I might pick up some of Deadpool's stuff now that Cable's out of the picture.
Kinda hard to get used to Nicieza not doing a worthwhile Gambit IMO. I'd almost guess he didn't like the character; he wrote Cable as extremely distracted during the fight and even pointed it out as an excuse for Cable losing the fight, made a bunch of comments about Gambit being annoying and the accent being idiotic, and even played the whole thing off as Cable manipulating G and S the whole time.
How does that reflect Nicieza disliking Gambit? It's not omniscient third-person narration, it's Cable narrating. That'd mean that it's not Nicieza saying that Gambit is stupid, annoying, etc., but Cable saying/thinking it.
Cable played the whole thing off as him manipulating G and S the whole time, and if you read the issue previous, and probably even part 1 of Fractured, Cable's been in "suicide mode" the entire time - perfectly calm with his intent to destroy Providence and himself while he's at it. So, um, yeah. He knows Gambit will be -too smart- to follow Wade, and will follow Cable, and Cable's going to blow himself up with Providence - which would indeed be manipulation, considering I doubt Gambit or Sunfire would even have the foggiest that Cable's on a suicide mission.
Gambit, of his own admission in both X-Men 200 and C&D 42, wasn't trying to kill Cable. They were softening him out and meaning to steal the payload of knowledge. It wasn't like Gambit was all-out trying to kill Cable, and Cable was distracted and just happened to beat Gambit and Sunfire nonetheless. Gambit, at least, wasn't trying to kill Cable, and called off Sunfire, and Cable got his behind handed to him.
So... where's the Gambit hate?
What I will say about C&D 42, though, is that it shows that Nicieza and Carey wrote their scripts to compliment the other. The dialogue crossed over properly, the same in most points aside from where being totally direct would be a little confusing/head-scratching (for instance, in X-Men 200 Carey includes a spot of dialogue where Cable talks to Professor, the explanation having been in C&D 41, thus not respoken in C&D 42). Though, of course, C&D being more central on Cable added more to his entire conflict on Providence, which was good, as it added a little more via supplement to X-Men 200 while staying true to the story being done in C&D. Yayness, and another well-done issue... a lot better than, say, ten issues ago.
And the new guy on pencils, Jon Malin, rocked my socks. His pencils rock, and fit the book so well. As I wrote in the X-Men thread, it's almost looking like Liefeld without looking stupid like Liefeld's artwork.