So it finally came: the day that my favorite Marvel character got his just due on the big screen. No, it wasn’t perfect, but the film is certainly in my top 10 CBMs. It's in the 9/10 or 9.5/10 range. Yes, it was that good. I never thought that I would feel thankful to Sony after Venom was gutted in 2007, but here we are. I’d even give nutty ol’ l Amy Pascal a pat on the back if I saw her.
There were a few aspects that didn’t work, and the most significant one was via omission. Eddie was clearly a morally complex guy in this, but there were no allusions to his childhood making him that way. I would have been fine with a few negative comments from Eddie about Carl Brock being a distant, cold father. That would have lent itself well to Eddie taking a shortcut to get inside information on the Life Foundation. He clearly had a shortfall in his sense of self-worth to take a gamble that cost him his relationship and job. I still liked how all of that played out.
The only two other issues of which I can currently think are ones of minor aesthetics. First, the symbiotes melding into their hosts wasn’t the optimal way to go. In the comics, we often see them engulfing hosts or plunging into them via looping, stabbing arcs. Secondly, Tom Hardy has gotten a little leaner (this is likely due to his new quasi-vegan diet) and I would have preferred him more at the Bane size of 2012. However, we saw weights in his apartment and we were treated to his hilarious attempt to meditate, so these were by no means stumbling blocks to the plot.
As for what worked, where do I begin? The obvious answer is Tom Hardy, who gave one of the most layered, well-rounded performances in CBM history. In the same way that Snipes is Blade, Evans in Captain America, and Boseman is T’Challa, Tom Hardy became Eddie Brock. He was all of the things that I’ve come to adore about the character: darkly humorous, fanatical, morally complicated, riddled with self-doubt, and brave in the most dire moments. The theater in which I saw the film erupted in applause when the credits began (and applause began at second time when Harrelson said the word “carnage”) and Hardy was clearly the catalyst behind the audience’s reaction.
I was floored by how perfect the Venom symbiote was. We couldn’t have asked for more. The CGI was stunning, and its personality was spot-on. The film explored the tumultuous relationship between Eddie and his Other, which is why we laid out our money. One of more of the writers knew the comics well, because the plot addressed the symbiote being an outcast ( via the “On my planet, I’m a loser too") and having a different moral code that its fellow aliens. Bravo, Sony. And the kiss between She-Venom and Eddie was equally touching and gross. It was glorious. Then came the moment when the symbiote told Eddie to apologize to Anne since he might not survive the coming conflict. That was a very tender moment, which was something that I didn’t expect from a movie about a brain-slurping monster.
The handling of Anne Weying was also very well done. The dynamic between she and Eddie was original in terms of what we’ve seen from love interests in CBMs. I liked the homage to the Amazing Spider-man #375 where Anne finally broke though Eddie’s wall of displaced anger and made him understand that his choices were the root of his problems. Nonetheless, she was still willing to help Eddie even though she was clearly trying to move on from their relationship. That was a departure from the usual love interest formula. That and the outstanding performance by Michelle Williams made the character stand out.
Along those same lines, Riz Ahmed is also to be commended. He was able to capture the class prejudice and hubris of the Life Foundation from the comics. He made a fitting contrast to Eddie’s gonzo antics and impulsive decisions. Drake wasn’t the usual evil authority figure hiding a lunatic side of himself. He was frightfully assured of every step that he took. To make a anti-hero work, he/she needs a really, a genuine baddie to overcome. We certainly had one here.
Some of my other favorite moments:
*Eddie climbing into the tank of water and devouring the lobster. The theater was cracking up when this happened, as was I.
*When the symbiote said that it wanted “tater tots and chocolate.” That was a nod to “The Hunger”, which was a sweet Venom mini.
*The line, “Let’s bite off all of their heads and pile them up in the corner.”
*Likewise, “That thing (referring to the dog) looks delicious.”
*The Stan Lee cameo stamp of approval.
*Eddie and Cletus coming face-to-face.
I’m sure that I’ll have more thoughts in the days and weeks to come, but as for all of the critics who gave the film bad reviews, all of the silly Gaga fans who tried to sabotage the film, and all of the doubters who said that no one would ever see a film about Venom without Spider-man, this is what the Lethal Protector just did to all of you:
SNAP!