Spider-Man would work great as a TV show. But that ain't gonna happen. But since MCU Spider-Man is not going to have an origin, but deal with a still relatively inexperienced Spider-Man, I think it would be best to show both sides by showing that he is still a newbie, but is having an impact for about the year or so he's been Spider-Man. We're not getting another origin film, and we shouldn't.Yeah, but The Dark Knight had Batman Begins to proceed it. This is MCU Spider-Man 1. But, I understand what you're saying. But, it's part of the reason I'd love this to be a Netflix show, where you can start at the beginning and really develop the supporting cast and intro the wide variety of villains in Spidey's rogue's gallery.
There's really nothing unique about Spider-Man's power set anymore. Between Venom, Miles Morales, Silk, Spider-Gwen, Spider-Man 2099, etc., what makes Peter stand out is his character, not his powers.I just feel it takes away the uniqueness of Pete.
When it comes to looks alone, I think Billy Bob Thornton can pull off the old school Quentin Beck look haha:
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Not saying he should play Mysterio haha, just think the similarity is pretty striking! :P

I think the Sinister Six works right off the bat because we should have a Spidey that has at least a year under his belt in his first solo movie. Kinda like how the Dark Knight showed that after time, the results of Batman forced the various criminal gangs to work together, the results of Spider-Man have brought various criminals of uncommon backgrounds to work together.
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I think it could be a good idea for Sony as a business to have two simultaneous Spider-Man film series that work together.
When I was doing Spider-Man the first time, I remember distinctly having thoughts about three movies, each of a different kind. The way the comic book lines switched, it was Spider-Man, Amazing Spider-Man, Spectacular Spider-Man there were a number of them.
So rather than try to pursue the same course - or any kind of similar tone youd have strikingly different tones. The classic Spider-Man, that would be the top-of-the-line, studio Sam Raimi ones, then the Amazing Spider-Man ones, theyd be done for $75-80 million, and have a rougher, edgier, almost R-rated feel to them if not R-rated, though I dont think they could ever bring themselves to do that. Tougher, nastier, a rougher look shorter movies. I dont like superhero bloat personally.
And these series didnt have to be consecutive, they could be released concurrently. Then I also thought there should be a Spectacular Spider-Man series, because Spider-Man leaves out a large group of its audience. Little kids are fascinated by Spider-Man by the time they are three, or younger. But when I was a kid, I loved the animated series, so I always thought there should be separate lines to cater for different ages of Spider-Man fans.
Mysterio is beating the crap out of that poll. When did he become so famous?
Mysterio is favourite because we have seen most of other great villains in movie already. Fans want someone not seen before I think.
Which would be Awesome to see on 3D.Agreed. And Mysterio can also be a very cinematic villain, since he deals with illusions. They can basically use him to project any nice visual they think of at us.
We need to see MCU versions of Doc Ock, Green Goblin and Venom eventually.
But for the reboot, I feel they should use one of the above villains along with one that hasn't been used before
Never, ever, Venom. I'm with Brian Bendis and Sam Raimi. Venom is a weak character that reeks of late 80s/early 90s sensibilities of style over substance. I'd much rather see Ned Leeds as the Hobgoblin. He has nearly the same dynamic with Peter in terms of being rivals both as reporters and costumed figures. However, Leeds has infinitely narrative depth. Eddie has a highly irrational disdain for Peter Parker, and that is his sole motivation. Not that you can't have a character purely driven by vengeance, but Brock's justification for vengeance is pure crap, which makes him an uninteresting figure. This is why Raimi wanted to avoid him and why Bendis did his best to keep Venom's exposure brief in the Ultimate series.
Honestly, you don't have to change it that much to make it compelling. In my proposed version, Brock is his traditional, mean, "buck-passing" self. He gets fired from The Bugle when Peter reveals he exposed the wrong person as Hobgoblin, and follows Spiderman into action to try to save his job. He gets in trouble and Spiderman, influenced by the symbiote, refuses to save him. After the movie, he bonds with the symbiote and, upon being told that Peter and Spiderman (his two "biggest enemies") are one and the same, is used by the Hobgoblin to make Peter's life hell.I'd understand if the problem was that having Venom would feel like retread, but why can't they rewrite the character so that it's a lot better? Let's be honest, any Spider-man villain would have to be rewritten to some extent so it fits in a movie. So why is doing that with Venom so wrong?