Loganbabe
Don't want your future
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- Jan 12, 2006
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I know; that's exactly my problem with the whole "Charles-and-Raven" subject. While it was quite lovely the idea that they met as kids, and she grew up feeling so accepted that she considered Charles her brother, when we see Raven later on - in X1, for example - it makes no sense that she would try to harm him, you know? It would have been more acceptable if Raven was a mutant girl Charles met while in Oxford, they started dating but somehow Charles was a bit uncomfortable with her blue form, which made her insecure, then enters Erik, etc. But young Charles had totally accepted Raven the first time he saw her, they formed a very deep relationship, and when Charles really needs her (even though he won't admit it, like you said) she leaves with a bunch of guys she hardly knew instead of staying with him (and eventually leaving, later on, at least after she knew he would live)?But I also see where Raven was coming from, and agree with earlier posters that she had good reason to leave. She didn't leave lightly; Charles had to push her along (which goes back into his "Oh, I'm all right--don't worry about me," type of behavior). Maybe she should have caught onto that, knowing him for as long as she has, but then again...she does end up being a villain!
I once read an interview with one of the writers, and she said Mystique kind of represented the audience, and her decisions were in a way decisions that followed the audience's desire. I don't know what to make of it. I always thought that the movie was built around the idea that the audience should follow Magneto's ideas and side with him, so Mystique leaving Charles was like the last nail on his coffin. Meaning, "why would I stay with this idiotic pacifist, who'll become a cripple and a teacher, when I can follow cool Magneto and do cool things like kill people and blow things up?" I can see a great part of the audience thinking this way, but why the Raven from the first part of the film would agree it was the right thing to do, knowing her deep relationship with Charles, is a mistery to me.
I don't know. In this case, I think it came more from Hank than Charles. We see that Raven was attracted to Hank, she thought they could start some kind of relationship, but then Hanks tells her no one will ever find her blue form attractive. And I don't blame Hank for thinking that way, even though he was a bit blunt and insensitive about it.I don't think the problem was that Charles didn't accept her, even her blue form. And it's neither Charles' fault nor responsibility to find her attractive; that's a personal opinion and it's not fair to criticize him for not thinking her blue form is beautiful. I think Charles' mistake (and yes, I think he made one, being a human being and all), is that he assumed no one else would find her beautiful, either.
But with Charles, I think it was a totally different issue. It was more like he was indifferent to her image issues. Not in a cruel, insensitive way, though. He just couldn't see - or read - how much it was affecting her.You see it in the beginning scene with Raven asking if Charles would, hypothetically, date her. He says that he would; that she's stunning and "any young man would be lucky to have you", and she says, "looking like this?" Charles replies, "Blue?" and then avoids the question completely and even criticizes her for being too much into her looks.
I think most people forget that they had that kind of informal, playful, brother-sister-annoying-each-other relationship. I saw it as something that happens within 99% of siblings, when we are so used to the other person that we don't see the big things that are affecting them. Like the sister going "Ah, I'm so fat!" and the brother "You sure are!" and then the girl "I'm going to tell mom!" and throwing something at him and the boy running and going "Nanananana!", you know? Raven was annoying Charles on the pub, later on he was dismissive of her image issues, etc. Petty, silly bickering.
I think this had been going on until the moment Raven knew she had fallen in love with Charles in a non-sisterly way - that was the moment when his opinions about her blue form meant a whole different thing, although he was still feeling like a big brother and rather surprised that she suddenly cared so much about her appearence (as he tells her in the movie when he's studying for his thesis and she's going on and on about "dating her blue" and stuff). And of course, he didn't read her mind so he wouldn't really know. And yeah, maybe Charles didn't think that blue was attractive, but maybe he was just uncomfortable with the idea that he sensed that his "sister" had fallen in love with him. It was a new factor on their relationship, something new for him to think about, given more time.
I like him flawed, and I agree it makes him real. But I think that maybe his biggest flaw was that, in his efforts to help people, he was kind of determining what was the best for them. To some people peace is not an option indeed. But I belive that even Erik understood that Charles' actions came from good intentions, even if he appeared näive to him.Again, he doesn't have to find her beautiful, but his assumption that no one else would find her beautiful was his error in judgment. I'm not saying that deserves her leaving him gun-shot on a beach, but I, personally, understand why she left.
This is one thing I actually, really like about this younger version of Charles; he's not perfect. He's not a messiah and he's flawed. Like everyone else. I'm so glad they put this into the movie; it makes him so much more real and also gives him a chance to develop more into his older self. Being in a wheelchair, he will have people staring at him, curious about him for the rest of his life. He will understand what it feels like to look different in public and have people judge him without knowing him.
I still think that not agreeing with Charles' ideals didn't excuse Erik of leaving him behind gravely injured, but Erik had been badly damaged as a young boy, and killing Shaw only opened even more his old wounds. But Raven? Other than not agreeing with Charles that mutants like herself shouldn't expose themselves for their own safety, she has had his protection all her life. Yes, she was on her way to become a ruthless assassin, but it makes no sense she would turn against the man who had loved and cared for her since they were kids.