Guinea Pig: Devil's Experiment (1985)
The first of the Japanese exploitation/gore/splatter Guinea Pig series starts with a young woman hanging motionless outdoors in a large net. We then cut to indoors and a dimly lit room (maybe a warehouse) where she is now tied to a chair. We don't know who she is or how she got there. Three shady-looking guys come into view. And that is all the background/context we get. There is nothing further we discover about the people or circumstances. What we get from that point is a graphic illustration of this woman enduring many, many hours of torture - both psychological and physical. Without going into specifics the film is divided into 10 segments, each named after an element of the torture that follows; Hit, Kick, Claw, Spin, Sound, Skin, Burn, Worm, Guts, and Needle. And then it ends. That is literally the entire content of the film. No names, no locations, no motives. It just finishes after the woman's final ordeal. There are no actor credits, and the film opens and closes with screen-texts claiming the film is real and that authorities are working to identify the perpetrators and the victim (which is all about as genuine as The Blair Witch Project).
The film is notorious and still highly sought by collectors of extreme exploitation. Thing is, it's not very good. I couldn't care less about the subject matter, but this film had one job; to convince that it's real. And it doesn't. With the exception of the 'Needle' segment (which is very effective - you can see why they saved it till last) none of it looks remotely genuine, with the supposed 'victim' coming across more as bored than anything. I recognise the film came out 40 years ago and was originally seen on grainy VHS, which probably helped convince so many people at the time (and there were a lot!) that it was an actual 'snuff' movie, but when you look at it now it doesn't hold up.
As a foundation stone in Japan's splatter/'faux snuff' genre it deserves its place in horror history and for that reason its worth a look by fans, but seen today it doesn't live up to its reputation.
The 'Needle' segment, the (for the time) novel - and probably brave - approach, and an admittedly bleak feel throughout get this 4/10