The Official TIH Preview Thread

Not really. A script is more or less a short hand version of what the movie will be along with dialogue. It's not the same as reading Lord of the Rings before you see the film. A novel is meant as a form of self-contained entertainment and so is a movie. A script isn't. It's a tool used to produce a movie. If you are highly entertained by reading a script, I guess it is a heck of an engrossing script, because that is not a script's intention.
Personally, I won't even read a book prior to a movie's release...especially on a movie I am anticitpating as much as this. I intend to get the most bang for my buck come opening day in the way of enjoying the film.

True say but I guess it is different from person to person. Personally I have forgot about the dialogue and such from the script and did not really pay great detail to it but I know of key scenes such as the Brazil scene, college campus and New York showdown. I know of things as most people know here whether they have read the script or not from seeing things from trailers and other clips. When I go watch this film I will know of what scenes are going to come up (Hulk wise) but the rest of the film will be great stuff. One thing I can tell everyone is that the final fight between Hulk and Abomination has changed quite a bit from the first draft of the script for the better so the end fight is going to be very new to everyone and very thrilling!
 
The Incredible Hulk Edit Bay Visit: Part One
IGN sees footage from the Marvel movie "requel" — check out our in-depth description!
by Eric Moro
May 27, 2008 - "We have to all together make people understand that this is not a sequel to the first movie, but it's not a reboot of the first movie — it's not another origin story." — Louis Leterrier, director, The Incredible Hulk

IGN Movies does its part by officially introducing the following term into the English language lexicon:

re•quel (ree'kwəl), n. A literary, dramatic, or cinematic work whose narrative serves to propel a story forward without continuing from a preexisting work or starting the storyline over again.




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Now that we've got that taken care of, IGN joined a number of online outlets in a visit to the Universal Pictures lot where the filmmakers behind the comic-to-feature film requel The Incredible Hulk — director Louis Leterrier, producer Kevin Feige, and producer Gale Anne Hurd — screened four completed sequences. What we saw, for lack of a better word, was awesome; this reporter (a self-proclaimed gamma nerd) nearly "hulked" out in the theater due to an over-excited heart rate. But even more awesome: IGN was ushered back into the theater after the other journalists had left and shown one more super-secret scene (a perk of being a self-proclaimed gamma nerd, we suppose).

What follows is a detailed description of the footage screened. While we avoid discussing particular plot points, this could be considered SPOILERISH to those who like going into their movies fresh. So read at your own risk…

"This is the two and a half minute intro to the movie that sets the stage," explains Feige of the first sequence screened. "For a long time people have been asking, 'Is it a sequel? Is it a reboot?' And in these two and a half minutes, the idea is that everybody will have everything they need to know. There was a lab, there was a love, there was an experiment, there was an accident, there was a man hunt, and now… the movie starts."

After the familiar animated Universal Pictures and Marvel Studios logos flash across the screen, the film's opening credit sequence begins. Quick cuts of what look like gamma-irradiated cells (green in color) and human body X-rays combine with cast and crew title cards. The real "meat" of this sequence, however, comes in the form of an origin story. In one of several fanboy "tip of the hat" moments, Bruce Banner (Edward Norton) is seen sitting in a hi-tech lab chair conducting a strength enhancing experiment. The close-up on his face as the gamma emitter's targeting system lines its crosshairs across his forehead screams TV era Bill Bixby! Betty Ross (Liv Tyler) watches through a glass window, concern in her eyes.

- NBC UniversalMovie Banner vs. TV Banner.
Obviously, the experiment goes horribly awry, as the next shot is of a destroyed lab. The Hulk's giant green hand can be seen knocking over instruments and then… Banner's worst nightmare. Betty lies on the ground bloody and unconscious, a victim of the Green Goliath's rampage. In runs General "Thunderbolt" Ross (William Hurt), who is quickly pummeled by the creature. He lies over his daughter's body in an effort to protect her — that same giant green hand reaching down at him before the scene abruptly ends.

Banner now sits by Betty's hospital bed, holding her hand. She appears to be in a coma, and he is visibly wracked with guilt. The next shot is of Banner and General Ross, whose arm is in a sling, getting into a heated argument. It seems the military man: a) is upset with the failed experiment, in which he must've played a part — at least, that's the implication; b) does not want Banner anywhere near his daughter. With that, the gamma-stricken scientist flees the hospital and goes on the run.

The chase is now on as General Ross commits his vast military resources to capturing Banner/the Hulk. Quick cuts of newspaper clippings (with headlines like "Green Bigfoot Spotted"), computer screens ("Five months since last sighting"), departmental memos ("From the office of Nick Fury"), and rolling military equipment (carting Stark Industries weapons) interact with close-ups of an angry general and his grieving daughter (sad because Banner is out of her life, perhaps?). The entire opening credits sequence ends with Banner jolting up from bed, as if all of the aforementioned imagery were part of his bad nightmare, and grabbing a metronome — a devise used to create a consistent, monotonous sound.

"He tries to live his life as secretly as possible," says Leterrier, while setting up the second sequence. "And something happens; he's discovered. And that's when General Ross, who's been on the hunt as you've seen in the credit sequence, locates him on the world map. He assembles a team of experts, and one of these experts is Emil Blonsky. He's like a super commando — a soldier's soldier. He's at the end of his [career physically], and the action sequence we're going to show you [demonstrates] that he's smart but not so [physically] powerful anymore."

"He's right on that cusp of retirement," adds Feige. "Maybe he should have, as Louis said, become a commander behind a desk a year or two ago. But he loves being in the chase; loves being in the hunt. He's quite effective as you're about to see, but by the end of it he catches a glimpse of something that showcases the power that he wants to tap into and, of course, it's the Hulk."

Banner is on the run. A portion of this scene is glimpsed in the trailer as the scientist pulls a red hoodie up over his head and takes off around a corner. What viewers aren't aware of is that he's running from General Ross, Blonsky (the human incarnation of the Abomination, played by Tim Roth), and a slew of soldiers. The chase takes the men through Brazilian alley ways and rooftops, where the pursued and pursuers leap from building to building. Back on the ground, Banner stops behind a building to check the beeping watch on his wrist. It's actually a heart rate monitor warning its wearer of a dangerously high level — 175 beats per minute. Banner calms himself down, lowering the number into the 140 range. This done, he takes off again… and runs right into General Ross.



- Universal PicturesBanner on the run.
He B-lines in the opposite direction and falls out of the fryer pan, into the fire. In more literal terms, he runs right into a group of local bullies. Immediately, they begin to harass the "gringo." Banner does his best to quickly diffuse the situation, but is forced to resort to some martial arts trickery to get past the thugs. (Clearly, this is not the same, geeky scientist from the opening credit sequence.) Now being chased by the military and the hooligans, Banner runs into a bottling factory. Unfortunately, it's here where he is cornered by the thugs, who proceed to give him the beat down.

The military descends on the building and surrounds the group — one of the thugs is actually taken down by a military fired tranquilizer dart. But the stress of the situation is just too much; Banner's heart rate shoots up to 200, triggering his off camera transformation into The Hulk. (The audience is privy to the close up of those all too familiar green eyes.)

- Universal PicturesThe transformation begins.
In short order, an "in the shadows" Hulk disposes of the remaining thugs — throwing one of them from one end of the building to the other. The military is ordered in with full force, firing tranqs into the creature's back… all of which merely bounce off its thick skin. The Hulk, mind you, is merely trying to flee the scene. It isn't until the commandos up the ante by firing machine guns and later a grenade at it, does the monster actually battle the troops. Blonsky keeps his distance throughout the entire confrontation, firing on the Green Goliath only after all of his troops have been dispatched. It's here that the Hulk steps out of the shadows giving audiences their first clear, close-up shot of its face. The creature throws a large piece of equipment at Blonsky, sending him flying. It then uses a massive water tank to break through the wall and escape.


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"[Lou Ferrigno] did do a really fun little cameo, which we're actually going to show you here," explains Feige of the next sequence. "He actually has two parts in the movie: this fun little cameo we're going to show you and then Louis offered him, on the stage of the New York Comic-Con, to come in and do the voice [of the Hulk]. People wrote after that, 'Was he kidding? Was Louis kidding?' So [Lou] came in and he recorded a few lines that — along with having been processed by Dave Farmer, who's a great sound guy that did most of the vocalizations for King Kong — Lou is now the credited voice of the Hulk."

Banner is on a college campus, the insinuation being this is his old place of employment. He is trying to sneak up to the fifth floor of a building (his old lab?) and in so doing disguises himself as a pizza delivery guy. He stops at the desk of a security guard explaining he has a couple of pies to drop off. The guard is Ferrigno himself, advising Banner that there is no one on the fifth floor. The scientist *** pizza boy puts on his best "Oh, man… if I don't at least try to drop these off, I'll get fired" performance, but the guard isn't buying it. It's not until he bribes Ferrigno with one of the pizzas that the "hulking" security guard grants him access. A fun little sequence and one that fans of the live-action TV series will appreciate.

"[So now we're going] to take you over to the mixing stage and show you something that is right out of the comic," says Feige, as he leads the gathered journalists onto another area of the lot. "This is more of our finale, which is something that could only have come out of the comic — the homage."

Bruce is in shackles and is walking toward the opening cargo door of an "in mid-air" helicopter. Betty is begging him to stop, warning he's not even sure if he'll change. "But I've got to try," responds the scientist — clearly the Hulk is the only "thing" strong enough to stop the rampage of the Abomination taking place on the city street below. The two engage in a passionate kiss before Bruce pulls away and allows himself to fall backward out of the helicopter. The thought is that his heart rate will soar, triggering his transformation before he hits the ground. But something's wrong; Banner is calmly freefalling through the air, certain he'll change. Suddenly, he throws open his eyes… "Oh, *****!"

Blam! Bruce hits the ground hard, making a huge impact crate in the street. A few tense moments later, a familiar green fist breaks up through the asphalt followed by the Hulk itself. The CG shot of the creature has been tinkered with a bit since it first debuted in the trailer. The creature now wears the remnants of a tattered white shirt, instead of just being bare-chested.



- Universal PicturesThe Hulk makes a vicious set of brass knuckles.
The Green Goliath lets out a loud roar, to which the Abomination replies, "Hulk." A tone of recognition in its voice — yep, the Abomination talks (just like in the comic book). A wide shot shows the two monsters running toward each other. They leap and collide midair, with the Hulk the loser of this impact. The hero is thrown back hundreds of feet; the blow massive. It gets up but is wobbly, clearly shaken from the hit. "Come on!" screams the Abomination.

And in direct response, the Hulk literally rips a nearby police car in half. It smashes the two sides into what can only be described as massive brass knuckles and proceeds to beat the living crap out of its enemy. Any concerns readers may have as to the quality of the CG go right out the window the second these two creatures start pounding on each other — the fights are so colossal, audiences will only be focused on the seat shaking blows. Back to the story… the Hulk literally beats the Abomination into the ground. Clearly, the creature has to be dead. On the contrary, the evil anti-Hulk just looks up at the Green Goliath and asks, "That all you got?" To which it launches the Hulk out of frame with a massive kick.

"Louis and Edward [Norton] had always talked about getting the audience to a point where, having seen nothing but the eyes transform in the bottling factory [referenced above] and the very traditional telling of the transformation through cuts at the university, they are asking, 'Are they going to show it? Do you think we're going to actually see Edward Norton turn into the Hulk?' And you're about to get the answer to that."

Ah, yes… IGN's super secret scene. In this particular sequence, two separate but equally significant events are taking place. First, a military base setting is established — helicopters are prepping for takeoff, soldiers obviously readying for a mission. Cut to the locker room where Blonksy is staring at himself in the mirror. But those who are watching closely are rewarded with the imagery of boney spikes rising up through his skin along his spine — the transformation into the Abomination is beginning. Cut back to the helicopters; Blonsky, now dressed for his mission, takes his place in the carrier. A soldier sitting across from him asks, "How you feeling, man?" To which Blonsky responds cheerily, "Like a monster."

Flash to a different setting — what appears to be a college or makeshift laboratory. Bruce is being strapped onto a table by Samuel Sterns (who fans of the comic book know as the Leader, played here by Tim Blake Nelson), Betty loyally at his side. The assumption is that he is about to undergo an experiment to rid himself of the Hulk. However, Samuel can't inject Bruce with the antidote until the transformation occurs. So in order to instigate that, Samuel shocks Bruce with electricity.



- Universal PicturesThe painful transformation.
This is the money shot: The full blown, on-camera, in broad daylight shot of Bruce transforming into the Hulk. This is a painful transformation, indeed. Bruce begins to convulse, as all the veins in his body become eerily visible — a dark green road map spread across his body. What can best be described as a massive tumor erupts out of Bruce's left shoulder. Only, it's not a tumor; rather, it's his muscle increasing in mass and changing color. Next, his left hand enlarges before his entire arm and torso is overtaken. His screaming head is the last body part to change, and what's most amazing about this moment is that the viewer will be hard-pressed to tell when the real-life Norton is replaced by his monstrous CG counterpart on the table. The transition is that seamless.

Of course, no mere leather restraints can keep the Hulk bound. The creature rips out of its shackles and looks around the room before the screen goes black. Is the antidote administered? Is Bruce actually cured of his gamma curse once and for all? Audiences will have to wait until June 13, 2008 to find out.


http://movies.ign.com/articles/876/876568p1.html
 
The Incredible Hulk Edit Bay Visit: Part One
IGN sees footage from the Marvel movie "requel" — check out our in-depth description!
by Eric Moro
May 27, 2008 - "We have to all together make people understand that this is not a sequel to the first movie, but it's not a reboot of the first movie — it's not another origin story." — Louis Leterrier, director, The Incredible Hulk

IGN Movies does its part by officially introducing the following term into the English language lexicon:

re•quel (ree'kwəl), n. A literary, dramatic, or cinematic work whose narrative serves to propel a story forward without continuing from a preexisting work or starting the storyline over again.

I made that word up weeks ago. :cmad:
 
The Incredible Hulk: A Smashing Sampling of Scenes
Source: Scott Huver May 27, 2008

In a spacious screening room on the Universal Studios lot, the French-born action film director Louis Leterrier (Transporter 2) is brimming with energy; Marvel Studios president of production Kevin Feige, fresh off the spectacular success of the studio's latest effort Iron Man, seems relaxed and confident; and legendary producer Gale Anne Hurd ("The Terminator" films) plays the congenial hostess as they invite a small contingent of online reporters to get comfortable in the screening room's plush seats.

The filmmakers' collective mood is decidedly upbeat, a good sign considering that earlier in the day they unspooled the finished version of their current collaboration before the Universal brass for the very first time, and now they're about to unveil some tantalizing film clips to a select group of Internet press. The lingering question: after a disappointingly received first film helmed by no less a talent than Ang Lee, and persistent talk of a simmering behind-the-scenes rift between Marvel and the latest top-flight thespian to get superheroic over his creative contributions to the film, will the not-quite-a-sequel The Incredible Hulk actually SMASH box office expectations?

And based on what ComingSoon.net/Superhero Hype! saw in the roughly 15 minutes of footage previewed, if the filmmakers' promised mash-up of the tortured, on-the-run, Jekyl-and-Hyde hero of the '70s TV series and the balls-out gamma-powered beat-downs of the comic book incarnations – classic Lee-Kirby, contemporary Loeb-Sale, and cutting-edge Millar-Hitch versions chief among them – is as effective as it is intriguing, there's every reason to believe ol' Jade Jaw may be reeling in giant fistfuls of green at the Cineplex.

Sneak Peek #1: First up was the film's opening credit sequence, which Leterrier explained was crafted with editing by Cal Cooper, who's previously assembled the various Marvel "flip-books" that adorn the studio's title card before each of its productions as well as credit sequences for the "Spider-Man" films and the "History of Stark Industries" documentary film that appears in Iron Man.

What unfolds is a visual Cliff Notes version of the origin of the Hulk, with Edward Norton assuming the role of Bruce Banner – though given the credit sequence's penchant for playing tribute to visual cues inspired by the TV series, it feels more like David Banner, especially when Norton is seen sitting in an oversized sci-fi-style chair that looks exactly like the one Bill Bixby used to bombard himself with gamma rays back in 1978. The 2003 film version is never specifically invoked, demonstrating that this Hulk is a not-so-subtle do-over (and for those wondering: no, Norton does not receive any writing credit in the edited sequence we saw, with screenplay honors going solely to Zak Penn). Most intriguing of all, the lightning-quick edits reveal all kinds of intriguing Marvel iconography, including references to Iron Man's Stark Industries.

Louis Leterrier: It's important to make people understand that this is definitely not a sequel. This is the reboot. It's kind of weird to call it a reboot, because people are also expecting to see the same thing that was served to them the first time: the big origin story that takes 40 minutes, and then after 40 minutes you see The Hulk…We decided to take everything, all the storytelling, the backstory-telling and compress it and make the credit sequence explain everything, to make it very graphic. It's literally an homage to the TV show, which I love.

Kevin Feige: When Edward [Norton] came onboard, we were considering early on a sort of don't-ask-don't-tell policy: people who wanted to think that it was a sequel could think of it as a sequel, and people who wanted to come in off the street and had never seen the first one can enjoy it as well. Actually, it was Edward: one of the things that he did in his polish, in his rewrite, was to firmly establish a unique origin which actually dovetailed perfectly with what we were trying to do at Marvel, which is create individual franchises that can live and breathe on their own, but as you've already seen in the first three minutes of this, can interconnect with each other for people who want to see a bigger picture. In going back to a unique origin with Banner allowed us to weave in some of these other elements that might or might not pop up in future Marvel films.

When asked to clarify if the Hulk's origin was more similar to the heroically-motivated comic book version (in which Banner is exposed to gamma rays in his heroic attempt to save the life of a teenager who's unknowingly wandered into the bomb test site) or the pushing-the- boundaries-of-scientific-knowledge television version (which has Banner accidentally dosing himself with unexpectedly high levels of gamma rays in a quest for temporary super-strength), Leterrier said the story actually draws from BOTH sources:

Leterrier: We sort of combined both in one event, the incident that was shown here and later down the line, explained by Ross. It's hard nowadays to do the old gamma bomb and to talk about that stuff. I like the sort of quest for knowledge…The contrast between this very intellectual and very intelligent human and this very brutal, not dumb, but primal creature. So I really wanted to use these different and opposite poles to qualify this hero and anti-hero.

Feige: The origin of this is mixed a little with Banner's origin and the Ultimate comics in the Ultimate universe, which ties into the Super Soldier program that we talked a little bit about at [New York] Comic-Con. So as the movie progresses you see a little bit of the angle that Ross had for the experiment and the angle that Bruce had for it - which are, of course, two very different angles…We meet [Banner] in Brazil where he's been living for an indeterminate amount of time, like in the TV series where he's taking odd jobs and going from place to place. In our film, we meet him and he's working in a bottling factory for reasons that become clear relatively soon. He's looking for ingredients that come in from the rainforest for this particular kind of soda that they make in this bottling factory.

Leterrier: Banner was hiding around the world and has been found. His quest for the cure has had to stop and he's raced forward to where he thinks the cure is. That brings him back to his old stomping grounds, the university that he used to work at. At the same time [Emil] Blonsky – who's played by Tim Roth in the movie – is a soldier who's kind of at the end of the road, physically. He was a soldier's soldier. He's older than the young soldier or commando, but he's never accepted going behind a desk and getting a bigger rank or a bigger salary. He just loved the field... Basically he sees Hulk for the first time and Ross explains to him that the thing he just saw was a human, was Banner, and he thinks, "I want that. I want to be able to fight that. This is the perfect enemy. I've never met an enemy that was worthy of me. I want to be capable of fighting this thing." So he's injected with a Super Soldier serum and he's going to be able to fight him.

Feige: It's a derivative and an intent to duplicate. It's not the actual Super Soldier serum, if you want to be technical.

Sneak Peek #2: The filmmakers next revealed a critical sequence in which ComingSoon.net/Superhero Hype! got its first substantial look at how the Hulk will be depicted on screen this time around. In a tense, briskly paced scene, General "Thunderbolt" Ross (played by William Hurt) and a well equipped military platoon have Banner cornered on what looks to be a college campus, even as Banner's love interest and Ross' daughter Betty (Liv Tyler) frantically pleads with her father to back off.

Trapped in a glass-encased bridge between two buildings, the panicked Banner is gassed by the soliders and has his anger stoked as he sees Betty being roughed up as she struggles to come to his aid. Just as Banner disappears into the smoke of the grenade, his eyes suddenly turn that pale green shade, signaling his imminent TV-style transformation. After a few suspenseful moments an enraged Hulk emerges fearsomely from the gas cloud, smashing through the glass to face down the military.

The CGI Hulk is a pretty spot-on recreation of the classic comic book image and not too far removed from the version seen in the Ang Lee film, although more consistent in size and scale and featuring a great deal more detail and nuance in the rendering. In the extensive action sequence, the Hulk brings the full brunt of his fury down on the Army, demonstrates his noble side when he uses his great mass to protect Betty from a sea of flame and faces down with Ross' minion Emil Blonsky (Tim Roth), who fearlessly – and futilely – attempts to go mano-a-mano with the Green Goliath.

Of particular note was the way the camera followed the Hulk during the action. While there was a brief glimpse of dynamic "money shots" that relied on some stylized visual gimmicks, for the most part the camera followed the Hulk as if it were shooting documentary-style, with bumps, shakes and losing details to the frame, capturing the raw power and mayhem that erupts whenever the Hulk is present – though not as stomach-flipping as the camerawork in Cloverfield, the often shaky, unsteady visual treatment imparts a subtle and effective sense of grounding to the action.

Leterrier: I really love the [first] movie. When they called me I thought it was to do the sequel, and I didn't know if I could do it. So I've tried to make it very different. You still have to make it 'Hulk versus the Army' because that's one of the iconic things in the comic book. So we had to think about different ways to do that. The Blonsky approach, the human-size battle, was interesting… One of the things that I think wasn't really working in 'Hulk I' was the size ratio, the fact that he was growing and shrinking and the decision to put him in the desert made him scale-less. So here I really wanted to put him in a real human-scaled kind of element using these big Humvees as weapons and these shields that they create out of sculpture and stuff like that. If you look at it, most of the time when he's in the frame there's a human next to him or behind him or right in front of him so that you can see the ratio and the size difference… Our movie is a bit more brutal or more primal in the way that we approach the fights. He doesn't think. He just reacts. He's reactive at first and then you'll see down the line when he fights [The Abomination] he's actually become a hero and is actually thinking about things.

Feige: I think the movie's style, too, is different. It's a kinetic camera. A lot of it is handheld and a lot of is the camera floating and trying to grab Hulk which I think helped integrate Hulk into his environment as opposed to shots that are very static or very flowing.

Leterrier: I made sure that we'd shoot Hulk the way that I'd shoot Jet Li for example, like trying to find as a camera operator the guy. Jet Li is fast. Imagine though how fast the Hulk is and how big he is. So we wanted the camera operator to pretend to be not to be too perfect in the way that they operated it… Whenever I approach an action scene I imagine it at first and I storyboard it and I say, "Okay, do it." You've got the human limits of that when you come to the set and you have to adjust to that and so when Jet or Jason [Statham] do their stuff, I have to go, "I thought Jet, you could do a double jump in the air. Okay – You're 45; You can just do a little jump. I'll frame the camera here." So here I just did the same approach with the storyboard and pre-viz and off you go. But you have no limit. You have to tell your cameraman that they have their limits. They have to be surprised by it. Sometimes, literally in the one where he jumps up and does the double move he comes out of frame on purpose, like the guys just couldn't keep up with him

Sneak Peek #3: While not as stylish and central to the film as either of the clips that preceded it, the third snippet of film prompted the biggest smiles from the journalists: the scene featured a cameo appearance by Lou Ferrigno, the powerhouse physique behind the TV Hulk, sharing the screen with Norton in a lighthearted scene we're not quite ready to spoil (also making confirmed cameos in the film: Marvel founding father and Hulk co-creator Stan Lee in what's promised to be the most plot-relevant of his many walk-ons in Marvel films; and, as has been widely reported, Robert Downey. Jr. as Tony Stark).

Leterrier said that he took Ferrigno up on his impromptu audition at the New York convention to voice a handful of lines of dialogue for his emerald alter ego and had recently had the bodybuilder-turned-actor into the studio to record the lines. It's all in service to the director's tribute to the show he loved as a youth.

Leterrier: My emotional entry point to "The Incredible Hulk" was the TV show. That's why this is so heavily based in the beginning at least on the TV show. Growing up in France the comic book, the "Hulk" comic book wasn't as widely distributed as it was here. So my first exposure to Hulk was on TV when I watched the show. I was born in '73 and so it came on like two or three years later here, and by the time I was seven it was the biggest show in France. I love how emotional both Bixby and Lou Ferrigno were, their performances were, on the TV show. So that was my emotional entry point.

Indeed, the director said he hadn't actually taken a look at the comic book adventures of the character since his childhood in Paris, and was ready to dig into the character's publishing history for further inspiration. He quickly found it.

Leterrier: I went to Silverlake to this little tiny comic book store and the only one that they had was the Tim Sale and Jeph Loeb book ["Hulk: Gray"], which is super-stylistic but very simplistic in its approach. It's a basic approach to the Hulk and super-emotional. That thing is beautiful. It's poetry – It's like comic book poetry. I read it and devoured it. I said "These guys were amazing!" I said, "Kevin, this is what I want to do." There are actually literal scenes in our movie that are homages, panel after panel homages to this comic book. So I love it just because it is so emotional. It's like "Beauty and the Beast." It's "Frankenstein." "King Kong." All of these. We love these monsters because they're scary, but deep inside they have a heart of gold and are so pure and simple. That's what I wanted to do and that was the emotional journey that I wanted the audience to experience because it's been mine forever.

Feige: This really is the merging of the pathos of Banner from the television series, the spectacle and smash of the Hulk from the best of the comics - "Hulk: Gray" by Loeb/Sale is the link between them. Even in the scenes you're talking about panel-for-panel is the centerpiece for the film and it sort of links the two stories.

Leterrier: Exactly. It sort of bridges one with the other, the TV show to the comic.

Sneak Peek #4: Finally it was onto to an entirely different screening room just a few buildings away for our last look at the film – a far more high-tech arena with a mind-blowing sound system and a crew diligently putting final tweaks onto the sequence amid a smattering of Hulk toys on their consoles. And once the scene began to play out, it was clear why the filmmakers wanted to show the sequence in the best possible light: it was the beginning of a major action set piece in which the Hulk and the Abomination – a gamma-transformed Blonksy – throw down right in the busy center of a major metropolitan city.

The sequence begins with Betty desperately trying to persuade Banner not to make a potentially fatal leap from the military plane that's ferrying them over the skyline in hopes that the peril will awaken the creature within him. Norton delivers the goods when, as Banner, he explains that it's a risk he has to take – only the Hulk has the power to confront the Abomination. Putting his fate in the Hulk's hands, he nobly launches himself from the plane and plummets toward the cityscape below – but, to his horror, no transformation seems imminent. We get a glimpse of Banner's panic when suddenly he rockets to the ground and smashes though the street. As the Abomination continues his savage rampage, all seems lost, until a familiar green fist crashes through the pavement.

And then the battle begins...

I asked Leterrier just how much of a balance he was striking between Banner's character-driven story and the all-out action of the Hulk, recalling that on the TV series viewers were lucky if they saw the monster twice an episode for more than five minutes at a time due to the budget restraints of '70s television, with the bulk of the show following Bill Bixby's "Fugitive" style arrivals and exits into a new town. The director looked at me straight-faced and said that for this film, "the balance is the same." Then he laughed.

Leterrier: No, no – Like you said, there were budget limitations. I was frustrated when I saw Ang's movie that I didn't get to see the Hulk for 40 minutes. So the first thing that Kevin told me was that we needed the Hulk soon in the movie – not right away, because that would be weird, but soon enough so that the audience doesn't get that restless feeling 40 minutes into the movie. When you see Hulk you really see him. You don't want to make the first action sequence where you see him perfectly and then afterwards it's just the same old fight. Once again, in a Jet Li movie you don't want him to fight the same guy over and over and over again until the big fight at the end. We just made it very different so that at first you sort of don't see him and then you see him much more here, and then at the end you see him in that whole big battle. Also, Hulk is very, very important, but his enemy is as important as Hulk, because that's the threat that he has. He's got a threat within himself that Bruce Banner is trying to get rid of, but the enemy at the end is what's here. So we saved as much money as we could to give the biggest bang for your buck at the end, the biggest bar brawl in history through the streets of Manhattan between these two monsters. We were very conscious of this and we were being very cautious to not spend too much up front so that we could save for the ending. The ending is big.

The filmmakers also indicated that, much like the approach to Iron Man, The Incredible Hulk has definitely been planned as the first in a continuing series of adventures for the Jade Giant – even if he isn't the sole headliner of future films. They've also sprinkled the seeds for some of those future outings – think the Hulk's massively forehead nemesis The Leader – and are looking forward to bringing the massive sandbox that is the Marvel Universe to the cinema.

Feige: I don't know about a trilogy, but certainly an ongoing saga and as the crossovers continue, I think the Hulk could pop up perhaps in other Marvel movies as well… We're setting up a lot of things. Sam Sterns played by Tim Blake Nelson – Tim has done an amazing job. Some of the TV spots that have just started in rotation have some fun bits with him in them as well. He's great. He's excellent in the movie. I'd love to see him come back, and those who know what happens to Sam Sterns, it stands to reason that that might occur. He's not a villain in this film, at least not as far as we can tell. He's quite an affable guy that's legitimately, you think, lending a hand to Bruce Banner.
 
Leterrier: Obviously it's my first Marvel movie and so I was really excited to have access to this vault and references and for the movie and comic book fanatics I wanted to have as many possible winks and Easter eggs here and there. So keep your eye open throughout the movie, because there's tons of stuff.
 
This disappoints me, they plan for no Hulk sequels? Oye... I don't want him to just show up in other movies. So far LL and Ed have put together something I love, and I'd hate to see Bruce and Hulk become some side character just for other films.
 
Does this really need it's own thread? Odds are that most who come to these boards check the SHH! main page as well, so it's not like this preview will go unseen.
 
Does this really need it's own thread? Odds are that most who come to these boards check the SHH! main page as well, so it's not like this preview will go unseen.

Well its a way to discuss it without going into the comments section of the article -shudders-.
 
I went in there once, actually.




















...I'm still not over it. The meds are supposed to help, but they're not. They're just...not.
 
Leterrier: Obviously it's my first Marvel movie and so I was really excited to have access to this vault and references and for the movie and comic book fanatics I wanted to have as many possible winks and Easter eggs here and there. So keep your eye open throughout the movie, because there's tons of stuff.

I'm telling ya, a scene with Rick Jones interacting with Jack McGee would be box office gold.
 
Sounds very cleverly written, referencing the best aspects of the classic comic, the tv show, bruce jones, and even ultimate hulk to an extent. I like the use of a wrist-worn heart rate monitor on Bruce. Pretty awesome that the fully shown transformation is described "seamless". Nice idea about the origin re-do during the opening credits as well.
 
I made that word up weeks ago. :cmad:

I first heard the term 'requel' shortly before 'Superman Returns' came out. I think it was more apt for SR considering it aped Donner's Film almost beat for beat.
 
Odd they were hesistant about sequels, Roth is signed up for 3 movies, I guess the decision rests on how well this movie perform.
 
Odd they were hesistant about sequels, Roth is signed up for 3 movies, I guess the decision rests on how well this movie perform.

Hopefully thats what is going on, I'd hate to see it do well and then they just let go of Hulk for other characters films.

Then again... that's the key isn't it? It has to do well first, which Frostie is very uncertain it will even though it looks amazing.
 
IMO the studio just doesn't seem confident in this movie. Doesn't mean that the movie isn't going to be good though, I just don't think that the studio is confident. I suppose that could be because the first one failed hard core despite having Oscar winning actors and an acclaimed director.
 
IMO the studio just doesn't seem confident in this movie.

Agreed. It's not that I think they think it's a bad film, I think they are just scared of how much it could potentially make. It's hard to convince people to go see it.

This thing is going to have to open small, and then have to have WOM spread it or it's done. I cannot see a big opening at all.
 
I read about half of it and then it got a little too spoilery for me.

Good stuff. :D

-TNC
 
^I'm going to be honest, I would be shocked if this movie hits 55mil opening weekend. I'll admit that it could happen as my prediction for it's opening weekend isn't far off from that (45mil) but I just don't see it. i'm only predicting that much because of inflation.
 
It's not that they're unconfident in this film, they're just being cautious. It could be the best marvel movie made yet but that doesn't mean it'll do great at the box office, they're playing it by ear, which imo is sensible.
 
^I'm going to be honest, I would be shocked if this movie hits 55mil opening weekend. I'll admit that it could happen as my prediction for it's opening weekend isn't far off from that (45mil) but I just don't see it. i'm only predicting that much because of inflation.

45 seems reasonable for opening weekend for a movie thats following a failure. If it's good I wouldn't doubt seeing it succeed as it doesn't really have much competition until July.

The only real obstacle here is convincing people this isn't the last one and giving it another go. Hulk is still a big name, and if a no-name like Iron Man blew out the Box Office you never know what could happen.
 
- Universal PicturesThe painful transformation.
This is the money shot: The full blown, on-camera, in broad daylight shot of Bruce transforming into the Hulk. This is a painful transformation, indeed. Bruce begins to convulse, as all the veins in his body become eerily visible — a dark green road map spread across his body. What can best be described as a massive tumor erupts out of Bruce's left shoulder. Only, it's not a tumor; rather, it's his muscle increasing in mass and changing color. Next, his left hand enlarges before his entire arm and torso is overtaken. His screaming head is the last body part to change, and what's most amazing about this moment is that the viewer will be hard-pressed to tell when the real-life Norton is replaced by his monstrous CG counterpart on the table. The transition is that seamless.
http://movies.ign.com/articles/876/876568p1.html

This is the part that got me excited the most. I want to see a seemless transformation from Norton to Hulk, and if they can pull it off, it can really convince people that Hulk is alive and not just CGI.
 

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