I honestly think the bigger issue here is that Star Wars never had that great of a story to begin with (yeah, I’ll say it). So whether you’re trying to emulate the original (TFA), venture into new territory (TLJ) or course correct (TROS), you’re still trying to build on a foundation that was average at best. The original trilogy worked so well because of special effects that had never been seen before and overall great performances by actors who were perfect for their parts. The story? LOL, they “hid” Luke away but he was walking around using his real last name on the planet where his dad grew up. Obi-Wan ALSO goes by his real last name and somehow Vader never finds him. The Empire’s big mcguffin is the SAME thing in the first and last movie. But it’s fine; the movies are enjoyable enough. I just think people are looking for more than this series has ever really given them because it’s been like their religion since they were kids. No wonder Rian Johnson made a SW movie about destroying religion, lol.
I see what you’re saying, and I think there’s some merit to it... but simple story can
still have complexity, and if it has that, and is far better than a story that is
complicated but lacks complexity. Plot convulutions do not guarantee or immediately eliminate complexity; complexity is created by successful storytelling that allows emotional complexity and impact, and where story elements act to assist each other as time goes on and as rewatches and expansions occur.
The OT had a simple story, but still had complexity; the characters outgrew their archetypes to become more than that, and the emotional story arc surpassed its imitators and many of its contemporaries. There’s a reason why a throwback to pulp adventures created the Space opera.
The PT had complications that occasionally drowned out complexity... but started pretty good (TPM’s reputation is far more tarnished by AOTC than its own quality) and genuinely ended on a high note with ROTS, which *did* help emphasized the simple but complex story of the OT.
The ST... the ST has succumbed to contradictory, underwhelming, and damaging schizophrenia that facilitates
wildly between manic complications vs simple-but-opposing themes and storytelling directions, moments of laziness and apathy vs with hyper-investment and tunnel-vision, and making a lot f noise without saying much at all.
TFA was by far the simplest story of the ST. And it
unequivocally had more complex characterizations and a stronger, character-driven plot. Finn, after three films, still had the most complex and deep story -
because he actually had a story in TFA. He then got ignored for two films in favor of Kylo, a character written so inconsistently and with such different complications to his plot that he never escaped a banal and binary portrayal that can be summarized as “Uttlerly, loatsomely evil, with a meaningless lip-wobble game - until we need him to be a heroic mime for five minutes.”
Rey’s story is one big, overly complicated mess that fails to match either Luke or Anakin’s story, in part because her story is *literally* suffering from multiple personality disorder. Is she a rough and tumble survivor with a found family in Finn and a righteous but dangerous temper? A naive and gullible little girl hoping someone tells her what to do? Kylo Ren’s abused girlfriend? Rey of Jakku? Rey Daughter of No One? Rey Palpatine? Rey “Skywalker?”
Ultimately, this trilogy screwed itself over by both failing to plan out what should be done where and who should be focused on and who they are. TFA had a simple story... who’s heart and soul was totally ignored by TLJ, which had some cerebral focus (even if it had a gigantic whopping blindspot towards Kylo and didn’t truly “get” Rey or Finn)... with neither the soul of TFA nor the mind of TLJ making it into TROS.
A simple, conventional Sequel Trilogy based off TFA would have been far more successful in the long run and made more money both with its two companions and with a more fruitful storytelling ground between trilogies.
Instead, we’re stuck with a stale and decarbonated Diet Darth Vader, a main hero with no identity until the last film twisted around an abusive romance, and a black sidekick who never got better writing than he did in the first movie.
And a story that actually hurts the films before it.
We had Star Wars, which may not have been much... but now, we kind of have Transformers 1-3.