hammerhedd11
OHaiMark
- Joined
- Aug 29, 2004
- Messages
- 7,640
- Reaction score
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- 31
My Soul to Take
That was a very fun movie. I loved its early '60s style that intentionally reminded me of the best Bond movies, right down to Erik wearing Connery's iconic gray leisure suit from Goldfinger. A German Bond hunting Nazis with superpowers? Cool.
Beyond those early sequences the highlight was Charles and Erik's relationship. This is the bromance of comic books and they nailed just as good as Stewart and McKellan. But this was better because we see the friendship in its heyday and them working together (with legs!).
Vaughn injects his infectious, breezy style to terrific effect. It's just a joy to watch. Albeit, I'll be honest that he has to play it straighter than he did in Layer Cake, Stardust or (my personal favorite) Kick-Ass. So, it's not quite as fresh as his other films but his miles ahead of most summer movies and blows the last two X-films away.
However, the ending felt forced with as soon as Kevin Bacon (playing a great cross between Dr. Mengele and Dr. No) is dead in a satisfying revenge sequence, Magneto turns overnight. While I like how (painfully) they handled the paralysis, it felt forced for the friendship to break up so quickly. Not to mention Raven, the only other mutant worth noticing thanks to Jennifer Lawrence's sweet and subtle performance, abandoning her big brother of some 20 years overnight. It just felt rushed. They should have saved the family dissolution for the sequel and given that it's whole film, as this was about them meeting.
I'm not sure if this is better than X2 or not. It's new and exciting while I've seen X2 many, many times. However, the '60s style and Vaughn's effortless pinache for cool may make it the more enjoyable film to revisit than Singer's somber, brooding piece. At the same time I did miss Wolverine's ferocity (loved Jackman's hilarious cameo, btw) when he goes bezerk. But compared to the watered down square jaw hero he became in the last two movies, I'll take Fassbender's menacingly charismatic Magneto bromancing MacAvoy's mischievous Charles anyday.
8.5/10
My thoughts.
I disagree. Magneto's turn was seen coming, as seen in conversation between Xavier and Magneto. Xavier wanted mutants to be accepted withing society, but wanted them to blend in, aka hide who they really are. Magneto however, wanted mutants to show that they are the better race, and not have them hide. He felt the hatred of humans before, and didn't want to feel the hatred again. I felt that [BLACKOUT]Shaw's words to magneto before his death[/BLACKOUT] was a perfect tipping point as he kept reminding Magneto that [BLACKOUT]humans will do it again to mutants and betray them, which the America and Russian armies nearly did if it wasn't for Magneto.[/BLACKOUT]Also, if Mystique's turn toward Magneto seemed forced, that's because [BLACKOUT]Xavier gave her a push to Magneto. Remember, she did go to Xavier first and chose Xavier, yet he knew who she truly wanted to go to. Magneto appealed to Mystique more as Mystique didn't want to hide who she was. Yet Xavier wanted her to hide who he was, which is something I want them to touch upon in the sequels; Xavier's shallow side. [/BLACKOUT]
'X-Men: First Class' - This is the best comic-book movie I've ever seen. Forget about 'The Dark Knight' which plays out as serious as a heart-attack and forget about 'Spider-Man 2' which often feels like a big-budget soap-opera with superheroes. 'First Class' is straight-to-the-point satisfying with fantastic characters, outstanding action sequences, excellent scripting and pitch-perfect direction. The movie's as sleek as a Connery-Bond flick but with even more class and intelligence. Add to that the fact that it leaves you wanting more, yet thrilled by what you get, and you've got yourself a film that is infinitely re-watchable. Perfection.
Rating: 10 out of 10
Heard what?I want that hour and forty four minutes back. The only good thing about the movie is Amber Heard.
This one![]()
8/10