bosef982 said:
There is nothing in this film that makes it seem as if the cure isn't already been replicated. The sheer amount of "cure" formula available to the gov't suggest that they are able to replicate this stuff on a mass schedule. So, Nell, the whole...they needed Leech doesn't really stand. There was no "need" to perfect the cure. The FDA -- as Mystique tried to break into -- had already approved the drug and it was deemed "viable." There was nothing to perfect, which further calls into a question why a youngster was being detained by humans. I've heard people say that its because they were in compliance with the Department of Mutant Affairs rules...but so the **** what? So the rules of the DMA sanction the detainment of a child? Oh, that's wonderful...
There is no proof, no mention, no moment in this film where they discuss that they are attempting to replicate it. It is understood and implied by the sheer scope of the cure's usage that it is replicated and far spread. But what does it matter? The cure really doesn't even work as shown by Magneto at the end.
Did you even watch the movie?
Beast: "How long will you keep the boy here?"
Dr. Rao: "Until we can fully map his DNA, we can replicate it, but we cannot generate it."
Without the boy, and his DNA, they cannot make the cure. Therefore they cannot continue to produce it. Therefore, simply supply and demand dictates that it will eventually run out. Therefore, there will eventually be no more cure.
bosef982 said:
And how does Phoenix killing Cyclops and Xavier show "whats at stake?" They're already dead. It's not like Phoenix is saying, "I'll destroy humanity" and kills Cyclops and Xavier to show her ruthelessness. No. She kills them and doesn't talk for the rest of the movie. Literally, she barely says a word after that moment till her death. She says a few words to Magneto, and that's it. Phoenix is given no motivation, no goal at all...and yet you are able to deduce this vague scheem of her destryoing things in a blink of an eye from what...? Nothing. There is nothing. You're no longer deducing -- you're creating for the sake of making an argument that is flawed and futile from the very beginning.
The fact that she killed the two closest people in her life to her doesn't show stakes? Come on! I'm not saying that this was the way to go, but the fact that she killed them off, what's she going to do to people she has no connection with? Say "Whatever" and walk off?
Words don't always need to be used to show her motivation. And words were used rather well to show her motivation.
Wolverine: "We can help, the professor can fix it."
Phoenix: "I don't wanna fix it!"
The Phoenix doesn't want to be locked up again. Anyone that is a threat to that, Xavier, soldiers, and she even toyed with Magneto a bit, she will off. But you think that after that, she's just going to be all nice and peachy? Did you not listen to the Professor?
"A creature full of desire, joy, and
RAGE"
You do know that more than one thing can piss someone off, right? And you do realize that when Phoenix was pissed off, people paid, right?
THOSE were the stakes. The kind of damage that could happen if she was left alone, and not destroyed. The killing of Cyclops, Xavier, and all those soldiers on Alcatraz show just how real those stakes were. And it's not like it'd just end at Alcatraz.
bosef982 said:
Magneto destroying the cure is not linked to "nothing can stop us." It makes no sense. That speech made no sense due to that very logic leap from destryoing the cure to "nothing can stop us." You need to stop taking everything this movie says at face value and actually think about it...Magneto destroying the cure would've done nothing.
Magneto destroying the source of the cure would have destroyed the cure. They would not be able to create it anymore. And they would run out. They would no longer have cure weapons anymore to use against mutants. They'd no longer have cure clinics to cure the mutants. It would be GONE.
I need to think about it? I think YOU do. You're totally ignoring the pieces of the puzzle the movie flat out told you. You think that just because the cure has been distributed, that it is now an infinate source and they can just make it whenever they want. But they can't. Yes the cure has been distributed, and yes mutants have been cured, but by destroying the cure, the cure will eventually run out, no more will be made, and the humans won't have their weapons against the mutants. And then, nothing CAN stop them...
bosef982 said:
If the cure had already been distributed and was replicable, Magneto's march on Alcatraz is POINTLESS. Nothing is at stake. The whole -- Jean is so powerful is all so much b/s. None of you can cite anything in the film that suggests any of your possible scenarios other then...Magneto would've gone wild. And...? Why didn't they use THAT plot point where he goes wild instead of this weak-ass one?
Because he needed to destroy the cure first, to destroy the weapon the humans had against them.
If destroying the cure was the final goal of the Brotherhood, and of Magneto, he would not have said "And then, NOTHING CAN STOP US!" But the fact that he did, shows that he has bigger plans beyond just Alcatraz. They weren't explicitly stated, but since they aren't a direct part of the plot, it doesn't need to be. It just needs to be known that once Magneto destroys the cure, the humans won't have much of a defense against him when he continues his march, and the X-Men must stand against him now.
bosef982 said:
BTW, again Nell, get educated on X2 -- the President is not "awakening" from the Cerebro Effect. He and his agents are all in agony, the president just not looking exactly like the others since...you know...people react differently to pain.
Watch the scene again. He is blatantly looking up. It's not even in question. Anyone who thinks he's actually in pain in that scene, and not recovering, has comprehension issues.
bosef982 said:
Why didn't we see the destruction from the chaos? Well, because it would've seemed too much like a tangent. Its implied and its not relevant to the actual action on screen. Cutting away to show people crashing their cars is just poor filmmaking and is sort of obvious too. It's also a bit of a budgetary constraint -- which is something people forget about X1 and X2. So, cry all you want...it's just not neccessary. Between STryker and the f-ing President of the United States being attacked, I think we get a general idea of how fatal the Cerebro Effect was. What you wanted was a climax after a climax -- thus making the climax anti-climatic. It's poor filmmaking.
Actually, I don't even really have a problem with it. It's you, and all the X3 bashers, who automatically assume that because I said X2 isn't perfect, I think it sucks and X3 is so perfect. I love X2. I've stated it many times in this thread. It was my favorite until X3 came along, and now they are about tied, for different reasons. X2 has character. X3 has action.
But all you X3 bashers have Singer up on a pedastal of some sort of god that when a less than positive remark is made about his films, you all flip out and have to run around attacking anything and everything X3, and those who like it. You can't just accept the fact that yes, some people liked X3. Deal with it.
bosef982 said:
And I believe, after Cerebro is shut off, we get the X-Men fleeing for their lives, a quick mention by Xavier that its gone beyond Alkali Lake, and then the death of one of the X-Men. Not to shabby and much more personal than seeing a car crash...I'll watch my local news for that.
And didn't you see me say that that's the part of the film that became great again?
Up until that point, I find myself a bit bored with the entire climax. It's Xavier sitting in a chair, and a bunch of people dropping down in pain. Singer was great at establishing this universe, and who these characters were, and he had a great sense of style and elegance, but when it came to developing a climax, and exciting action, not so much. But by the time they get back into the X-Jet, things start to pick up again.
But maybe you missed that because you're so mad at me for liking X3, that you had to go on and on attacking X3 and my opinion of it, that you forgot to read the good things I said about X2.
bosef982 said:
I've tried to be nice. But you want to come on here and attack me -- fine. Yes, I do believe that film has objective standards. If that makes me a raging prick who doesn't value other's opinions -- fine, Nell. But that's not what I said. I said that to abandon objective film standards and then call X3 a good movie is idiotic. Just as it would be idiotic for someone to rob a genre or medium of its objective standards and still adhere to it as a good representation of that medium -- it's ludicrous and it cheapens the genre. So, get off my back on that one...you don't like the fact that there ARE rules to filmmaking, fine -- leave it be. But, I'd ask you to consider why there are a few hundred film schools across the country -- including one's both Singer and Ratner attended -- that are teaching these standards.
I never started the attacks. You're the one that came into this thread and called my views out. Because I said something positive about X3, an advantage that I felt it had over X2, and you had to come in here and call me out.
You're also the one who's been claiming that the only people who play the "opinion" card are people with lower standards who don't understand good filmmaking. That sounds like an attack to me.
bosef982 said:
And, for your information, Nell...I've watched X3 a total of 4 or 5 times now. ANd I stick by my standard that it is a film whose parts are better than its whole -- thus why I can watch it. Its a film that I enjoy on the back of the first two films and out of loyalty to the characters developed and portrayed in the first two films -- X3: The Last Stand ironically does not stand on its own -- it crumbles. It is a subpar ending -- the plastic wrap on top of a jar when you could've used a lid -- to this trilogy.
Okay, that's fine. I don't feel that way, and I'd appreciate it if you didn't come into my threads attacking me for the way I feel about the film.
bosef982 said:
Do I hate X3? Not really. I just find it a poor piece of filmmaking. What I hate, is the nauesating self-justificaiton and deception from people who think that if they tear X2 up, X3 will become a better movie -- already admitting in such a tactic that X2 needs to be lowered to X3, and thus that X3 was a step down, and not up.
But I'm not trying to bring X2 down to make X3 good. I already think that X3 is good. And I also think that X2 is good. This thread is merely to point out ONE thing that I think X3 does better than X2. It's not to claim that X3 is a better film. It's not to knock on X2. And if you actually read what I said about both films, you could understand that.
bosef982 said:
But this thread is yours now, Nell. Talk about Wasted Motion, here, we're talking about wasted space.
This thread is mine, after you've sabotaged and ruined it? Thanks.
So much for the X3 bashers letting us X3 lovers have our positive threads...