Murder Rock (AKA Murderock, AKA Murderock: Dancing Death ~ 1984)
Riding the wave of Fame and Flashdance, director Lucio Fulci set this giallo in a New York performing arts school. Someone is bumping-off nubile young dancers as they bump, grind, and gyrate in the hopes of... fame. All we see of the killer is black-gloved hands, a dark coat, and their weapons of choice - a chloroform pad to render the victim unconscious, and a long hatpin to slide very slowly into their heart.
As usual there are numerous red herrings and misdirections. Olga Karlatos (of eye-piercing fame in Fulci's Zombi 2/Zombie Flesh Eaters) is the head of the dance academy, whilst genre regular Ray Lovelock is a drunken male model/failed actor trying to help ID the killer. In fact, although this was filmed in New York, practically the whole cast is Italian - and those who aren't are from elsewhere in Europe. It's noticeable how little blood there is - especially for Fulci (maybe as a reaction to the hostile reception his The New York Ripper received a couple of years earlier). What there is is a sea of legwarmers - the go-to accessory for every female dancer/aerobics enthusiast of the 1980s (popularised by Jane Fonda - whose workout videos were mostly bought by guys...). It's very T&A heavy, including nudity, and the dance routines are sweatily provocative. But there's art here too; the use of strobe/intermittent lighting during kills, the audible heartbeats of the victims as the hatpin slides into their chests, abruptly ceasing as the pin finds its target - it's very effective. Music is provided by Keith Emerson (of Emerson, Lake, and Palmer).
Murder Rock tends to get overlooked as a 'lesser Fulci', but as a prime example of 80s cheese I can't help but like it. 7/10