A Necessary Evil
One. Bad. Day.
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- Nov 15, 2010
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I watched this today, finally. Absolutely loved it. So happy Finnes did it, he has great comedic chops. 10/10
Karl Jarvis said:I only intended to stay for a week. I'd heard about this beautiful spot in Europe and so I came to recuperate after a series of stressful months at home, having a few runs with the tax man, and the ex wives. The photos of the hotel doesn't do it justice, yes it is a little worn round the edge, but it's such a delight, when I first saw it I wanted to eat it, it looked so delicious. Sure it is full of eccentric characters who seem to be drawn here by the quirkiness of the hotel and I feel right at home, there's always some sort of drama going on. I've been here six.months now, and it dawned on me today that they haven't once asked me to pay for my bill, nor have I actually left the hotel grounds. Why would I when there's so much going on here. But this suits me fine, apart from my growing waist line from all the good rich food. I dread the day I have to go back home to normality and my ex wives, Hoping that day never comes.
I think it may be his most accessible movie.
I'll put it in a way that a character in an Anderson movie might actually say: "Do you remember the Sigmund the Sea Monster show, or H.R. Puff'nStuff? Yeah... I hated those shows as a kid."
I find the animation in Fantastic Mr. Fox to be poorly done, quite haphazzard and substandard given its budget and pedigree.
I find you to be poorly done, quite haphazzard and substandard.I find the animation in Fantastic Mr. Fox to be poorly done, quite haphazzard and substandard given its budget and pedigree.
Isn't the animation supposed to be like that though? Kind of like old school puppetry and stop motion? I thought it brought a kind of archaic charm to the film. I don't think it'd be the same if it was perfectly smooth and modern.
I still feel his most accessible film is FANTASTIC MR. FOX. GBH still has a certain emotional distance within the strangeness for the sake of strangeness moments that can either be funny, or allow for a nebulous sense of emotion at best or just be off putting at worst. When Anderson overflows a film with such moments or characters but seems to still expect a genuine emotional response I roll my eyes. But I feel in FOX that all seems to work, and there's actually little of those type of moments in it.
I'll put it in a way that a character in an Anderson movie might actually say: "Do you remember the Sigmund the Sea Monster show, or H.R. Puff'nStuff? Yeah... I hated those shows as a kid."