not they'd have given him Barry's forensics job or not, but knowing WB, they'd probably like to have cashed in on the CSI fad so they probably would've ended up giving him Barry's job too. They would've done the hybrid Flash, basically. Wally because he was the current Flash and has the most fleshed out characterization (due to modern age writing and because of the legacy, which they want to leave out) but Barry's backstory and status because it's more streamlined and indpendent.

Realistically now, it's hard to say, IMO. I know if they did Wally it would be the hybrid thing, but it's still hard to say who would get picked, which is exactly why I don't think we'll hear anything about the project for a while yet, until the answer becomes "clear" if you will.

WB is using Hal Jordan as GL, so logic says they'd want Barry as Flash.

But Hal Jordan as a character, has developed so much and has become very interesting thanks to Geoff Johns, he's had a few solid years of good storytelling and has now achieved fan fave status again. I think WB will wait for the same thing to happen with Barry. I think they want Geoff Johns to establsih him and flesh him out a little more for at least another year or so that way they can do a character driven Barry Allen movie that reflects the comics the same way with Hal Jordan. Plus Barry and Wally most likely won't be neck and neck in the fandom area anymore and Barry will have acheived fan fave status again as well.
 
Grodd could work as well as anything. It'd just be really, really silly in some sense.



Hey, and they could all ride motorcycles. Feh. That's montage stuff.

LOL! :D

He needs a supervillain. Something that will REALLY test his forensic abilities and his mettle.

I totally agree. :up:

Mirror Master is my choice. He's cool, is about as popular as Captain Cold, and people will feel he is more original and threatening, I think, and has all the powers to negate Flash's superspeed and is a convincing threat to him. They could make him really scary and violent, and the mirror crimes would be tough to solve.

I'd also throw in some cameo characters, as many as possible, even if they're just for minor things, I'd also possibly have Dr Alchemy/Mr Element setup as a secondary villain.

I think they'll pick Barry since they went with Hal Jordan in the GREEN LANTERN movie.

This makes me want to write a Flash script. Bah. Any screenwriters out there want to collaborate?

:D
 
YEa i dont know much of the villains besides the few i saw on the flash show and in animated form i could see mirror master or captain cold putting up a good threat to flash and could make good villains if written well and they pick solid actors for the roles.
 
Listen, I know you don't want Barry back and don't like Rebirth, but a few things: One, Rebirth isn't over yet. It's just started. It's too early to say whether fans liked it or not yet. Secondly, it is not poorly written. You haven't even read it, so how can you even make that statement? Geoff Johns is an excellent writer in everything, even with characters I don't personally care for.

If anything, I would say Rebirth, for as fast as its title character is, has had kind of a slow start. The first 2 issues, anyway. But judging by the preview of issue # 3, the pace is definitely picking up. I don't think it will be disappointing and I look forward to the rest of it.
I didnt say I didnt want Barry back or if I did it was to make lil fanboys upset, I dont mind if he comes back as long as the writing is good, but it's not. The story is boring, if they want to bring him back they should have made it cool.
I would prefer him to stay dead but not because hes a bad character but because his death was so effective and its not like Hal Jordan who died sacrificing himself after being a villain, Barry died a hero so I dont see the reason to bring him back unless he's gonna be the villain (which I bet he wont be at the end of Rebirth). I dont see the point in bringing back a character who has been dead for over 20 yrs, Hal was only dead for less than 10 yrs. It makes comic book deaths stupid


and from what ive seen I said it hasnt been well received
 
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Here's a question. How the hell do you explain the presence of The Rogues in a way that's remotely believable? I know how to explain their abilities, and I suppose that co uld be used to explain their personas as well.

I know lol.

The Weather Wizard
Captain Cold
Mirror Master
Captain Boomerang
The Trickster
The Pied Piper
The Top

Why would people like this exist, especially in a town that has its own superhero?

They'd almost have to be a group from the start, banding together to take on The Flash, bonding, becoming brothers in crime, etc. And they'd literally have to come out of nowhere, because explaining some of these characters would just be silly.

I'm thinking The Top could essentially be a cameo, one of the first rogues to fall, with The Pied Piper sort of working "behind the scenes", The Trickster mostly causing diversions, and Cold, Boomerang, Wizard and Mirror Master being the main team.

I like that idea.

But the way I see it with the Rogues is this; they don't all have to be explained. Explain the powers a little, sure, but some of them can really just "be", if you will, like the Joker in The Dark Knight. Not every one of them needs a big, half hour, Otto Octavious background. We can see what makes some of them tick, sure. If they did all of them in a movie, they could have them sitting around a card table exchanging backgrounds. Personally, I'd like to see Heat Wave's background in a short flashback sequence. They could even do it shortly when Barry gets the background/files on their civillian identities from the police depo.

But some of them, I think, truly work better when we don't know much about them. I think some of them should definitely already exist before Flash shows up, quietly committing crimes and things with their own methods and "signature" equipment across the country. They become more visible as they have a counterpart capable of actually challenging them, so it seems like they're just "showing up". They aren't, they've been around for a while, only now there's someone fast enough to catch them and that would drag them into the spotlight a little more. Also, Barry's horizons for crime will have broadened when he gets super speed, as he now can cross oceans and continents in a second, so his "police career", in a sense, has a bigger playing field, so naturally, there are bigger and badder bad guys for him to fight.

It should never seem like Flash's existance attracts these villains. That is stupid and a problem I have with almost any superhero movie because it seems that way sometimes. I believe Batman the animated series adressed this well in the episode (the name escapes me at the moment) in which Batman stands trial in front of all his enemies and he has an attorney who hates him defending him; they're not there because of him, he's there because of them.

Some of the Rogues I would play up as bounty hunters and mercenaries. Mission Impossible type bad guys, and here you have a average, down to earth guy who's a cop trying to catch them. Should prove pretty interesting, IMO. Even has a Die Hard ring to it, lol.

Just for fun, here's a Flash fact: Alex Ross uses a young Bruce Willis' face as the basis for Barry/Flash's face in his artwork. Pretty cool, huh? :)
 
I just hope Wally get's his own book after Flash: Rebirth, I don't mind Barry being Flash as long as I can still read Wally's adventures in another book, and Titans doesn't count.
 
I'd have two comic-books: "The Flash" and "Flash - The Fastest Man Alive!".

"The Flash" would be Barry's title. Settled in Central City, with Iris, Bart, Captain Frye, the Rogues, etc.

"Flash - The Fastest Man Alive!" would be Wally's title. Settled in Keystone City, with Linda, Jai, Iris, Chyre, Morillo, the new Rogues, etc.

Jay would make esporadic appearances in both, but "SJA" would be his main title.

:woot:
 
I didnt say I didnt want Barry back or if I did it was to make lil fanboys upset, I dont mind if he comes back as long as the writing is good, but it's not.

Your uninformed opinion.

The story is boring, if they want to bring him back they should have made it cool.

Wow. What a very in depth criticism of Rebirth you've given. Now I believe you've read it. :lmao:

Please, get Rebirth. Read it. All of it. Then tell me what you think. Even if you still don't like it, you opinion will at least count because you'll know what you're talking about, and that should make you happy.

I would prefer him to stay dead but not because hes a bad character but because his death was so effective and its not like Hal Jordan who died sacrificing himself after being a villain, Barry died a hero so I dont see the reason to bring him back unless he's gonna be the villain (which I bet he wont be at the end of Rebirth). I dont see the point in bringing back a character who has been dead for over 20 yrs, Hal was only dead for less than 10 yrs. It makes comic book deaths stupid

Ummm....how about this? The world needs heroes, and few were more heroic than Barry (and Hal). :D

Comic book deaths are stupid in the first place. No major character in comics is ever really "dead", they're just on the sidelines.

You want to know what resurrections make deaths looks "stupid"? Jason Todd, Bucky Barnes, returns of characters that nobody liked in the first place who never had that much potential anyway that they try to make interesting at the expense of the a list characters. That said, Bucky has done a tolerable job as Cap. Batman's death makes comics deaths look stupid, because no one believes he will stay dead, especially when suckass characters like Jason Todd are turning up left and right. Same with Superman's death.

and from what ive seen I said it hasnt been well received

Depends a lot on where you look. You look at places where you know people won't like it no matter what, or places where people are of the "Barry only" mind, then of course there's negativity. Of course, if you only look at places where people will like it cuz it's Barry no matter what, then you have an equally uninformed standpoint.

Try looking at places that review comics and aren't neceassarily partial to the "Barry VS Wally" debate, where the mainstream comics audience has a voice and you'll see that people like it so far. Read wikipedia at least....

http://en.wikipedia.org/wiki/The_Flash_Rebirth

:D
 
I'd have two comic-books: "The Flash" and "Flash - The Fastest Man Alive!".

"The Flash" would be Barry's title. Settled in Central City, with Iris, Bart, Captain Frye, the Rogues, etc.

"Flash - The Fastest Man Alive!" would be Wally's title. Settled in Keystone City, with Linda, Jai, Iris, Chyre, Morillo, the new Rogues, etc.

Jay would make esporadic appearances in both, but "SJA" would be his main title.

:woot:

Yeah! Me too!

Barry would get Flash, and Wally could get FMA. Or even an "All Flash" book, just pick up where the first ish left off. Remember All Flash #1 with the return of Wally from a couple years ago? Just continue that with Wally and fam. (I can't stand his bratty kids tho :whatever: )

...and when Geoff Johns eventually and inevitably leaves Barry's book, I would put Grant Morrisson on it. He loves Barry Allen and did a great job with him in Final crisis, IMO...
 
Alot of the Rogues are "gadget villains". That's not to say that's a bad thing. Half of Spidey's foes are, too. And he's credited as having one of the best rogues galleries in comics. And thanks to the excellent writing of the last...well almost the last whole decade, Flash's Rogues are up there, too. What I'm trying to say is that origins for them are fairly simply (a guy with a freeze gun, flame gun, boomerangs, ect., that robs banks and such). How they got their respective weapons is less important to me than how much depth is given to the actal portrayal of the characters.
 
The Rogues are the 3° best villain gallery of comics, behind Batman's and Spider-Man's.

Oh, and a reminder: Captain Boomerang is rumored to be in the Suicide Squad movie, so, we probably won't see him in a Flash movie. :cwink:
 
Alot of the Rogues are "gadget villains". That's not to say that's a bad thing. Half of Spidey's foes are, too. And he's credited as having one of the best rogues galleries in comics. And thanks to the excellent writing of the last...well almost the last whole decade, Flash's Rogues are up there, too. What I'm trying to say is that origins for them are fairly simply (a guy with a freeze gun, flame gun, boomerangs, ect., that robs banks and such). How they got their respective weapons is less important to me than how much depth is given to the actal portrayal of the characters.

I agree. :D I didn't mean to gyp out on story or character development, I'm just saying, because there are so many of them, they don't need to do in depth backgrounds on ALL of them, I don't want to see a Flash movie that's really a "Rogue" movie (not that that wouldn't be awesome in its own way), you know? It's The Flash, not "The Flash and friends" lol.

But yes, definitely develop them. :)
 
The Rogues are the 3° best villain gallery of comics, behind Batman's and Spider-Man's.

Oh, and a reminder: Captain Boomerang is rumored to be in the Suicide Squad movie, so, we probably won't see him in a Flash movie. :cwink:

Yup. :woot:
 
The Flash:

Forensic scientist Barry Allen is accidently hit by an lightning while working on a case overnight, and is throwed against a wall of chemical products. Bathed by the mixed products modified by the eletrical discharge of the lightning, Barry's organism superaccelerates, giving him the hability to run at extraordinary speeds. Inspired by his comic-book heroes, Barry becomes the Flash, an super-heroic speedster fighting crime at the streets of Central City. His actions sparkle investigative reporter Iris West interest. Iris is also Barry's girlfriend, and feels there's something different about him.

Things start to go bad when several public figures, such as the mayor, start to be murdered by a mysterious criminal know as Mr. Element. Barry is framed by the crimes and his boss, captain Jack Frye, starts a manhunt to capture him. To make things worse, if Barry doesn't stop Mr. Element's wave of crimes, he'll not only be eventually caugh by the police, as he'll also have to face a real gang war between the criminal forces the control the city streets.

Will Barry, famous for his slowness, be fast enough to capture his powerful nemesis before his beloved city descend into chaos and it's inhabitants become the casualities of a no-winner's war?
 
I'd have two comic-books: "The Flash" and "Flash - The Fastest Man Alive!".

"The Flash" would be Barry's title. Settled in Central City, with Iris, Bart, Captain Frye, the Rogues, etc.

"Flash - The Fastest Man Alive!" would be Wally's title. Settled in Keystone City, with Linda, Jai, Iris, Chyre, Morillo, the new Rogues, etc.

Jay would make esporadic appearances in both, but "SJA" would be his main title.

:woot:

Thats a fantastic idea.

I'd have that, and then two Superman books. One pre-crisis Superman incarnation, one post-crisis.
 
I've decided that my Flash: Legacy trailer would begin with a voice over from Wally West: "Uncle Barry wasn't just my hero, but a hero to the world", and then I feature several heroic Barry Allen scenes. "And then he was taken from us....from the world, from Aunt Iris, from me".

I've also decided I'd also open the film with voiceovers from Jay Garrick, Barry Allen, and Wally West, explaining the history and lineage of The Flash, the speed force, and the various methods used to gain super speed. At that point Wally West becomes the focal point of the voiceover, stating that this was his particular story. A that point, the films first scenes are set in Barry Allen's forensic lab as he takes his Wally West, clad in a Flash t-shirt, on a personal tour. After Barry Allen sneaks away to change into his Flash gear as a suprise for Wally, lightning strikes the chemicals in the lab as well as Wally, whp Barry finds face down on the ground after he returns as The Flash. It's at this point Barry recieves a telephone call from his partner, Jay Garrick, about Hunter Zolomon's father trying to ill his mother and go on a murderous rampage. Barry Allen chooses to save Wally first, and even with his super speed Barry arrives at the Zolomon incident as Hunter's dad is being gunned down by the police after killing his wife. This leads to Hunter Zolomons's lifelong obsession with killing The Flash/Barry Allen and taking over the mantle himself, just so he can destroy everything The Flash stood for.

Please remember that my version of the Reverse Flash is a combination of Hunter Zolomon and the Rival. This Reverse Flash gains his speed abilities after discovering the hard water formula that gave Jay Garrick his powers, and because of his work as a Police profiler at the Central City Police Department, discovered some time ago that his associate, Barry Allen, was The Flash and just waited until he himself gained powers to make a move and kill Barry Allen. And when Zolomon does ambush and kill Barry Allen, he kills Allen out of costume, so no one actually knows that the Flash is dead, just that a forensics guy for the police department got killed. At this point, Zolomon dresses up in the yellow Reverse Flash costume and masquerades as The Flash, murdering criminals and purposefully causing damage everywhere he goes in an effort to take one big crap all over The Flash legacy and turn the public against the image of the speedster.

Wally West, after being struck by the lightning, cannot use his speed powers due to the disease that would kill him, like the period of time in the comics. This also explains away any "Kid Flash" deal. Barry and Jay develop a cure, but it's established that Wally never wanted it. After Barry dies, Jay gives Wally the cure and tells Wally how Barry always wanted Wally to take over as the Flash if something were to happen, and Wally reluctantly agree's, against Iris Allen's wishes, and Jay begins preparing Wally to become The Flash.. This brings in Tina McGee, to study up on Wally's physiology and make sure everything is ok with him physically, and there romance begins, with Linda Park basically playing a supporting role in this film.

Jay Garrick is a cripple in my film, with a missing leg which prevents him from fully using his speed powers. Garrick lost his leg in battle while he was The Flash and retired, only to seek Barry Allen out after Allen gained speed powers and began calling himself The Flash in honor of his boyhood hero, which happened to be Jay Garrick. Allen and Garrick form a partnership to stop crime, with garrick acting as the behind the scenes guy. Jay and Wally wouldn't have the best relationship at the start, with conflicting personalities, but it would get better as the film went on.

Reverse-Flash/Hunter Zolomon would decimate Wally West in there first encounter. I mean, completely stomp the hell out of Wally. I'd really try to make the audience question Wally's ability to stop the guy so the audience can identify with a bloody, bruised, and beaten Wally in the situation.

My film would take place in both Central City and Keystone City, giving a Flash movie yet another unique element to call it's own. The Flash protects two cities.

At the end of the film, I would show Wally West starting to take courses on becoming a forensic scientist, like Barry.

As for sequels, my follow up with would feature Wally West taking on the rogues, with flashbacks to Barry Allen battling the rogues and the parallels between Wally and Barry. And here, Wally and Tina break up, which causes Wally to start having severe emotional problems which see Wally use his powers irresponsibly, which would make flashbacks to the great and perfect Barry Allen all the more powerful. And this is where Wally and Linda begin there relationship, which in a way saves Wally personally.

My third film would be The Flash/Wally West going up against Kobra and the Cult of Kobra. I keep wanting to work Deathstroke into a Flash movie, but I think Kobra would be better.

And by the way, if there is an origin film about Barry Allen, I'd love a Kid Flash television series about Wally.
 
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I've decided that my Flash: Legacy trailer would begin with a voice over from Wally West: "Uncle Barry wasn't just my hero, but a hero to the world", and then I feature several heroic Barry Allen scenes. "And then he was taken from us....from the world, from Aunt Iris, from me".

I've also decided I'd also open the film with voiceovers from Jay Garrick, Barry Allen, and Wally West, explaining the history and lineage of The Flash, the speed force, and the various methods used to gain super speed. At that point Wally West becomes the focal point of the voiceover, stating that this was his particular story. A that point, the films first scenes are set in Barry Allen's forensic lab as he takes his Wally West, clad in a Flash t-shirt, on a personal tour. After Barry Allen sneaks away to change into his Flash gear as a suprise for Wally, lightning strikes the chemicals in the lab as well as Wally, whp Barry finds face down on the ground after he returns as The Flash. It's at this point Barry recieves a telephone call from his partner, Jay Garrick, about Hunter Zolomon's father trying to ill his mother and go on a murderous rampage. Barry Allen chooses to save Wally first, and even with his super speed Barry arrives at the Zolomon incident as Hunter's dad is being gunned down by the police after killing his wife. This leads to Hunter Zolomons's lifelong obsession with killing The Flash/Barry Allen and taking over the mantle himself, just so he can destroy everything The Flash stood for.

Please remember that my version of the Reverse Flash is a combination of Hunter Zolomon and the Rival. This Reverse Flash gains his speed abilities after discovering the hard water formula that gave Jay Garrick his powers, and because of his work as a Police profiler at the Central City Police Department, discovered some time ago that his associate, Barry Allen, was The Flash and just waited until he himself gained powers to make a move and kill Barry Allen. And when Zolomon does ambush and kill Barry Allen, he kills Allen out of costume, so no one actually knows that the Flash is dead, just that a forensics guy for the police department got killed. At this point, Zolomon dresses up in the yellow Reverse Flash costume and masquerades as The Flash, murdering criminals and purposefully causing damage everywhere he goes in an effort to take one big crap all over The Flash legacy and turn the public against the image of the speedster.

Wally West, after being struck by the lightning, cannot use his speed powers due to the disease that would kill him, like the period of time in the comics. This also explains away any "Kid Flash" deal. Barry and Jay develop a cure, but it's established that Wally never wanted it. After Barry dies, Jay gives Wally the cure and tells Wally how Barry always wanted Wally to take over as the Flash if something were to happen, and Wally reluctantly agree's, against Iris Allen's wishes, and Jay begins preparing Wally to become The Flash.. This brings in Tina McGee, to study up on Wally's physiology and make sure everything is ok with him physically, and there romance begins, with Linda Park basically playing a supporting role in this film.

Jay Garrick is a cripple in my film, with a missing leg which prevents him from fully using his speed powers. Garrick lost his leg in battle while he was The Flash and retired, only to seek Barry Allen out after Allen gained speed powers and began calling himself The Flash in honor of his boyhood hero, which happened to be Jay Garrick. Allen and Garrick form a partnership to stop crime, with garrick acting as the behind the scenes guy. Jay and Wally wouldn't have the best relationship at the start, with conflicting personalities, but it would get better as the film went on.

Reverse-Flash/Hunter Zolomon would decimate Wally West in there first encounter. I mean, completely stomp the hell out of Wally. I'd really try to make the audience question Wally's ability to stop the guy so the audience can identify with a bloody, bruised, and beaten Wally in the situation.

My film would take place in both Central City and Keystone City, giving a Flash movie yet another unique element to call it's own. The Flash protects two cities.

At the end of the film, I would show Wally West starting to take courses on becoming a forensic scientist, like Barry.

As for sequels, my follow up with would feature Wally West taking on the rogues, with flashbacks to Barry Allen battling the rogues and the parallels between Wally and Barry. And here, Wally and Tina break up, which causes Wally to start having severe emotional problems which see Wally use his powers irresponsibly, which would make flashbacks to the great and perfect Barry Allen all the more powerful. And this is where Wally and Linda begin there relationship, which in a way saves Wally personally.

My third film would be The Flash/Wally West going up against Kobra and the Cult of Kobra. I keep wanting to work Deathstroke into a Flash movie, but I think Kobra would be better.

And by the way, if there is an origin film about Barry Allen, I'd love a Kid Flash television series about Wally.

I like alot except

1. I think that Zoom should be saved. I think Zoom is Wally's darkest hero (depending how you make him) and I'm one of those supporters of making the 2nd film the darkest. I mean Zoom is bad but he's being bad so that he can make Wally a better hero, I think for the first film it's too much. I would do something similar to what Raimi was PLANNING to do with Eddie Brock/Venom. Have Zolomon be a supporting character and then in the next film make him a villain. The 2nd film should be like the "Blitz: storyline


2. Garrick being a crippled. I always imagined a scene where Jay and Wally fight side by side. I dont see why he should be crippled

3. Even though Wally did see other girls before her, I still think Linda should be the love interest from the get go

First film = The Flash: Born to Run
2nd film = The Flash: Blitz
Third film = its a toss up....

But I really like your ideas
 
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I have a question. What should the combat be like.

I was talking with my brother about DC movies and I brought up the Flash. ANd this guy is oblivious to many comic elements (he's more of a Marvel guy)
He said "Can their really be a Flash movie. How would he fight? Hes faster than everyone else he would just speed by.

So how would Flash fight?


They have a couple good moves on here
 
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