The A-Team
Because I might as well make it a Joe Carnahan sweep. I've already declared my undying love for this film. I love visiting a body of work of certain directors. Not just to spot trademark shots and recurring themes, but to see them grow as film makers. peak, slide downhill, come back, go out with a wimper or a bang, get excited for their newest release and really the main thing for me is to indulge myself in the reasons I like them.
With Carnahan there's a raw, heart on his sleeve, emotional manliness to his films, in his films life is small and fragile, cherish it, because it will go very quickly, live it because there'll be no difference when you're gone. It's obviously prevalent in Narc and The Grey, but even in Smokin' Aces, characters don't just die, they try to hang on to life, the film stops in it's tracks so their friends go consul them, the film stops to show hitmen and cops worrying about their friends. A-Team didn't really go to that length, it's easily Carnahan's most impersonal film, which is to be expected as a major studio release, but even then, what kind of PG-13 summer blockbuster has the main character arc be about a man renouncing killing and violence, only to come to the conclusion that killing and violence is good **** and if you don't like it you're a *****.
His next film? A remake of Death Wish. ****ing perfect.